Emmanuel Bellini Art
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Artist: Emmanuel Bellini
Large French Post Impressionist Oil on Canvas, The Port of Cannes at Crépuscule
By Emmanuel Bellini
Located in Cotignac, FR
Large French Post Impressionist oil on canvas view of the Port of Cannes in the South of France by Moroccan Monegasque painter Emmanuel Bellini. The painting is signed bottom left an...
Category
Mid-20th Century Modern Emmanuel Bellini Art
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Original Nice-Themal spa Berthemont - Les -Bains antique French vintage poster
By Emmanuel Bellini
Located in Spokane, WA
Original French travel poster: Nice - Thermal health spa original vintage poster created by artist Emmanuel Bellini.
Original linen backed, large French travel size: Nice - Therm...
Category
1950s Impressionist Emmanuel Bellini Art
Materials
Lithograph
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Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
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Rare 1922 German Jewish Judaica Zion Woodcut Woodblock Print Hermann Fechenbach
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Title: Zion
Subject: Various biblical images depicting Creation and prayer
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Medium: woodcut
Frame: 14" x 18"
Image: 12.5" x 16.75"
Provenance: owned and signed verso by Peter Keil.
Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis.
Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community.
He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg.
As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period.
His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition.
In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure.
In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students.
In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival.
Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable.
Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available).
In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius.
They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed.
In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period.
In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success.
In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany.
In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art.
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Large Vintage Landscape/Figurative oil painting horse & cart by Emmanuel Bellini
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La Belle Epoque of the Vichy Baths by Emmanuel Bellini
By Emmanuel Bellini
Located in Paris, FR
Vivid colours oil on canvas from the 60's by the famous French listed artist Emmanuel BELLINI ( 1904-1989 ), depicting the Belle epoque period and its kiosk of the thermal natural springs at the VICHY Spa in the begining of the 20th century named Belle Epoque.
The painting is post impressionnist style and the resort atmosphère perfectly rendered.
The oil is in excellent condition, signed on the left bottom, again on the back and titled.
Sold unframed.
Dimensions : 73 cm x 60 cm 28.74 in. x 23.62 in.
About thé artist :
Emmanuel Bellini b: 1904 d: 1989
Bellini was born in Monaco during the “Belle Epoque” era to a working class loving family of Italian descent. Surrounded by an idyllic setting where the air was perfumed by the flowers and fruits of the Mediterranean, meeting with the the colors of the sky, sun and earth. This formed an indelible palette in the young mind of this artist. An era of horse drawn carriages, polite society, the nearby theatre and opera house, all appealed and stimulated the senses of the young man who set to work as an apprentice in Nice for the architect Charles Damas, who was instrumental in the designs of the famous Paris Opera House and that of Monaco.
Later becoming an architect himself, in his search of the purity of the line, his internal compass directed him to the sea, the sailboats, the magical backdrop of the Casino and its gardens which persisted to inspire and capture his imagination. This led him to create his iconic posters for the Automobile Club of Monaco, as well as the special Galas and events of Monaco, and the city of Cannes. It was only a matter of time before his paintings were brought to the attention of the outside world. First exhibiting in 1949 at the Galerie Lambert in Paris, and quickly followed by the famed Galerie Petrides leading to many other exhibits in various galleries across the cities of Europe. His style is unique, reminiscent of far away impressionism, but with accents of fauvism.
With his success, Bellini purchased the baroque Italian Chapel in Cannes formerly owned by the Princess Kara-Georgevich of Serbia. Complete with bell tower and garden, it became his studio, and where he entertained the many luminaries who would visit him from the musicians of his day (Mireille Mathieu, Tino Rossi, Manitas de Plata…) to the artists ( Marie Laurencin, Maurice Utrillo, Carzou, Miro, Brayer…)to the celebrities and royalty (Lilly Pons, Prince Rainier III of Monaco, Mitty Goldin among many others). Here in this beautiful setting, he recreated the settings of the 1930’s that so intrigued him throughout his life in oil and water colors. His love of the theatre and music propelled him to create sets for opera and theatre houses...
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The Sorbet Merchant
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Men playing cards on the beach, French Riviera
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Joueurs de carte à la plage, Men playing cards on the beach on the French Riviera.
Beautiful oil on cardboard from the late 40's by the famous French listed artist Emmanuel BELLINI, 1904 -1989 depicting a scene in summer with men playing cards on a beach on the French Riviera.
The painting whose tones have accents of Fauvism and Impressionism is one of the first works of the artist begining his carreer as a painter in 1948.
The painting is signed at the bottom left and again on the back, dated 49 and titled.
Sold unframed.
Dimensions : 61 cm x 50 cm 24.0 in. x 19.68 in.
About thé artist :
Emmanuel Bellini b: 1904 d: 1989
Bellini was born in Monaco during the “Belle Epoque” era to a working class loving family of Italian descent. Surrounded by an idyllic setting where the air was perfumed by the flowers and fruits of the Mediterranean, meeting with the the colors of the sky, sun and earth. This formed an indelible palette in the young mind of this artist. An era of horse drawn carriages, polite society, the nearby theatre and opera house, all appealed and stimulated the senses of the young man who set to work as an apprentice in Nice for the architect Charles Damas, who was instrumental in the designs of the famous Paris Opera House and that of Monaco.
Later becoming an architect himself, in his search of the purity of the line, his internal compass directed him to the sea, the sailboats, the magical backdrop of the Casino and its gardens which persisted to inspire and capture his imagination. This led him to create his iconic posters for the Automobile Club of Monaco, as well as the special Galas and events of Monaco, and the city of Cannes. It was only a matter of time before his paintings were brought to the attention of the outside world. First exhibiting in 1949 at the Galerie Lambert in Paris, and quickly followed by the famed Galerie Petrides leading to many other exhibits in various galleries across the cities of Europe. His style is unique, reminiscent of far away impressionism, but with accents of fauvism.
With his success, Bellini purchased the baroque Italian Chapel in Cannes formerly owned by the Princess Kara-Georgevich of Serbia. Complete with bell tower and garden, it became his studio, and where he entertained the many luminaries who would visit him from the musicians of his day (Mireille Mathieu, Tino Rossi, Manitas de Plata…) to the artists ( Marie Laurencin, Maurice Utrillo, Carzou, Miro, Brayer…)to the celebrities and royalty (Lilly Pons, Prince Rainier III of Monaco, Mitty Goldin among many others). Here in this beautiful setting, he recreated the settings of the 1930’s that so intrigued him throughout his life in oil and water colors. His love of the theatre and music propelled him to create sets for opera and theatre houses...
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Original Vintage Poster Berthemont Les Bains Nice Thermal Health Spa Resort Alps
By Emmanuel Bellini
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Men playing cards on the beach, French Riviera
By Emmanuel Bellini
Located in Paris, FR
Joueurs de carte à la plage, Men playing cards on the beach on the French Riviera.
Beautiful oil on cardboard from the late 40's by the famous French listed artist Emmanuel BELLINI, 1904 -1989 depicting a scene in summer with men playing cards on a beach on the French Riviera.
The painting whose tones have accents of Fauvism and Impressionism is one of the first works of the artist begining his carreer as a painter in 1948.
The painting is signed at the bottom left and again on the back, dated 49 and titled.
Sold unframed.
Dimensions : 61 cm x 50 cm 24.0 in. x 19.68 in.
About thé artist :
Emmanuel Bellini b: 1904 d: 1989
Bellini was born in Monaco during the “Belle Epoque” era to a working class loving family of Italian descent. Surrounded by an idyllic setting where the air was perfumed by the flowers and fruits of the Mediterranean, meeting with the the colors of the sky, sun and earth. This formed an indelible palette in the young mind of this artist. An era of horse drawn carriages, polite society, the nearby theatre and opera house, all appealed and stimulated the senses of the young man who set to work as an apprentice in Nice for the architect Charles Damas, who was instrumental in the designs of the famous Paris Opera House and that of Monaco.
Later becoming an architect himself, in his search of the purity of the line, his internal compass directed him to the sea, the sailboats, the magical backdrop of the Casino and its gardens which persisted to inspire and capture his imagination. This led him to create his iconic posters for the Automobile Club of Monaco, as well as the special Galas and events of Monaco, and the city of Cannes. It was only a matter of time before his paintings were brought to the attention of the outside world. First exhibiting in 1949 at the Galerie Lambert in Paris, and quickly followed by the famed Galerie Petrides leading to many other exhibits in various galleries across the cities of Europe. His style is unique, reminiscent of far away impressionism, but with accents of fauvism.
With his success, Bellini purchased the baroque Italian Chapel in Cannes formerly owned by the Princess Kara-Georgevich of Serbia. Complete with bell tower and garden, it became his studio, and where he entertained the many luminaries who would visit him from the musicians of his day (Mireille Mathieu, Tino Rossi, Manitas de Plata…) to the artists ( Marie Laurencin, Maurice Utrillo, Carzou, Miro, Brayer…)to the celebrities and royalty (Lilly Pons, Prince Rainier III of Monaco, Mitty Goldin among many others). Here in this beautiful setting, he recreated the settings of the 1930’s that so intrigued him throughout his life in oil and water colors. His love of the theatre and music propelled him to create sets for opera and theatre houses...
Category
1940s Fauvist Emmanuel Bellini Art
Materials
Canvas, Oil
Men playing cards on the beach, French Riviera
By Emmanuel Bellini
Located in Paris, FR
Joueurs de carte à la plage, Men playing cards on the beach on the French Riviera.
Beautiful oil on cardboard from the late 40's by the famous French liste...
Category
1940s Fauvist Emmanuel Bellini Art
Materials
Canvas, Oil
The Sorbet Merchant
By Emmanuel Bellini
Located in Paris, FR
The sorbets merchant.
Beautiful oil on cardboard from the late 40's by the famous French listed artist Emmanuel BELLINI, 1904 -1989 depicting a scene of life in summer in the French Riviera with a sorbet merchant. The painting whose tones have accents of Fauvism and Impressionism is one of the first works of the artist.
The painting is signed at the bottom left and again on the back, dated 49 and titled.
Sold unframed.
Dimensions : 61 cm x 50 cm 24.0 in. x 19.68 in.
About thé artist :
Emmanuel Bellini b: 1904 d: 1989
Bellini was born in Monaco during the “Belle Epoque” era to a working class loving family of Italian descent. Surrounded by an idyllic setting where the air was perfumed by the flowers and fruits of the Mediterranean, meeting with the the colors of the sky, sun and earth. This formed an indelible palette in the young mind of this artist. An era of horse drawn carriages, polite society, the nearby theatre and opera house, all appealed and stimulated the senses of the young man who set to work as an apprentice in Nice for the architect Charles Damas, who was instrumental in the designs of the famous Paris Opera House and that of Monaco.
Later becoming an architect himself, in his search of the purity of the line, his internal compass directed him to the sea, the sailboats, the magical backdrop of the Casino and its gardens which persisted to inspire and capture his imagination. This led him to create his iconic posters for the Automobile Club of Monaco, as well as the special Galas and events of Monaco, and the city of Cannes. It was only a matter of time before his paintings were brought to the attention of the outside world. First exhibiting in 1949 at the Galerie Lambert in Paris, and quickly followed by the famed Galerie Petrides leading to many other exhibits in various galleries across the cities of Europe. His style is unique, reminiscent of far away impressionism, but with accents of fauvism.
With his success, Bellini purchased the baroque Italian Chapel in Cannes formerly owned by the Princess Kara-Georgevich of Serbia. Complete with bell tower and garden, it became his studio, and where he entertained the many luminaries who would visit him from the musicians of his day (Mireille Mathieu, Tino Rossi, Manitas de Plata…) to the artists ( Marie Laurencin, Maurice Utrillo, Carzou, Miro, Brayer…)to the celebrities and royalty (Lilly Pons, Prince Rainier III of Monaco, Mitty Goldin among many others). Here in this beautiful setting, he recreated the settings of the 1930’s that so intrigued him throughout his life in oil and water colors. His love of the theatre and music propelled him to create sets for opera and theatre houses...
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1940s Fauvist Emmanuel Bellini Art
Materials
Canvas, Oil
The Sorbet Merchant
By Emmanuel Bellini
Located in Paris, FR
The sorbets merchant.
Beautiful oil on cardboard from the late 40's by the famous French listed artist Emmanuel BELLINI, 1904 -1989 depicting a scene of life in summer in the French ...
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La Belle Epoque of the Vichy Baths by Emmanuel Bellini
By Emmanuel Bellini
Located in Paris, FR
Vivid colours oil on canvas from the 60's by the famous French listed artist Emmanuel BELLINI ( 1904-1989 ), depicting the Belle epoque period and its kiosk of the thermal natural springs at the VICHY Spa in the begining of the 20th century named Belle Epoque.
The painting is post impressionnist style and the resort atmosphère perfectly rendered.
The oil is in excellent condition, signed on the left bottom, again on the back and titled.
Sold unframed.
Dimensions : 73 cm x 60 cm 28.74 in. x 23.62 in.
About thé artist :
Emmanuel Bellini b: 1904 d: 1989
Bellini was born in Monaco during the “Belle Epoque” era to a working class loving family of Italian descent. Surrounded by an idyllic setting where the air was perfumed by the flowers and fruits of the Mediterranean, meeting with the the colors of the sky, sun and earth. This formed an indelible palette in the young mind of this artist. An era of horse drawn carriages, polite society, the nearby theatre and opera house, all appealed and stimulated the senses of the young man who set to work as an apprentice in Nice for the architect Charles Damas, who was instrumental in the designs of the famous Paris Opera House and that of Monaco.
Later becoming an architect himself, in his search of the purity of the line, his internal compass directed him to the sea, the sailboats, the magical backdrop of the Casino and its gardens which persisted to inspire and capture his imagination. This led him to create his iconic posters for the Automobile Club of Monaco, as well as the special Galas and events of Monaco, and the city of Cannes. It was only a matter of time before his paintings were brought to the attention of the outside world. First exhibiting in 1949 at the Galerie Lambert in Paris, and quickly followed by the famed Galerie Petrides leading to many other exhibits in various galleries across the cities of Europe. His style is unique, reminiscent of far away impressionism, but with accents of fauvism.
With his success, Bellini purchased the baroque Italian Chapel in Cannes formerly owned by the Princess Kara-Georgevich of Serbia. Complete with bell tower and garden, it became his studio, and where he entertained the many luminaries who would visit him from the musicians of his day (Mireille Mathieu, Tino Rossi, Manitas de Plata…) to the artists ( Marie Laurencin, Maurice Utrillo, Carzou, Miro, Brayer…)to the celebrities and royalty (Lilly Pons, Prince Rainier III of Monaco, Mitty Goldin among many others). Here in this beautiful setting, he recreated the settings of the 1930’s that so intrigued him throughout his life in oil and water colors. His love of the theatre and music propelled him to create sets for opera and theatre houses...
Category
1960s Post-Impressionist Emmanuel Bellini Art
Materials
Canvas, Oil
H 23.63 in W 28.75 in D 1.19 in
Men playing cards on the beach, French Riviera
By Emmanuel Bellini
Located in Paris, FR
Joueurs de carte à la plage, Men playing cards on the beach on the French Riviera.
Beautiful oil on cardboard from the late 40's by the famous French liste...
Category
1940s Fauvist Emmanuel Bellini Art
Materials
Canvas, Oil
Emmanuel Bellini art for sale on 1stDibs.
Find a wide variety of authentic Emmanuel Bellini art available for sale on 1stDibs. You can also browse by medium to find art by Emmanuel Bellini in lithograph and more. Much of the original work by this artist or collective was created during the 1950s and is mostly associated with the Impressionist style. Not every interior allows for large Emmanuel Bellini art, so small editions measuring 32 inches across are available. Customers who are interested in this artist might also find the work of Robert Daughters, Levon West, and Zamy Steynovitz. Emmanuel Bellini art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $995 and tops out at $995, while the average work can sell for $995.