Edmund Quincy Drawings and Watercolor Paintings

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illustrator and colourist based in France ...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Tradi...

Phyllis Ciment Abstract Pastel Painting c.1970s Red, white and blue - Fine colorful abstract painting 24" wide x 18" high The frame measures 33" wide x 28" high Signed by the art...

Henry Elinson (Russian) original pastel, circa 1990 large Modernist pastel painting by noted Russian artist Henry Elinson (1935-2010) Striking colors, bold design, magnificent orig...

Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...

Anthony Benjamin, 'Untitled', watercolour and pastel on paper, image size 16.5cm x 23cm, framed size, 27.5cm x 33.75cm, signed and dated 2000 Provenance: From the Artist Estate A Gallery Certificate accompanies the painting Anthony Benjamin was a 20th Century abstract precisionist artist. Born in London in 1931 he was active throughout the second half of the 20th century. Experimental, hugely talented and obsessive, Benjamin moved fluidly between mediums and refused to be tied to any practise. He trained with the best, amongst others with Hayter at Atelier 17 in Paris and was recognised by the Royal Society of the Arts, his pier group and leading Galleries and Institutions who displayed and collected his work. Anthony Benjamin was also daring. At at time when the art-world was fixated with the St Ives Group of artists, Benjamin, who was part of this group, chose to leave. Although adept at making St Ives abstractionism it did not sit naturally with him. He did not see value in its art. Instead he sought to replicate abstraction in nature and was inspired by others who had also mastered this craft such as the Composer Brian Eno, who he later collaborated with and Gnawa musicians of Morocco. A trained engineering draughtsmanship, Benjamins formally perfect artworks are always infused with an air of technical experimentation and a poetic response to the natural world. The artist was inspired by pattern and obsessed with process. He was a sculptor, printmaker, painter, draughtsman and used collage, canvas, brass, perspex, steel, paper and anything that inspired him. Throughout his career, Benjamin made monumental paintings. In the studio he thought, pondered and considered every move. It was during these periods of contemplation that he would make warm up paintings that were beautifully loose and almost the antithesis in process to his large works. However it was in these smaller watercolour paintings...

Joseph Glasco (American, 1925-1996) Fire Island, 1967 Pastel on paper Signed and dated lower right 20 x 25 inches 23 x 27.5 inches, framed Joseph Glasco was born in Paul’s Valley, O...

Framed 33 X 45.5 image is 29 X 41.5 Hand signed lower left Signed and titled verso Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet. Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research. During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947. Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illustrator and colourist based in France ...

Minoan Stories 6 - (Abstract painting) Oil pastel and acrylic on hot press paper - Framed Artwork framed, dimensions incl framing: 64 x 82 cm / 25.1 x 32.2 in ...

Kay Hartung’s “Macroblast 7” is a 19.5 x 25 inch pastel drawing done on black Canson Mi Teintes paper. In pinks, oranges and purples this drawing is beautifully detailed with both br...