Cindy Shaoul Paintings

Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in his creative life. He covers the canvas with unique imagery...

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

'Blood in the Veins' Original Artwork, Unframed. _____________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap pulses through branches, b...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000),...

A Playful Disposition 2 by Magdelena Morey [2022] A Playful Disposition 2 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

A gold-leaf landscape painting by Sophie Berger. This original oil painting on canvas board has the depth and moodiness of a Dartmoor sky as well as the vivid sunshine hiding beneath the clouds. This is captured by the iridescent glory of the gold leaf. When the viewer is moving around the room the reflection on the gold leaf changes the whole painting as it glows and reflects. Based on the ever changing skies in Devon where Sophie lives and works. New original artwork by artist, Sophie Berger is available with Wychwood Art in their gallery and online. Sophie Berger's recent work has been greatly influenced by her move to Devon and a new found love of the Dartmoor. She often sketches on the north moors and in Skaigh woods, taking in the mood of the sky, rolling hills and streams or concentrating on the intricate twisted branches and roots of the bracken. Sophie Berger's next stage is to recapture these sketches using oil paint when back at the studio in Kigbeare, thereby creating a strong connection between her work and the landscape. The changeable, moody landscapes...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

'The Cherry Blushes' Original Artwork, Unframed ______________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap rises through branches, bu...

'Rising from your Roots' Original Artwork, Unframed ______________________ Capturing the flush of fleeting youth, the cherry blossoms blush crimson as the sap rises through branches...

" Arroyo 14" is 72” x 60”. A rich sienna and ochre figure centered on a textured field of light yellows and beige. Frank Arnold’s paintings exhibit the highest quality materials for ...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

A Playful Disposition 4 by Magdelena Morey [2022] A Playful Disposition 4 is a cheerful, original abstract floral painting by Magdalena Morey. This co...