Feuillet Serveware, Ceramics, Silver and Glass

A fabulous pair of Meissen Porcelain glass coolers/cachepots. This exceptional pair of exquisitely hand-painted Meissen Porcelain glass coolers are each painted with panels of figure...

Pair of polychrome porcelain baluster flasks. The bottles are decorated on an azure blue background with rocailles elements in combed gold. A fine decoration of garlands of polychrom...

A pair of tactile and organic porcelain vases with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Set ...

Presenting a stunning pair of mid to late 19th century French Limoges Bisque porcelain figurines from circa 1870. One is of a lady in period dress/attire cradling a Dove. All hand-painted and decorated to the finest quality. The base is marked with the makers initials “C.H.”. She is made of fine bisque porcelain in the Old Paris porcelain style. The other is of a gentleman set...

PRESENTING a GORGEOUS PAIR of extremely rare and important Lladro, long retired porcelain figurine sculptures. Known as the ‘Chinese Farmer’ and the ‘Chinese Farmer with Staff’. Th...

Featuring Two Females In Period Dress From our Ceramics collection, we are delighted to offer two KPM Porcelain Plaques by Franz Wagner sold as a pair. The KPM Porcelain Plaques fitted within their original gilt wood frames with scrolling borders both signed to the base of the frame F. Wagner each featuring a portrait of a female, the first plaque is a portrait of Charlotte, Lady Milnes after the British 18th century painter George Romney currently held in the Frick Collection, Manhattan, New York. The second plaque features the lute player after German 19th century historical portrait painter Friedrich August von Kaulbach. The Lady Milnes plaque is visibly signed to the lower right corner “Wagner” which is partially hidden by the frame, the second frame does not have a visible signature and is possibly hidden within the frame or very faint. Each of the plaques bear original provenance to the rear and are held within their original frames stating they were purchased in 1959 at £75 for the pair and were owned in a collection in Jersey along with collection numbers. Both plaques are firmly attributed to KPM and are well known plaques by the company under Wagners hand, we have not removed the original framing to confirm the mark and therefore are attributing them only. The KPM Porcelain Plaques date to the second half of the 19th century Circa 1890. KPM (Königliche Porzellan-Manufaktur – The Royal Porcelain Factory) in Berlin was founded in 1763 Frederick the Great (King Frederick II). Its actual origins, however, lie in three private enterprises which, under crown patronage, were trying to establish the production of “white gold” (porcelain) in Berlin from the mid-18th century onwards.The company logo is a sceptre, which is stamped (painted prior to 1837) or incised on every piece. All painted pieces produced by KPM are also signed by the painter. KPM is still producing porcelain today. Franz Wagner was from a famous family of painters working from Starhemberggasse in Vienna, Austria in the late nineteenth century. F. Wagner became known for his exceptional quality reproductions of historic old masters on porcelain for Vienna and KPM (Königliche Porzellan-Manufaktur). There is little information regarding his career but he was a known painter for Vienna and KPM active in the late 19th century to the early 20th century. George Romney (1734-1802) was born in Beckside, Dalton-in-Furness, Lancashire (now part of Cumbria), to John Romney a cabinet maker and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron until he was withdrawn at the age of 11 to apprentice under his father’s business. He proved to have a natural ability for drawing and making things from wood including violins (which he played throughout his life). From the age of 15 Romney was informally taught art by a local watchmaker called John Williamson. His official studies began in earnest in 1755, when he went to Kendal, at the age of 21, for a 4-year apprenticeship with local artist Christopher Steele, who had himself studied with distinguished French artist Carlo Vanloo. In October 1756, Romney married Mary Abbot...

Pair of Antique Vieux Paris Porcelain lamps, circa 1880.

Pair of colorful and beautifully modeled American Kestrels,( Falco Sperverius) also known as a Sparrow Hawk. Limited edition by Boehm porcelain stamped, signed and letter numbered. H...

These impressive porcelain dinner plates are by the Paris porcelain manufacturer Feuillet. Feuillet produced goods during the Restauration period, the name given to the period when ...

PRESENTING a FANTASTICALLY RARE Pair of Lladro Porcelain ‘Mandarin Vases’. Made circa 1973 and made in Spain by the exceptional maker, Lladro. These two vases were produced and sold individually and were titled “Mandarin Vase”. They were sculpted by Julio Fernandez...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair ...