Items Similar to Sidney Sussex, Cambridge, engraving by David Loggan
Want more images or videos?
Request additional images or videos from the seller
1 of 9
David LogganSidney Sussex, Cambridge, engraving by David Loggan
$3,097.79
£2,250
€2,650.16
CA$4,243.82
A$4,708.88
CHF 2,466.61
MX$57,743.48
NOK 31,374.45
SEK 29,616.14
DKK 19,763.92
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
David Loggan (1634 - 1692)
Sidney Sussex College, Cambridge
Engraving
33 x 45 cm
An eighteenth-century view of Sidney Sussex, Cambridge, engraved by David Loggan, the noted engraver, draughtsman, and painter.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells (b.1956) has produced a highly-acclaimed series of etchings which bring Loggan’s original vision up to date.
- Creator:David Loggan (1634 - 1692, British)
- Dimensions:Height: 13 in (33 cm)Width: 17.72 in (45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Generally very good.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795315874302
David Loggan
David Loggan’s parents were English and Scottish. He studied engraving in Danzig with Willem Hondius and moved to London in the late 1650s, producing the engraved title page for the folio Book of Common Prayer (1662). After marrying in 1663, Loggan moved to Nuffield, Oxfordshire, in 1665 to avoid the Plague and was in 1668–69 appointed as a public sculptor to the nearby University of Oxford, having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White. Following its completion, Loggan commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata, which was finally published in 1690 when he was made engraver at Cambridge University.
About the Seller
4.8
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2014
1stDibs seller since 2017
350 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Sidney Sussex...
Category
1670s Realist Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Landscape Prints
Materials
Engraving
Queens' College, Cambridge, engraving by David Loggan
By David Loggan
Located in London, GB
David Loggan (1634 - 1692)
Queens' College, Cambridge
Engraving
37 x 45 cm
An eighteenth-century view of Queens', Cambridge, engraved by David Loggan, the noted engraver, draughtsm...
Category
18th Century Realist Prints and Multiples
Materials
Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1690s Realist Landscape Prints
Materials
Engraving
Sidney Sussex, Cambridge engraving Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Sidney Sussex College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Sidney Sussex, Cambridge, engra...
Category
Early 18th Century Realist Prints and Multiples
Materials
Engraving
You May Also Like
Gresham College
By George Vertue
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
Early 18th Century English School Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
Category
Early 1800s Victorian Landscape Prints
Materials
Engraving
The Quadrangle of Jesus College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Quadrangle of Jesus College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
St James's House, London, engraving, Johannes Kip after Leonard Knyff, 1708
By Johannes Kip after Leonard Knyff
Located in Melbourne, Victoria
'St James's House - Le Palais Royal de St James'
Engraving by Johannes Kip after Leonard Knyff.
Kip was a Dutch engraver who moved to London circa 16...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Antique Engraving of Kirby Hall Near Gretton, Northamptonshire, England c.1770
Located in Langweer, NL
Antique print titled 'Principal Front of Kirby Hall'.
Kirby Hall is an Elizabethan country house, located near Gretton, Northamptonshire, England. The nearest main town is Corby. One of the great Elizabethan houses of England, Kirby Hall was built for Sir Humphrey Stafford of Blatherwick, beginning in 1570. In 1575 the property was purchased by Sir Christopher Hatton of Holdenby,[1] Lord Chancellor to Queen Elizabeth I. It is a leading and early example of the Elizabethan prodigy house. Construction on the building began in 1570, based on the designs in French architectural pattern books and expanded in the Classical style over the course of the following decades. The house is now in a semi-ruined state with many parts roof-less although the Great Hall and state rooms remain intact. The gardens, with their elaborate "cutwork" design, complete with statues and urns, have been recently restored.
Anne of Denmark stayed at Kirby on 9 August 1605 while King James stayed at Rockingham Castle. King James stayed for three days in August 1616. During a royal progress Esmé Stewart, 3rd Duke of Lennox died at Kirby of the "spotted ague" on 30 July 1624.
The building and gardens are owned by the Earl of Winchilsea and are managed by English Heritage.
Kirby Hall has been used as a filming location in many productions. These include the following; an episode (6. Protest and Communication) of Kenneth Clark...
Category
Antique 18th Century Prints
Materials
Paper
$524 Sale Price
20% Off
More Ways To Browse
Antique Engraving Plates
Scottish Engraving
Book Of Common Prayer
Andrew Ingamells
Loggan Print Of Eton College
Sidney Sussex
Pop Art Mel Ramos
White Horse Poster
Line Drawings Male
The Gates Central Park
Vintage Alcohol Posters
John Lennon Drawings
Orpheus Painting
Poster 1970 Picasso
Rene Magritte Original
Salvador Dali Signed 1975
Secession Poster
Vintage 1929 Hat