Evelyne Brigeois Still-life Drawings and Watercolors

"Car Museum" is an original signed watercolor by Bruce McCombs. It depicts the front of a gleaming car with other automobile memorabilia with exquisite attention to reflections, ligh...

Mid 19th Century watercolour drawing and watercolour study of a tree by noted Danish artist Thorald Læssøe. The work is monogram signed bottom left and there is an annotation in the ...

Charming watercolor of red and green apples with an interesting composition by P. Dymond (American, 20th Century), circa 2000. Signed upper right corner. Presented in a metal frame. ...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Colorful study of grape leaves in autumn with abstracted elements and a pink/magenta background by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the est...

Mid 19th Century watercolour drawing of Frederiksborg Castle by noted Danish artist Thorald Læssøe. The work is monogram signed to the back of the paper where there is another drawin...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

Lovely abstracted floral watercolor painting of bearded irises by artist Jean Warren (American, b. 1945). Signed "J. Warren" lower edge, bi...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...

"Bleeding Hearts" is an original watercolor on paper by Sylvia Spicuzza. The artist stamped her signature on the lower right. This piece depicts a vine of bleeding heart flowers. A...

HOPE is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". The artist has written that in the spring of 2020, at the height ...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...