Caro Woods Drawings and Watercolor Paintings

This is a mixed media monoprint titled Homage a Sam (I first thought it was for Sam Gilliam but the artist told me it was for Sam Francis. He has done a number of these Homages as I have found a New York Times article referencing a "cast paper folded into an airplane shape by Richard Royce serves as an homage to the late sculptor Alexander Calder".Richard Royce, born New York, 1941. After getting his BA and MA in fine art at the University of Wisconsin where he studied under Alfred Sessler...

Mark di Suvero Grass Power, 1979-2014 Mixed Media drawing: marker, ink and pencil on paper Hand titled, signed and inscribed to Nadine by Mark di Suvero Frame included: Floated and f...

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Tom Holland (b. 1936) Violet, 1971 Watercolor and Mixed Media on Paper. Hand Signed. Framed with Charles Cowles Gallery, Albright Knox Gallery and Baltimore Museum of Art labels. Han...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Cont...

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

The Cubist, 2019 collage on paper 11 13/16 H x 15 3/4 W in. 30 H x 40 W cm The artist’s collages describe a series of characters composed of different materials – cardboards, textil...

William Fredericksen Untitled mid century modern geometric abstraction, 1958-1959 Watercolor and Gouache on Board Hand signed and dated on the front 12 4/5 × 11 7/10 inches Unframed ...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

Gouache and paper, mixed media, Signed in the middle center. Armand Avril, né à Lyon en 1926, est un peintre vivant à Cotignac dans le Var. Il est surtout connu pour les assemblages qu'il a réalisés à partir de 1968. D'origine modeste, cependant très tôt intéressé par l'art et les musées où le poussait son père, il s'essaie d'abord à la peinture. Cependant, Avril ne commence à trouver son véritable style qu'à l'âge de quarante-deux ans. Enfant, il est un habitué des musées de Lyon qu’il fréquente sur les conseils de son père. Adulte, sa passion pour la collection l’incite à se nourrir des arts premiers et d’artistes comme Gaston Chaissac...

About the piece: 26H x 20W Metallic watercolor and pearlescent ink on Yupo Limited series - size and materials 2021 Taking the 'Wash Buckle' series to new heights (and widths...

Winter Palace is a stunning abstract acrylic and watercolor painting on paper by 20th Century Denver artist Edward Marecak (1919-1993). Created circa the 1960s, the artwork features ...