Cheung Yee (Zhang Yi) Sculptures

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

Nine Waces G&B is a unique contemporary modern sculptural paper relief by renowned Polish-Dutch artist Eliza Kopec. This relief is a typical example of her preferred minimalist abstr...

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...

"Havabanana / Sleep (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measur...

Andisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) gallery label verso Image: 25.25" H x 18.5" W; frame: 27.5" H x 21" W x 1.5" D. Andisheh Avini was born in 1974 in New York. Educated at Hunter College in New York, he has shown consistently in solo and group exhibitions since 2002, including locations in New York, Berlin, Los Angeles, Basel, Madrid and Paris. He currently lives and works in New York. Through his abstract paintings, drawings and sculptures he finds the sweet spot where minimalism, Pop Art, and the political collide. Andisheh Avini is known for his patterned silkscreen painting created on carpet and wood, which are informed by the history and culture of Iran. Avini frequently takes familiar political images and recontextualizes them, prompting the viewer to consider Middle Eastern politics from another perspective. Blending the visual vocabulary of his Iranian heritage with aesthetic and material experimentation, Avini’s work offers a meditation on the experiences and memories that shape our identities. He has used a variety of exotic materials including marquetry or Khatam – a traditional Iranian craft of inlaid wood, crystalline protrusions of actual minerals, peacock feathers, mother-of-pearl and parchment often in abstract geometric compositions, mediums associated with traditional Persian craft— with nods towards Minimalism, Abstract Expressionism, and other Western art movements. He has shown in many prominent galleries including solo exhibitions at Marianne Boesky Gallery (New York), Galerie Frank...

Rhythmic geometric forms is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously ...

Michelangelo Bastiani (1979, Italy) uses technology in his representations of water to illustrate its dynamic nature and facilitate a direct connection and tangible interaction with ...

This artwork "A FLATNESS IN THE EYES" is an original assemblage artwork by Jim Houser. Incorporating various dimensional elements and techniques, such as painting and found objects, ...

This is the first of my dimensional works which operates across multiple panels. The larger of the two is the first dimensional panel on which I put a curved edge, blurring the line ...

8 positive & negative built rectangles is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from...