Frank Hess for Miriam Haskell Beaded Necklaces

During the Art Deco period, Miriam Haskell's first designer Frank Hess designed this blue-and-white glass-beaded hand-sewn torsade set of dangle earrings and a choker necklace, whose knotted string is capped with their characteristic Russian-gilt brass flora filigree. Coinciding with the American Great Depression, to offer some less expensive costume jewelry than her initial ready-to-wear styles featuring Parisian hand-crafted materials found in French couture, Haskell reduced the cost of some of her findings by locally sourcing stamped metal and incorporating hand-pressed glass beads from Germany and Czechoslovakia. With a loop, the line from hand pressing the glass can only be found on the blue beads, while the white ones are coated in an organic material like authentic French faux pearls. The ends of the textured cords that string the beaded set were frayed to form a fuzzy opaque dome that hides the knots attached to the filigree caps. No Haskell jewelry was signed before 1947. The unsigned necklace...

Featuring the earliest white-swirled glass and enameled faux-pearl round beads handcrafted by Parisian lampwork-master Louis Rousselet for American entrepreneur Miriam Haskell and he...

In the late 1920s during the Art-Deco period, this Miriam Haskell white mostly glass-beaded sautoir was created in New York City by her first designer Frank Hess. This uniquely hand-...

A very decorative and important necklace by Miriam Haskell, shown in "Miriam Haskell Jewelry" by Cathy Gordon & Sheila Pamfiloff page 110. It consists of 1.5 cm large yellow cut glass balls, small yellow flowers and small balls. The main chain are faux baroque pearls from 1.5 cm to 0.5 cm in size. An additional M. Haskell pearl necklace...

Beautiful three piece parure (wraparound necklace with jewelled terminals, wraparound bracelet and matching earrings), a iconic design from the 1930s by Miriam Haskell. In soft cranb...