Carl Lindin Art

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

Camillo Adriani was born in Massachusetts in the late 19th century. He studied art in Boston. Adriani was especially well known for his vibrant portrayal of New England snow scenes...

C. Hjalmar Cappy Amundsen (1911 - 2001) was an American painter best known for his Gloucester Scenes. He painted all over the New England areas. Here we have an extraordinary paint...

Gracie Mansion, c. 1944, oil on canvas, signed lower right, 25 x 30 inches, presented in a newer frame Isabella Markell was a painter, etcher, and sculptor, who is best known for ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

This work is part of our exhibition America Coast to Coast: Artists of the 1940s Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in an original frame Julius Delbos...

Jim Beckner's (US based) "Money to Loan" is an oil painting that depicts a unique red Money for loan sign on a busy city block Artist statement: Jim Beckner’s art vibrates with the...

Judd Mercer's (US based) "Parked," is an original, handmade oil painting that depicts blue waters meeting a land with trees and cars parked in their shade. About the Artist: Judd Mercer is a watercolor painter based in Denver, Colorado. After attending art school for industrial design, Judd pursued a career in digital design and user experience and is co-owner of Elevated Third, a Denver-based digital agency. After committing to writing and illustrating a full-length fantasy novel in his spare time, Judd began watercolor painting around 2014, studying with teachers such as Alvaro Castagnet, Joseph Zbukvic and Herman Pekel...

Leigh Ann Van Fossan's "All is Calm" is an original, handmade oil painting that depicts a cabin in a snow storm. Van Fossan was born in Vail, Colorado, and began oil painting at t...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Landscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...