Charles Le Roy Candle Holders

Antique (late 19th century) Egyptian Revival period French empire style mantel clock in bronze with dark brown patina, retailed at Brown and Rogers of Providence, Rhode Island.

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

An Egyptian Revival Black Marble Clock Circa 1860s made by the renowned clock and jewellery makers Hamilton and Inches of Edinburgh with Royal ...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

A Garniture de Cheminee by Japy Freres et Cie Constructed in two color gold ormolu, comprising a richly decorated mantle clock and two candelabra in ...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

A Patinated and Gilt-Bronze Hanging Clock, with an enamelled dial and Arabic Numerals. The dial signed 'E. Artult / Moulins S.Allier'. The clock with a twin-train movement and a ...

A fine mid-19th century gilt and patinated bronze three-piece clock set By Victor Pierret The figural clock of a woman and a bird seated next to a basket of roses above a gilded base designed with flowers. The candelabra with cherubs holding six lights and sitting on a gilt sea shell base...

Stylish French clock set in the Retour d'Egypt style based on French Empire clocks from the early 19th century. The clock set upon a good rectangular Sienna marble base on which are ...

An important Napoléon III gilt bronze and turquoise porcelain clock garniture. French, circa 1870. This very fine clock garniture comprises of a clock and a pair of vase form candelabra. The finely cast and chiselled gilt bronze case has a jewelled turquoise porcelain face with Roman Numerals above a plaque depicting children in a wooded landscape, flanked by expressive male and female cherub figures, cast in the round, beneath a scrolled pediment with torches en flambeau and surmounted by a turquoise vase and cover. The pair of candelabra en-suite are in the form of turquoise porcelain vases...