Eugene Atget Still-life Photography

Large and wonderful B & W photograph by American photographer Andreas Feininger (1906-1999). Photograph is of a gorilla rib cage. Printed in 1951, it measures 8ft. 10 in. x 10ft. Photograph is attached to linen and can be rolled for easy storage and shipping. Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the American painter and art educator Lyonel Feininger (1871-1956). His paternal grandparents were the German violinist Karl Feininger (1844–1922) and the American singer Elizabeth Feininger, (née Lutz), who was also of German descent. His younger brother was the painter and photographer T. Lux Feininger (1910–2011) In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.[2] Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst. (Zerbst is a city in the German state of Saxony-Anhalt, about 20 km from Dessau, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher László Moholy-Nagy.[3] In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of World War II, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of Life magazine, an association that lasted until 1962. Feininger became famous for his photographs of New York...

Rider’s Field Boot from Claremont Riding Academy on the Upper West Side of Manhattan in the 1990s was photographed for City Riders (Macmillan, 1997) by Roberta Fineberg. From the bo...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Series: Indulgence Silver Gelatin All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyler Shields is a photographer...

High contrast photo by Peter Stackpole (American, 1913-1997). The photo shows a hot bar of metal on a large machine, about to be worked. The metal is g...

'Sun 45', from Richard Heeps Dream in Colour series. Captured in a classic Airstream RV featuring everybody's favourite Johnny Cash song 'I Walk the Line'. Primarily known as a colo...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

"The Unmade Bed" is a photograph by Imogen Cunningham. The photograph is signed in pencil, lower right, "Imogen Cunningham, 1957". The framed piece measure...

Silver Photographic print of a bedside table and lamp by D. Smalen. Signed lower Right on mat "D. Smalen." Circa 1980-90. Size 10"H x 8"W , Sight, 9"H x 7.25"W, Mat, 16"H x 20"W.