Enrico Embroli Prints and Multiples

’Pisces’ Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is... By Yutaka Takayanagi. Medium - Relief print Edition - AP Signed - Yes Size - 510mm x 660mm Date - 1973 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

3.11.23 A, 2023 Monoprint in colors, on wove paper 16 1/4 x 18 3/4 in. (41.3 x 47.6 cm) Unique Signed and dated in pencil, lower right

3.11.23 X, 2023 Monoprint in colors, on wove paper 16 1/4 x 18 3/4 in. (41.3 x 47.6 cm) Unique Signed and dated in pencil, lower right

Full title: Call Him; The A-M-P-L-I-F-I-C-A-T-I-O-N of the soul [ PREMATURE sprinkling/preventable Death] — easy sunrise Ima-Abasi Okon graduated from the Communication Design MA ...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...

Artist: James Rosenquist Title: The Kabuki Blushes (from Secrets in Carnations) Year: 1986 Medium: Lithograph with monoprint and hand applied collage on Chiri Kozo paper Sheet: 38...

This abstract monoprint by American artist Peter Alexander (1939-2022) measures 30" x 33". It was completed in 1989 and is signed, titled, dated on the lower right corner. This print...

Full title: Rampant Slip— Danced Himself to Death [MJ] for the future of r---e---a---l---l--y REAL un-freedom One of fifteen unique screenprints and monoprints with artist applied v...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, brown, and purple ink. The...

"Midcentury Blocks" is an abstract contemporary monoprint by Texas artist Roberta E. Laine. In this one-of-a-kind print, layers of mulberry papers have been run through an etching pr...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...