François Linke Vanities

Condition: Original Vintage Condition

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

French Louis XV-style (19/20th Century) bleached dressing table with 3 drawers.

19th century Louis XV style tulipwood parquetry sewing table Ladies small sewing table with a lift-up lid. The interior has the original velvet inset. Beneath is a tray containing compartments for sewing accessories...

An exceptional quality Louis XVI style French ormolu-mounted mahogany and leather coffee center table, attributed to Francois Linke, Paris, circa 1880. With exceptional quality or...

A French Louis XV style marquetry dressing table from the 19th century, with floral motifs and cabriole legs. Born in France during the 19th century, this exquisite marquetry table f...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

We are delighted to offer this exquisite fully restored Alfred Beurdeley attributed 19th century French Louis XV Kingwood Coiffeuse dressing table This is the best example of a Coiffeuse table I have ever seen. The marquetry inlay can only really be the work Alfred Beurdeley, it is sublime, musical and floral, all things he was well known for. Additionally the timber is King and tulip wood, walnut and mahogany, all materials he used when creating his marquetry masterpieces This table has been fully restored as mentioned, there were over 50 pieces of veneer missing, they have all been timber matched, replaced, stained and then the whole thing French polished from the ground up Dimensions Height:- 70cm Width:- 82.5cm Depth:- 46.5cm Please note all measurements are taken at the widest point Alfred Beurdeley, 1847-1919 Nationality: French Date of Birth: 1847 Place of Birth: Paris Place of Death: Paris Identity: Emmanuel-Alfred Beurdeley was a collector who came from a family of cabinetmakers, antique dealers and collectors. He was the illegitimate son of Louis-Auguste-Alfred Beurdeley (1808–82). His grandfather, Jean Beurdeley (1772–1853), who served in Napoleon's army, opened a small antique shop in the Marais district of Paris. In 1830 he bought the Pavillon de Hanovre, 28 Boulevard des Italiens, which became the Beurdeley firm's principal gallery until 1894. L.-A.-A. Beurdeley dealt in antiques and works of art and was also a cabinetmaker specializing in reproductions of seventeenth and eighteenth century furniture. His clients included Napoleon III and the Empress Eugénie. Life: In 1875 E.-A. Beurdeley took over his family's gallery and workshops and until 1894 concentrated on continuing the line of luxury furniture sold by his father. He was one of the most important Parisian cabinetmakers, and won a gold medal at the Exposition Universelle in Paris in 1878. He was appointed Chevalier de la Légion d'honneur in 1893 following the Universal Exhibition in Amsterdam. In 1895 he closed the Pavillon de Hanovre and retired to his hôtel in the Rue de Clichy. The rest of his life was spent acquiring and selling enormous collections of furniture, Chinese porcelain, paintings and drawings, including an extraordinary group of eighteenth century French drawings by François Boucher, Jean-Honoré Fragonard, Nicolas Lancret and Antoine Watteau in 1905. He also owned JW's La Dormeuse...

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

A beautiful and very fine French gilt-bronze mounted vitrine / display case table with elegant silk tufted interior, having a high quality solid wood frame, exquisitely finished in l...

A fine French Louis XV Style Mahogany and Gilt-Bronze (Ormolu) Mounted Side Table, Attributed to Franc¸ois Linke (1855-1946). The square shaped table fitted with a Bre^che Violette marble top with a gilt bronze trim, the body surmounted on each corner with bronze caryatid mounts of winged female busts and an acanthus apron, the lower shelf with a sunburst parquetry design and raised on four cabriolet legs ending with gilt bronze sabots. The mounts stamped 'E.M' on the reverse. We believe that this table was most likely commissioned to Linke by Mâison Millet. circa: Paris, 1900-1920. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...