Ellen Wagener Art
American
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings in the studio using the photographs, detailed notes, finished smaller sketches, and memory of a given place. The paintings reflect the process of combining gathered information on site with my memory and intuitive response to a particular place and time. My paintings are about a presence, or a sense of place, rather than a specific site. They offer the viewer an opportunity for a second glance, something often missed while traveling the highway in a climate-controlled car.to
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Artist: Ellen Wagener
The Delicate Sound of Thunder and Un-Foreseen Silver Lining Blessings
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture out...
Category
2010s Land Ellen Wagener Art
Materials
Pastel, Archival Paper
Silver Birch
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
b. 1964
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and te...
Category
2010s Land Ellen Wagener Art
Materials
Pastel, Archival Paper
Family Tree (With a Secret Portrait)
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...
Category
2010s Realist Ellen Wagener Art
Materials
Pastel, Archival Paper
Canopy
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
b. 1964
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...
Category
2010s Realist Ellen Wagener Art
Materials
Pastel, Archival Paper
Canopy, The Overhead
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
b. 1964
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...
Category
2010s Realist Ellen Wagener Art
Materials
Pastel, Archival Paper
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Rooftops (Framed 1970's New York Cityscape Landscape Drawing by William Clutz)
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This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation.
About the Artist:
Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career.
Resume
Born: Gettysburg, PA 1933
Mercersburg, PA 1933-1951
New York City 1955-1996
Education
Painting: Thomas Danaher(WPA artist) 1944-51
Mercersburg Academy, PA 1947...
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Previously Available Items
The Western Edge of Paradise
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Located in Phoenix, AZ
pastel on paper
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...
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2010s Realist Ellen Wagener Art
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Pastel, Archival Paper
Forest With Filtered Light
By Ellen Wagener
Located in Phoenix, AZ
pastel on paper
I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor.
I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...
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2010s Realist Ellen Wagener Art
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Ellen Wagener art for sale on 1stDibs.
Find a wide variety of authentic Ellen Wagener art available for sale on 1stDibs. You can also browse by medium to find art by Ellen Wagener in archival paper, crayon, paper and more. Not every interior allows for large Ellen Wagener art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Jane K. Starks, Michael DeFrancesco, and Edmund Darch Lewis. Ellen Wagener art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,000 and tops out at $23,000, while the average work can sell for $2,000.