Edward Loyal Field Art
Born in Illinois, Edward Loyal Field frequently painted in the Tonalist aesthetic, where the artist would imbue the entire scene with a certain color to suggest a mist or atmosphere. His landscapes frequently adopted a feeling of nostalgia and admiration for rural life. The Boat House does just this, though without the color of many Tonalist compositions. Even without this unifying hue, Field created a sense of atmosphere and depth by manipulating value and mark, as well as beginning to blur any objects in the far distance.
1870s Academic Edward Loyal Field Art
Watercolor, Archival Paper
1880s Realist Edward Loyal Field Art
Etching
1830s Academic Edward Loyal Field Art
Paper, Charcoal, Gouache
2010s Realist Edward Loyal Field Art
Emulsion, Watercolor, Etching, Lithograph, Paper
1870s Academic Edward Loyal Field Art
Watercolor
2010s Academic Edward Loyal Field Art
Charcoal, Archival Paper
19th Century Academic Edward Loyal Field Art
Paper, Watercolor
Late 19th Century Realist Edward Loyal Field Art
Laid Paper, Etching, Aquatint
1880s Academic Edward Loyal Field Art
Ink, Watercolor
2010s Realist Edward Loyal Field Art
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
2010s Academic Edward Loyal Field Art
Conté, Charcoal, Archival Paper, Graphite
1970s Realist Edward Loyal Field Art
Rag Paper, Etching
Early 2000s Realist Edward Loyal Field Art
Etching
Late 19th Century Realist Edward Loyal Field Art
Laid Paper, Etching



