Ernest Trova Sculptures
American, 1927-2009
In the early 1960s, St. Louis Sculptor Ernest Trova—who was entirely self-taught—began developing his pivotal theme of Falling Man, a stark and startling image that combines references to classical sculpture with an industrial aesthetic. In his Profile Canto series, Falling Man—depicted as an androgynous, mechanical figure—is folded and segmented as to be nearly undetectable amid the various geometric forms that comprise these works.to
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Artist: Ernest Trova
Flowing Man
By Ernest Trova
Located in Boca Raton, FL
Edition 37/99
Category
21st Century and Contemporary Contemporary Ernest Trova Sculptures
Materials
Stainless Steel
Double Walking Figure
By Ernest Trova
Located in Boca Raton, FL
rnest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages.
In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.”
“He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.”
Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens.
A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias, he went to the singer’s concerts all over the United States. “Ernie had a fabulous fantasy life,” Richard Solomon, the president of Pace Prints, the publishing arm of PaceWildenstein, said in an interview. “He had a persona he used to hide behind that he called ‘Junior Person.’ He was a wonderful man, but an oddball to beat the band.”
Mr. Trova left the Pace Gallery in the mid-1980s and signed with an inexperienced dealer in St. Louis. His profile went into decline, except in his hometown, where his donation of many of his works helped create the Laumeier Sculpture Park. He continued to work until shortly before his death. Most recently he was making collages using magazine...
Category
20th Century Ernest Trova Sculptures
Materials
Stainless Steel
Double Flapman
By Ernest Trova
Located in Boca Raton, FL
AP 2
Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages.
In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.”
“He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.”
Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens.
A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...
Category
20th Century Contemporary Ernest Trova Sculptures
Materials
Stainless Steel
The Encounter
By Ernest Trova
Located in Missouri, MO
Ernest Trova
"The Encounter" 1994
Chrome Plated Steel
Approx 24 x 26 x 24 inches
Edition 1/8
Known for his Falling Man series in abstract figural sculpture, he created hard-edge ima...
Category
1990s American Modern Ernest Trova Sculptures
Materials
Stainless Steel
Price Upon Request
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Ernest Trova sculptures for sale on 1stDibs.
Find a wide variety of authentic Ernest Trova sculptures available for sale on 1stDibs. You can also browse by medium to find art by Ernest Trova in metal, stainless steel, brass and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Ernest Trova sculptures, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Anthony Quinn, Peter Reginato, and Walter Peter Brenner. Ernest Trova sculptures prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $55,000, while the average work can sell for $18,500.