Skip to main content

Charles Meryon Figurative Prints

French, 1821-1868

Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.

to
1
9
3
Overall Width
to
Overall Height
to
4
2
20
829
373
347
308
11
1
7
5
8
5
5
3
3
3
2
2
1
1
1
1
1
12
5
4
3
2
1
4
7
4
Artist: Charles Meryon
Tourelle, Rue de la Tixéranderie démolie en 1851
By Charles Meryon
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category

Mid-19th Century French School Charles Meryon Figurative Prints

Materials

Laid Paper, Etching, Drypoint

Tourelle de la Rue de la Tixeranderie - Etching by C. Meryon - 1852
By Charles Meryon
Located in Roma, IT
Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...
Category

1850s Modern Charles Meryon Figurative Prints

Materials

Etching

La Pompe Notre Dame
By Charles Meryon
Located in Roma, IT
This original etching is titled and dated on plate. Monogram of the artist "MC" on higher right margin. Edition of 30 prints, 9 State. Very good conditions. Charles Méryon was a Fre...
Category

1850s Old Masters Charles Meryon Figurative Prints

Materials

Etching

Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
By Charles Meryon
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Category

Mid-19th Century French School Charles Meryon Figurative Prints

Materials

Laid Paper, Etching, Engraving

The Pavilion de Mademoiselle and Part of the Louvre
By Charles Meryon
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Category

Mid-19th Century French School Charles Meryon Figurative Prints

Materials

Handmade Paper, Laid Paper, Etching

François Viète
By Charles Meryon
Located in Middletown, NY
François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...
Category

Mid-19th Century French School Charles Meryon Figurative Prints

Materials

Handmade Paper, Etching

René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
By Charles Meryon
Located in Middletown, NY
Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
Category

Mid-19th Century French School Charles Meryon Figurative Prints

Materials

Laid Paper, Engraving, Drypoint, Etching

Ministère de la Marine - Etching by Charles Meryon - 1870s
By Charles Meryon
Located in Roma, IT
Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...
Category

1870s Modern Charles Meryon Figurative Prints

Materials

Etching

The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris . Initial...
Category

Mid-19th Century Old Masters Charles Meryon Figurative Prints

Materials

Etching

Un Coin de Cuisine - Etching by Charles Meryon - 1870s
By Charles Meryon
Located in Roma, IT
Un Coin de Cuisine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size:24x31. Good conditions. Realized for the "Société des Aquafortistes. Born on the i...
Category

1870s Modern Charles Meryon Figurative Prints

Materials

Etching

City Landscape - Original Etching by C. Meryon - 1866
By Charles Meryon
Located in Roma, IT
City Landscape is an Original Etching realized by Charles Meryon in 1866. The artwork is in good condition included a cream colored cardboard passpartout (35.5x46 cm). No signature...
Category

Early 20th Century Modern Charles Meryon Figurative Prints

Materials

Etching

LE STRYGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...
Category

1850s Charles Meryon Figurative Prints

Materials

Etching

Related Items
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Charles Meryon Figurative Prints

Materials

Laid Paper, Engraving, Etching

"End of Day" Original Limited Edition Etching
Located in Soquel, CA
"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...
Category

Early 20th Century American Realist Charles Meryon Figurative Prints

Materials

Paper, Ink, Drypoint, Etching

"End of Day" Original Limited Edition Etching
"End of Day" Original Limited Edition Etching
$600 Sale Price
25% Off
H 12.5 in W 9.5 in D 0.5 in
Une Escale au Brasil (A Stopover in Brazil)
By Charles Dufresne
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category

1920s Modern Charles Meryon Figurative Prints

Materials

Drypoint, Etching

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Charles Meryon Figurative Prints

Materials

Laid Paper, Engraving, Etching

Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

1720s Old Masters Charles Meryon Figurative Prints

Materials

Laid Paper, Engraving, Etching

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category

16th Century Old Masters Charles Meryon Figurative Prints

Materials

Etching, Laid Paper

Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category

1930s American Impressionist Charles Meryon Figurative Prints

Materials

Ink, Etching, Laid Paper

Christ and the Woman of Samaria
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Christ and the Woman of Samaria Year: 1634 Medium: Etching Paper: Verge paper Image (plate mark) size: 4.75 x 4.25 inches Fr...
Category

Mid-17th Century Old Masters Charles Meryon Figurative Prints

Materials

Etching

Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category

1850s Impressionist Charles Meryon Figurative Prints

Materials

Rice Paper, Woodcut

Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
By Henri de Toulouse-Lautrec
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category

1890s Post-Impressionist Charles Meryon Figurative Prints

Materials

Mulberry Paper, Lithograph

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
Category

18th Century Old Masters Charles Meryon Figurative Prints

Materials

Handmade Paper, Etching, Laid Paper

Self Portrait, Drawing at the Window
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Self Portrait, Drawing at the Window Year: 1648 Medium: Etching Paper: Verge paper Image (plate mark) size: 6.35 x 5.25 inch...
Category

Mid-17th Century Old Masters Charles Meryon Figurative Prints

Materials

Etching

Previously Available Items
The Little Bridge - Original Etching by Charles Meryon - 1850s
By Charles Meryon
Located in Roma, IT
The Little Bridge is an Original Etching realized after Charles Meryon (1821-1868). The artwork is in good condition included a white cardboard passpartout (51x35 cm). No signature...
Category

Early 20th Century Modern Charles Meryon Figurative Prints

Materials

Etching

San Francisco
By Charles Meryon
Located in Storrs, CT
San Francisco. 1855-56. Etching on steel, based upon photographs. Delteil-Wright catalog 73; Schneiderman catalog 54 state iv (with lettering). 9 1/2 x 39 1/4 (sheet - sight size 8 1/8 x 38 1/2). frame 16 x 45 1/2). Printed by A. Delâtre in an edition of 100. A rich lifetime impression printed on laid japan paper. A rich, bright impression in good condition. Provenance: Property from the Credit Suisse Americana Collection. Signed and dated in the plate. Annotated in the plate, "Imprimée chez A. Delâtre, rue du Fbg Poissonnièr 145, Paris." The etching is elegantly presented in a silk mat with a gold liner and a 16 x 45 1/2-inch gold leaf frame. In the spring of 1856 from François Louis Alfred Pioche (1818-1872), a banker, investor and art collector, who traveled between his native Paris and his adopted home of San Francisco. Pioche had made his fortune in San Francisco, but was back in Paris seeking investors for his rapidly growing American business interests. Poiche asked Meryon to create a panoramic landscape of San Francisco, although the artist had never been there. For inspiration, he was given a five-daguerreotype panorama of the city (now in the Art Institute of Chicago), from which five large paper photographs were made for his use. While much of the landscape was copied directly from the photographs, Meryon added a cartouche to the center foreground with allegorical figures of Abundance and Labor, as well as portrait medallions of Pioche and his partner Jules B. Bayerque. The etching took nearly a year to complete. Meryon pulled the first proofs in September and finished some time that winter. San Francisco was a point of interest in Europe after the gold rush of 1848, as people from within America and abroad rushed to California to seek their fortune. The population grew rapidly, forcing the city to expand haphazardly with narrow streets that survive to this day. The large title cartouche is supported by river gods who appear to be holding sieves, a reference to the activity that was making the city rich. Meryon depicts San Francisco as a bustling yet still growing metropolis, rife with opportunity for the investor. There is almost empty farmland in the foreground, followed by a jam-packed cityscape, and ending with a busy port-scene densely populated with cargo ships. The symbols of California's wealth, gold mining equipment...
Category

Mid-19th Century Modern Charles Meryon Figurative Prints

Materials

Etching

San Francisco
San Francisco
H 16 in W 45.25 in D 2 in
Le Petit Pont (the Small Bridge, Paris).
By Charles Meryon
Located in Storrs, CT
Etching and engraving. Delteil-Wright catalog 24 state .v/vii; Schneiderman catalog 20 state .vi/ix.Image: 10 3/8 x 7 3/8 (sheet 13 x 9 1/2). Edition of 600 for L'Artiste (vol IV #...
Category

Mid-19th Century Modern Charles Meryon Figurative Prints

Materials

Engraving, Etching

Charles Meryon figurative prints for sale on 1stDibs.

Find a wide variety of authentic Charles Meryon figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Charles Meryon in etching, paper, engraving and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Charles Meryon figurative prints, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Félix Hilaire Buhot, Charles-Emile Jacque, and Edgar Chahine. Charles Meryon figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $13,926, while the average work can sell for $2,750.

Recently Viewed

View All