Currier & Ives Paintings

Oil on panel, signed with initials and dated 55' lower right. Additional identifying label on reverse. Nikolai Timkov is one of the best known Russian impressionists in the world. H...

A nice large oil on canvas by Alwyn Crawshaw of a country scene with horses, signed bottom left. In a nice decorative frame. Please contact us directly for a worldwide shipping quote.

Dimensions: Frame: height 31.5 cm / width 36.5 cm The painting: height 26.5 cm / width 33 cm.

Antique Currier & Ives Print - The Meeting Of The Waters 19th C Measures - 25.5"h x 34.25"w x 1.5"d Catalogue Note: Ask about DISCOUNTED DELIVERY RATES available to most region...

A large folio hand colored lithograph by Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) titled "Camping Out Some of the Right Sort" published by Currier and Ives, New York, 1856. A charming and evocative composition depicting a group of mid-19th century men...

19th c. English School oil on canvas, untitled, depicts a street scene with mother and child standing in front of what appears to be Butcher Shop, with the ocean in the background, ...

This oil painting on canvas captures the serene beauty of Denmark's countryside, showcasing the talent of the artist Niels Walseth (1914-2001). Known for his captivating landscapes, ...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

"Summer's Evening" folio has the appropriate Currier and Ives' markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph depicts a young well dressed and well to do family overlooking their property as workers tend to the farmland and harvest hay. Note the haystacks and a horse drawn hay wagon. The large and well built farm house stands proudly over the scene with the village in the background. In addition to the Amon Carter Museum in Dallas, an example of "Summer's Evening" is in The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert). Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 19 7/8" h x 26" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and foxing (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Hand colored lithographic print of Daniel O’Connell, Irish Republican hero, after the Currier & Ives original. The work has been professionally conserved, an...

Kellogg & Comstock SHEPHERDESS OF THE ALPS original Kellogg & Comstock hand-colored lithograph, Published by D. Needham (American, 1808 - 1888). Circa. 1848-1850. image: 12 in x 8 1/2 in; 30.48 cm x 21.59 cm. overall: 15 in x 11 in; 38 cm x 28 cm. Strong and clear impression, overall very good condition, paper has a light oxidation and restored small tear middle left side Framed, no glazing This hand colored print is of a young girl and two goats standing near a stream in a forested area. The girl is wearing a knee-length dress with short puffed sleeves and long stockings. She is feeding a goat with flowers and grass from her apron. The original "Shepherdess of the Alps" appears to have been a play by Marmontel, which enjoyed great popularity in France, England, and America in the late eighteenth and early nineteenth centuries. The play inspired numberous paintings and prints. See Paul Grigaut,"Marmontel's Shepherdess of the Alps in Eighteenth Century Art," Art Quarterly (1949). The subject appears quite frequently in schoolgirl art...

Day in the Country: Impression and French Landscape Los Angeles County Museum of Art, Art Institute of Chicago, and Reunion Des Musees Nationaux (France). Published by Los Angeles County Museum of Art, 1984. 1st Ed softcover exhibition catalog. 375 pp. Numerous b/w and color plates. Issued in conjunction with a 1984-1985 exhibition series of impressionistic art by 17 artists. With a variety of texts by Richard Brettel, Scott Schaefer, Sylvie Gache-Patin, and Francoise Heilbrun. The artists are: Frederic...