Carlo Alberto Petrucci was a highly regarded Italian portrait and landscape painter and printmaker. He was the founder of the Rome Secession, the early 20th-century Italian Modernist art movement, and influential curator of the Calcografia di Roma (Istituto Nazionale per la Grafica). Petrucci's graphic works are at the museum collections of the National Gallery of Art, the Brooklyn Museum, Detroit Institute of Arts Museum and the Galleria d’Arte Moderna (Rome).
Castel Sant'Angelo - Rome - Etching by Carlo Petrucci - 1929
By Carlo Alberto Petrucci
Located in Roma, IT
Etching on paper. Hand signed and numbered in pencil. Edition of 25 prints, with dedication. Very good condition.
Drypoint, Etching
Still Life with Peonies — Unique Signed Monotype, Italian Succession, c. 1915
By Carlo Alberto Petrucci
Located in Myrtle Beach, SC
Carlo Alberto Petrucci, 'Still Life with Peonies', color monotype, c. 1915. Signed in pencil, in the image, lower right. A superb, painterly impression, with fresh colors, on heavy c...
Monotype
View of Rome - Etching and Drypoint by C.A. Petrucci - 1964
By Carlo Alberto Petrucci
Located in Roma, IT
View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...
Etching, Drypoint
Untitled - Etching by C.A. Petrucci - 1960s
By Carlo Alberto Petrucci
Located in Roma, IT
This untitled artwork is an original etching realized by Carlo Alberto Petrucci, around 1960. The print rapresents a portrait of an old woman. Good conditions except for some foxin...
Etching
$600
H 30.5 in W 23.2 in
"Hand Knitters II" 2003 original hand signed engraving limited edition 30x23in.
By Agustín Bejarano
Located in Miami, FL
Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...
Aquatint
$2,750Sale Price|21% Off
H 7.13 in W 5.25 in D 0.5 in
The Gargoyle and His Quarry
By John Taylor Arms
Located in Plano, TX
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Drypoint, Etching
Brown Still Life from Chagall by Jacques Lassaigne
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...
Lithograph
$4,000
H 32.75 in W 27 in
"Astaire and Rogers" original etching by Al Hirschfeld from Deluxe Edition of 95
By Albert Al Hirschfeld
Located in Boca Raton, FL
"Astaire and Rogers" original etching by Al Hirschfeld. Caricature portraits of Fred Astaire and Ginger Rogers Edition 37 from the Delux...
Etching
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Handmade Paper, Drypoint, Etching
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Archival Paper, Drypoint, Etching
Fonte Nuova, Siena
By Joseph Pennell
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Handmade Paper, Drypoint, Etching
New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Handmade Paper, Etching, Drypoint
Table with Apples and Pears - Lithograph, 1970
By Charles Dufresne
Located in Paris, IDF
Charles DUFRESNE (1876-1938) (after) Table with Apples and Pears, 1970 Lithograph after a painting by the artist (Mourlot Studio) Signed in the plate On Arches Vellum 65 x 50 cm (c....
Lithograph
Picnic - Lithograph, 1970
By Charles Dufresne
Located in Paris, IDF
Charles DUFRESNE (1876-1938) (after) Picnic, 1970 Lithograph after a painting by the artist (Mourlot Studio) Signed in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excel...
Lithograph
Artist's Studio - Lithograph, 1970
By Charles Dufresne
Located in Paris, IDF
Charles DUFRESNE (1876-1938) (after) Artist's Studio, 1970 Lithograph after a painting by the artist (Mourlot Studio) Signed in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inc...
Lithograph
$2,700
H 23 in W 19.75 in
1982 "John Wayne" original etching by Al Hirschfeld. Hand signed and numbered.
By Albert Al Hirschfeld
Located in Boca Raton, FL
"John Wayne" original etching by Al Hirschfeld. Caricature portrait of John Wayne in "She Wore A Yellow Ribbon." Hand pulled from an edition of 200 plus 15 artist's proofs in 1982. H...
Etching