Eduard Locota Center Tables

The Story The eternal Greek story of sea and land braking into each other to the infinite, captured into one memorable piece – Crete Table. Monolithic, sculptural and functional artwork. A geometry with contrasting straight and fluid lines, that is hiding a message expressed through materials and of the way they interact between each other. The protagonists of the Crete Table are the materials and their apparent opposed affair. I was looking for strong contrasts between shapes, colors and transparencies – that could have the strongest impact with the less elements. There is also a bold presence in a discreet style, a table of charm that will stop the viewer’s time. Personal customization Witness the incredible journey that starts from your dream island, and end to the creation of this beautiful maritime table...

Introduction: Each artwork must create a special bond with a memory, that bring out the most memorable and personal experience every time they look at this unorthodox piece of furni...

Introduction Every good artist should be able to draw inspiration from nature. For “DelMare Collection”, Eduard Locota creates various representati...

MATERIALITY series represents the thinnest line between design and sculpture. TECHNICAL DATA: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. FEW WORDS FROM THE ARTIST: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. PLASTIC CONCEPT: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...

A monolithic design piece and yet so simple that you may forget to ask yourself how it is so striking. It exudes vitality and a tremendous energy. Peace have never gone better together...

Introduction Every good artist should be able to draw inspiration from nature. For “DelMare Collection”, Eduard Locota creates various representations of land and sea through his un...