David Gentleman Landscape Paintings

Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this traditional medium. ...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

This original watercolor on paper features traffic on the River Humber in the City of Hull. Hull or Kingston upon Hull, is a port city in East Yorkshire, England. The painting is hig...

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

'Towards Le Scathe Cove'. Contemporary mixed media landscape painting, Cornwall Original Artwork, Unframed _________________ January morning, heavy swell and a strong southwester, rain imminent, sheltering beneath lichen furred granite outcrops. A plein air painting from the series 'Holan ha Dor' (Meaning 'Salt and Earth in Cornish). West Cornwall is a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds, and criss-crossed by ancient, tangled hedgerows. Drawn to the immediacy of moments, underpinned by enduring narratives, Sophia's fluid expressive paintings explores the flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of anchored stone and rhythmic water; Of human narratives written in the wild landscapes; In the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Mixed media on watercolour paper Signed and inscribed Unframed 23 x 30cm / 9 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Collections: With Martyn Gregory; Judy Egerton, 1984, acquired from the above; By descent to 2014. Exhibited: London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94. London, Lowell Libson...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...