David Yarrow Photography
Scottish, b. 1966
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
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Artist: David Yarrow
Item Ships From: Chicago
I'm Not Fxxing Leaving! (Colour)
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Flight
By David Yarrow
Located in Chicago, IL
Flight
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 61 inches
56 x 92 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Private jets are mainstream in 2022. In celebrated American resort destinations such as Aspen, they can outnumber grounded commercial aircrafts 20 to 1. Flying privately makes travel comfortable and appeals to those long of cash and short of time, but to film in a private jet and merely tell a story of luxury, has always struck me as banal and creatively stiff.
Instead, I wanted to use the tube of a private jet to tell a story of excess and bad behaviour; if jets are private, then by definition anything is permissible and the word PJ can elicit imagery of sex, drugs and rock and roll. It is not, of course, a linear relationship and most passengers on private jets are model citizens simply travelling in the most perfunctory of ways from A to B. But in the art world, I feel no need to play to percentages. I would rather have some fun and tell some stories.
My focus was the PJ journeys that get out of hand.
The real ‘Wolf of Wall Street...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Norse
By David Yarrow
Located in Chicago, IL
Norse
Skogafoss, Iceland – 2022 - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
40 x 37 inches
61 x 56 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
“Skogafoss in southern Iceland is a familiar destination for us, we have filmed there a few times over the years and know its potential and also its challenges. The waterfall is aesthetically without equal in Europe and the backdrop offers the chance of an arresting photograph, especially as the foreground gives a platform on which to add narrative. The waterfall itself is of little interest to me; it is photographed thousands of times a day by good photographers with good cameras. It must be used as part of the story, not the whole event.
The riddle is how to manage the distance between the camera and the point of impact of the huge volumes of water that smash onto the ground. To work too close risks not just losing perspective, but having spray, quickly rendering the camera inoperable. To work further away is more practical, but then the distance compression can dumb things down and lose the sense of immersion and importantly the scale.
We now know our spot and our lens choice, but this was the first time we had put it to the test in the snow, when Skogafoss becomes a three-sided winter vortex; a bit like a deep freeze...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
I'm Not Fxxing Leaving!
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving!
Los Angeles, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
35 x 77 inches
47 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces.
In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative.
But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the
excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Home of Golf
By David Yarrow
Located in Chicago, IL
The Home of Golf
St. Andrews, Scotland – 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The King's Speech
By David Yarrow
Located in Chicago, IL
The King's Speech
South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
E...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
T'Challa
By David Yarrow
Located in Chicago, IL
T'Challa
South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Lion's Den
By David Yarrow
Located in Chicago, IL
The Lion's Den
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available s...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Cheetahs
By David Yarrow
Located in Chicago, IL
Cheetahs
Namibia - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
34 ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Mohan
By David Yarrow
Located in Chicago, IL
Mohan
South East Asia - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 49 inches
56 x 74 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Due to a mutant gene, white tigers lack pheomelanin; the pigment that turns fur orange...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Don't Go Chasing Waterfalls
By David Yarrow
Located in Chicago, IL
Don't Go Chasing Waterfalls
Alaska, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
25 x 69 inches
37 x 103 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
I find photographing bears in Alaska both challenging and humbling. There are many reasons for this: unpredictable salmon run; nasty backdrops and the difficulty of being authentic. Alaska may seem a final frontier, but it is a well-trodden path for photographers and there is little merit in taking another down- ward picture of a salmon in a bear’s mouth. My success ratio is low over the last 10 years, but we now know the area well and have had our moments.
The legendary Brooks Falls location in Katmai, Alaska hosts many photographers and even more bears in July. Up by the waterfall, on a busy day, there can be as many as 20 photographers and two dozen bears. Incongruously, in this extremely re- mote outpost, a spectator stand has been built on the bank by the water- fall to accommodate the day visitors who fly in on float planes...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Book of Daniel
By David Yarrow
Located in Chicago, IL
The Book of Daniel
Available in both Colour and Monochrome
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
37 x 65 inches
56 x 98 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Good creative ideas are only as good as the execution and when I conceived the idea of a literal photographic depiction of Daniel in a cave with wild lions, I recognised that pulling it off in the field would be as examining a production challenge as anything we had undertaken.
The fact that we ended up with this image - a career highlight - is testimony to the skills of many South Africans with whom we collaborated on this project, none more so than Kevin Richardson, The Lion Whisperer. It was his behavioural understanding of specific lions within his famous sanctuary that gave me the confidence to even consider emotionally and financially investing in my mad idea. We have worked with each other for over eight years now and have developed a mutual trust. To build a cave and work from within that cave with wild lions is not a brief for a nascent relationship between artist and lion whisperer.
We both agreed that pivotal to the success of the final image was that the lions we worked with should be interacting with each other and not me. If they were looking at me in the front of my heavy-duty cage, it would suggest encroachment and the involvement of another party. There were no third party witnesses to Daniel in the cave, other than spiritual ones.
The lighting was also key and we needed time to look at various options to create the shaft of light. Without a light shaft, the sense of being in a cave would be diminished as opposed to amplified. It was this feature that would also add to the biblical vibe of the photograph which was essential; after all, we were working from the Bible. The low trajectory of the winter sun in Kevin’s conservation was in our favour and suggested that between 9 am and 10 am the light shaft could have the right angle so long as the hole in the cave’s ceiling was accurately positioned.
The plan was that Daniel was the final piece in the jigsaw and we would only bring him in when all else was done, albeit I had a precise position for him in my mind. Kevin’s lions would not show any mercy to our modern-day Daniel and we would never suggest that this image was anything less than two pictures combined.
Good things take time and I always knew this would be a three-day project for me on location. The predictability of the winter weather in the region was a key asset; the cloudless skies gave us identical light day after day and that then gave us optionality and time.
But for others the project was a month, not three days, and I am full of gratitude for the artistic skills of those that made the cave and the attention to detail of the production team led by Theuns De Wet in Johannesburg and Tom Williams...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Book of Daniel
By David Yarrow
Located in Chicago, IL
The Book of Daniel
Available in both Colour and Monochrome
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Available sizes:
37 x 65 inches
56 x 98 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
Good creative ideas are only as good as the execution and when I conceived the idea of a literal photographic depiction of Daniel in a cave with wild lions, I recognised that pulling it off in the field would be as examining a production challenge as anything we had undertaken.
The fact that we ended up with this image - a career highlight - is testimony to the skills of many South Africans with whom we collaborated on this project, none more so than Kevin Richardson, The Lion Whisperer. It was his behavioural understanding of specific lions within his famous sanctuary that gave me the confidence to even consider emotionally and financially investing in my mad idea. We have worked with each other for over eight years now and have developed a mutual trust. To build a cave and work from within that cave with wild lions is not a brief for a nascent relationship between artist and lion whisperer.
We both agreed that pivotal to the success of the final image was that the lions we worked with should be interacting with each other and not me. If they were looking at me in the front of my heavy-duty cage, it would suggest encroachment and the involvement of another party. There were no third party witnesses to Daniel in the cave, other than spiritual ones.
The lighting was also key and we needed time to look at various options to create the shaft of light. Without a light shaft, the sense of being in a cave would be diminished as opposed to amplified. It was this feature that would also add to the biblical vibe of the photograph which was essential; after all, we were working from the Bible. The low trajectory of the winter sun in Kevin’s conservation was in our favour and suggested that between 9 am and 10 am the light shaft could have the right angle so long as the hole in the cave’s ceiling was accurately positioned.
The plan was that Daniel was the final piece in the jigsaw and we would only bring him in when all else was done, albeit I had a precise position for him in my mind. Kevin’s lions would not show any mercy to our modern-day Daniel and we would never suggest that this image was anything less than two pictures combined.
Good things take time and I always knew this would be a three-day project for me on location. The predictability of the winter weather in the region was a key asset; the cloudless skies gave us identical light day after day and that then gave us optionality and time.
But for others the project was a month, not three days, and I am full of gratitude for the artistic skills of those that made the cave and the attention to detail of the production team led by Theuns De Wet in Johannesburg and Tom Williams...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Route 66
By David Yarrow
Located in Chicago, IL
Route 66
Holbook, Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Ed...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Raising Arizona
By David Yarrow
Located in Chicago, IL
Raising Arizona
Monument Valley, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 77 inches
46 x 103 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
When filming in Monument Valley in the spring of 2022, I asked our Navajo Guide whether there was a possibility to shoot from the rock structures to the south that stand high above the ampitheatre of mesas and monoliths. It struck me that this position of height could offer an extraordinary back drop of what is the beating heart of Southwest America.
He said it was possible, but that we would need permits and we would also need to camp up the mountains if we wanted to shoot in low light
- the 15-mile journey by powerful 4-wheel drive from Kayenta is a challenge and can take up to 3 hours. There are no roads and the vehicles
must face terrain that makes most off-road Land Rover car adverts look lame.
My plan was to film cowboys at the top of the escarpment and offer a layered photograph featuring one of America’s great vistas. I have seen many pictures of Monument Valley, but never this composition. That excited me, after all, originality in
a place as well documented as this, is critical. John Ford got here long before me.
We chose the most experienced West Texan cowboys we knew and they travelled west to Arizona with their lead horses...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Empty Pocket Saloon
By David Yarrow
Located in Chicago, IL
Empty Pocket Saloon
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the fr...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
WELL, I’M A-STANDIN’ ON A CORNER IN WINSLOW, ARIZONA
By David Yarrow
Located in Chicago, IL
Well, I'm Standin' On A Corner In Wislow, Arizona
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Hustlers
By David Yarrow
Located in Chicago, IL
Hustlers
Arizona, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 61 inches
56 x 93 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
The 1961 movie The Hustler won two Oscars and, along with The Color of Money, is probably the most famous Hollywood pool film. Based on the novel with the same name by Walter Tevis (1959), it tells the story full of ups and downs of the talented “Fast” Eddie Felson (Paul Newman) and his encounters with the legendary Minnesota Fats (Jackie Gleason). In the movie, players were always heavy gamblers, smokers and drinkers which contributed to the “bad boy” image of pool. There is nothing that can be sugar coated about pool; it is not an activity for the earnest or the clean living. It is a game for drinkers and hustlers.
I felt no need to earmark a Fast Eddie or Minnesota Fats in this pool game...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Who's Gonna Tell Him?
By David Yarrow
Located in Chicago, IL
Who's Gonna Tell Him?
Antarctica - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Avail...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
LA Baby
By David Yarrow
Located in Chicago, IL
LA Baby
Antarctica - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Marvel
By David Yarrow
Located in Chicago, IL
Marvel
South Africa- 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
True North
By David Yarrow
Located in Chicago, IL
True North
Iceland - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Si...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Cloud 9
By David Yarrow
Located in Chicago, IL
Cloud 9
Aspen, Colorado, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edi...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
And The Party Never Ends
By David Yarrow
Located in Chicago, IL
And The Party Never Ends
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 64 inches
67 x 91 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Such is the grandeur and scale of Monument Valley that at almost every corner there is something of a sensory overload. The amphitheatre, for all its majesty, also has a sense of incompleteness, as if God the creator got a little bored of building the city and moved on to other projects. The result is an architectural canvas unlike any other in the world.
I knew one angle where I could compress distance and fill one of the gaps in this city of monoliths with foreground detail. We had an old VW camper van...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Aspen, Baby - Alessandra Ambrosio - Contemporary Portrait Photography - Ski
By David Yarrow
Located in Chicago, IL
Aspen, Baby
Aspen, Colorado - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Availab...
Category
21st Century and Contemporary David Yarrow Photography
Materials
Archival Pigment
The Push West
By David Yarrow
Located in Chicago, IL
The Push West
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Summer of '75 (Color)
By David Yarrow
Located in Chicago, IL
Summer of '75
Los Angeles, California - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Summer of '75 (B&W)
By David Yarrow
Located in Chicago, IL
Summer of '75
Los Angeles, California - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Dogfather
By David Yarrow
Located in Chicago, IL
The Dogfather
Nantucket, Massachusetts - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 71 inches
67 x 101 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"The Brotherhood of Thieves, on the tiny old whaling island of Nantucket, is as good a bar as any we know in America from which to tell old stories - and we know quite a few. The ambient light from the window is powerful enough to remove the need for a gaffer and this is such a help when trying to tell tales with a sense of place. The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama. This picture could have been taken 50 or 100 years ago rather than April 2022.
Mastiff dogs are among some of the oldest breeds known to humans and were among the first canines to accompany humans on their migrations across the globe. More importantly, for the purpose of this role, their faces have a rather majestic human countenance allowing me to build stories around them. We have worked with many breeds over the years, but for this kind of work, Mastiffs are in a league of their own...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Bandera
By David Yarrow
Located in Chicago, IL
Bandera
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
46 x 71 inches
67 x 102 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I wanted this carefully composed Honky Tonk vignette to have real sense of place; that place being Texas. There are a few hints in the photograph: the Lone Star pool table lighting; the ten working cowboys; the neon guitar on the left and even the air conditioning unit (less common in more northerly cowboy states). Throw in a tall, bad ass women in the foreground and we know we are in Texas.
It is the lighting that makes the photograph and that is down to the big barn doors at Arkey’s that are open during the day. It was this ambient light on the far-left corner that allowed me to work with minimal artificial light and that made all the difference.
There is also a little bit of a ‘Red Dead Redemption” vibe as I am shooting with a wide-angle lens close to the lead, as often seems to be the perspective in the successful video game series. This allows the depth of Arkey Blue’s Silver Dollar saloon to be exploited rather than compressed. I avoid distance compression if at all possible, as a sense of space is often as critical as a sense of place.
Bandera, in the Hill Country of Texas, is quintessential cowboy territory and a country music stronghold. Behind my shooting position there is a stage that has been graced by Willie Nelson and Hank Williams...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Beer Run
By David Yarrow
Located in Chicago, IL
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 67 in...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Honky-Tonk Woman
By David Yarrow
Located in Chicago, IL
HONKY-TONK WOMAN
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 74 inches
67 x 107 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Bandera, Texas is the self-appointed home of the cowboy and a visitor is left in no doubt that this is the beating heart of Marlboro country and Marlboro men. This small town in the Hill Country also boasts a bar - Arkey Blue’s Silver Dollar - that is as good a honky-tonk bar to film in that I know of. It is also a firm fixture in the country music scene which is core to the culture of this part of the great state. Willie Nelson has sung here, as has Hank Williams...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Devil's Backbone
By David Yarrow
Located in Chicago, IL
Devil's Backbone
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
8 Ball
By David Yarrow
Located in Chicago, IL
8 Ball
Texas, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 64 inches
67 x 92 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I choose to be long of parody, as to exaggerate helps to communicate. My default position is to be bold in any narrative. In this photograph I wanted to fully em- brace the vibe of a honky-tonk bar in Texas, peopled by hard working, hard living cowboys whom David Allen Coe made pivotal to his song writing. These men love a beer, a smoke and a honky-tonk girl, who brings out the masculinity that defines them.
John Steinbeck - the American literary giant - wrote “I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion.”
I get it, and cowboy culture is core to that religion. To try to immerse oneself in Texan culture and not spend time with true cowboys is akin to holidaying in Italy and eating at Burger King...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Fox and Hound
By David Yarrow
Located in Chicago, IL
The Fox and Hound
Los Angeles, California - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbere...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The New Kids On The Block
By David Yarrow
Located in Chicago, IL
The New Kids On The Block
Svalbard, Norway - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated an...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
80 Degrees North
By David Yarrow
Located in Chicago, IL
80 Degrees North
Svalbard, Norway - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Ava...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Road Goes On Forever
By David Yarrow
Located in Chicago, IL
The Road Goes On Forever
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edi...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Power Of The Dog
By David Yarrow
Located in Chicago, IL
The Power Of The Dog
The Rocky Mountains - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
New Testament (Monochrome)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT
South Sudan, 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 80 inches
49 x 114 inches
"All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was.
The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role.
It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst.
But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail.
But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed
to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold.
The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”.
My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle.
I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every
week I see monochrome photographs of the big elephants...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
New Testament (B&W)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT
South Sudan, 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
37 x 80 inches
49 x 114 inches
"All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was.
The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role.
It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst.
But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail.
But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed
to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold.
The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”.
My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle.
I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every
week I see monochrome photographs of the big elephants...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Hostile Territory
By David Yarrow
Located in Chicago, IL
Hostile Territory
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Wagon Wheel
By David Yarrow
Located in Chicago, IL
Wagon Wheel
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on th...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
1880
By David Yarrow
Located in Chicago, IL
1880
Monument Valley, Utah, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
39 x 78 inches
53 x 111 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western.
The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there.
It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Cloud 9
By David Yarrow
Located in Chicago, IL
Cloud 9
Aspen, Colorado, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Editi...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
66 Degrees North
By David Yarrow
Located in Chicago, IL
66 Degrees North
Námafjall Geothermal Area, Iceland - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 54 inches
67 x 76 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture.
Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded.
I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides.
But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage.
The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Mamas Don't Let Your Babies Grow Up To Be Cowboys
By David Yarrow
Located in Chicago, IL
Mamas Don't Let Your Babies Grow Up To Be Cowboys
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the f...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
It Was The Whiskey Talking
By David Yarrow
Located in Chicago, IL
It Was the Whiskey Talking
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Hot Chicks
By David Yarrow
Located in Chicago, IL
Hot Chicks
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition ...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Sheriff's Daughter
By David Yarrow
Located in Chicago, IL
The Sheriff's Daughter
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the f...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Residents
By David Yarrow
Located in Chicago, IL
The Residents
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available si...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Quick and The Dead
By David Yarrow
Located in Chicago, IL
The Quick and The Dead
Montana, USA - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and number...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Beach Bums
By David Yarrow
Located in Chicago, IL
Beach Bums
Anguilla, Caribbean - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Availabl...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Dead Man's Chest
By David Yarrow
Located in Chicago, IL
Dead Man's Chest
Anguilla, Caribbean - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the fro...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Catwalk
By David Yarrow
Located in Chicago, IL
Catwalk
Dinokeng, South Africa - 2021
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 20
Availabl...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
The Old Man And The Sea
By David Yarrow
Located in Chicago, IL
The Old Man And The Sea
Anguilla and South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Succession
By David Yarrow
Located in Chicago, IL
Succession
Dinokeng, South Africa - 2022
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Avail...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
Keeping Up With The Crouches
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 54 inches
67 x 76 inche...
Category
21st Century and Contemporary Contemporary David Yarrow Photography
Materials
Archival Pigment
David Yarrow photography for sale on 1stDibs.
Find a wide variety of authentic David Yarrow photography available for sale on 1stDibs. You can also browse by medium to find art by David Yarrow in archival pigment print, paper, photographic paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large David Yarrow photography, so small editions measuring 79 inches across are available. Customers who are interested in this artist might also find the work of Ian Sanderson, Michael Kenna, and David Drebin.
Artists Similar to David Yarrow
Questions About David Yarrow Photography
- Can you buy David Yarrow prints?1 Answer1stDibs ExpertMay 3, 2024Yes, you can buy David Yarrow prints. The photographer sells a limited number of prints through his official website as well as through authorized galleries and dealers. You can also find his works on trusted online platforms, such as 1stDibs. Shop a large collection of David Yarrow prints on 1stDibs.