Claude Michel Clodion Table Lamps

A good quality pair of French 19th century gilded ormolu lamps, each having two putti seated on a scrolling foliate base.

Handsome patinated brass urn converted into a lamp. Four laurel trees and ten different male and female figures, all in classical dress, in circle the urn which includes a pedestal o...

A pair of early 19th century bronze & ormolu fluted candlestick lamps having urn-shaped nozzles above reeded, tapering stems with acanthus leaf dec...

19th Century Bronze and Ormolu Oil Lamps on Marble Base, converted to electric

A pair of early 19th century bronze & ormolu Candlesticks, having fishscale engine-turned sconces above tapering stems with spiral engine-turning supported on circular bases. (Now...

This is a lamp in brass with a marble base. It has been done in France during the 19th Century. It could fit perfectly with classical american...

This is a lovely antique French neo-classical style gilt bronze and black veined marble lamp. It has a urn form with draped gilt bronze floral foliate. It is unmarked and in working ...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

Pair 19th Century French Empire Ormolu Patinated Bronze Candelabra Lamps. Pair of elegant antique French Empire bronze four light candelabras converted to table lamps. The outstandi...

Crafted in France, circa 1870 and made of marble and bronze, these antique urns converted into table lamps stand on a three-leg bronze base ending with hoof feet, over a marble botto...

A fine pair of French 19th century marble and ormolu mounted figural urn three-light table lamp candelabra. The ovoid white marble body surmounted with a pair of mermaids holding han...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...