Frederick Mershimer More Prints

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. TAPESTRY OF SPRING is a realistic Western landscape scene set in Wyoming featuring a backdrop of Wyoming's majestic Grand Teton snow...

Jan Dingle Still Shade Limited Edition Etching Print Edition of 180 Image Size: H 8cm x W 6cm Sheet Size: H 19cm x W 15.5cm Signed and Numbered Sold Unframed Please note that any ins...

Original Las Vegas, Always Elvis 1978 vintage poster. Linen backed in very good condition, ready to frame. Photography: R. McGregor. This poster was created to promote Elvis ba...

This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495. This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough." The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland. References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...

Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...

Jan Dingle Still Brow Limited Edition Etching Print Edition of 180 Image Size: H 9cm x W 6.5cm Sheet Size: H 18.5cm x W 15.5cm Signed and Numbered Sold Unframed Please note that any ...

This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...

April Gornik (American, b. 1953) Cascading Waterfall, 1998, Soft ground etching and spit bite aquatint, hand signed, titled and dated '98 in pencil. Sheet dimensions: 22 x 30 in. Cascading Waterfall, is an etching and aquatint on copper plate, printed on Arches paper. Its image dimensions are 14 3/4 by 23 1/2 inches. It is included in the collection of the Museum of Art, MoMA NYC. Commissioned by the print club of Cleveland, Ohio. April Gornik (born 1953, Cleveland, Ohio) is an American artist who paints American landscapes. Her realist yet dreamlike paintings and drawings embody oppositions and speak to America's historically conflicted relationship with nature. While she doesn't categorize herself as an environmental artist, she is a passionate supporter of environmental causes and has said, "I have no problem with people reading an ecological message into my work." Biography Gornik received in 1976 her B.F.A. from the Nova Scotia College of Art and Design (now called NSCAD University), and while attending the school she met her future husband, painter Eric Fischl. Art dealer Ed Thorp hosted her first solo exhibition in 1981, after having caught sight of her paintings while viewing Fischl's work. She is influenced by the feminist consciousness-raising of the late 20th century and, in speaking about female artists who have worked in the shadows of better known male artists, including Elaine de Kooning and Lee Krasner, she has said, "It's a problem. Women artists still receive lower prices for their art and remain less shown than their male counterparts." In 2014, FigureGround Press published the monograph April Gornik: Drawings, an extensive look at charcoal drawings done since the mid 1980s. The book includes essays by Steve Martin and Archie Rand, an interview with Lawrence Weschler, and a digital download of a piano and cello composition by composer Bruce Wolosoff, played by Wolosoff and Sara Sant'Ambrogio of the Eroica Trio. Gornik has remained committed to helping her community and making a difference, Gornik and her husband invested in 26 acres of land in which they donated in 2017 to the town of North Haven to preserve land. She also adds her funds to the Southampton Animal Shelter as well as being involved with the Eastville Historical Society. Collections Various permanent art collections include Gornik's work, including: Smithsonian American Art Museum, Metropolitan Museum of Art (the Met), the Museum of Modern Art (MoMA), Hood Museum of Art, Whitney Museum of American Art, Nasher Museum of Art, The Museum of Fine Arts, and many others. Two of her paintings, Virga (1992) and Storm and Fires (1990) are held in the Smithsonian American Art Museum collection. In 2007, the Smithsonian Art Collectors Program commissioned Gornik to produce a print to benefit the educational and cultural programs of the Smithsonian Associates. The lithograph, entitled Blue Moonlight hangs in the ongoing exhibition Graphic Eloquence in the S. Dillon Ripley Center in the National Mall, Washington, D.C. Awards Gornik has received several awards: the Neuberger Museum of Art Annual Honoree (2004), the 18th annual Lifetime Achievement in the Arts Honoree (2003) by the Guild Hall of East Hampton, and the Award of Excellence for Artistic Contributions to the Fight Against AIDS from the American Foundation for AIDS Research (amfAR) Recent Group Exhibitions 2022 “Boil, Toil & Trouble” (curated by Zoe Lukov), Art in Common, Miami, FL (with Ana Mendieta, Bruce Nauman, Maya Lin, Marina Abramović, Nicole Eisenman, Niki De Saint Phalle etc.) “COMPETERE: An Exhibition of Artist Couples,” The Bo Bartlett Center, Columbus State University, GA 2019 “That 80s Show,” Nassau County Museum of Art, Roslyn Harbor, NY (The East Village scene; Keith Haring, Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, April Gornik, Kenny Scharf, Robert Mapplethorpe, and Robert Longo“ LandEscape,” Katonah Museum of Art, Katonah, NY 2017 “Black & White,” Tripoli Gallery, Southampton, NY “Photography of Place,” Palm Beach Photographic Center Museum, West Palm Beach, FL 2015 “Seeing Nature: Landscape Masterworks from the Paul Allen...

Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...

This is a 16th century original hand-colored copperplate engraved map of View of Pezaro (Pisaro), Italy entitled "Pisaurum vulgo Pezaro" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Augsberg, Germany in 1575. The map depicts a view of Pesaro, Italy from the west looking over the town to the Adriatic Sea. The River Foglia flows into the Adriatic in the foreground. The only identifiable building is the cathedral of San Domenico, which rises above the other roofs with its tall spire. Two women, dressed in styles of the 16th century are in conversation on a hill in the foreground on the left. Pesaro is in the province of Pesaro and Urbino and lies on the Adriatic and east of Florence. The city, which was founded by the Etruscans and named Pisaurum by the Romans, belonged from AD 754 onwards to the Papal States, and after 1285 was controlled by the princely families of Malatesta, Sforza and della Rovere. Today it is the capital of the province of Pesaro and Urbino and has a population of about 92,000. Pesaro's most famous resident, composer Gioacchino Rossini, was born here in 1792. The following is an English translation of an excerpt from Braun's description of the city: "We believe that the astonishingly short life of the inhabitants of Pesaro comes not only from the insalubrious air, but also from the great quantity of delectable and delicious fruits which they consume to excess. For this causes the production in their bodies of evil humours, which then lead to incurably fatal diseases. The area around the city is most charming and well planted with vineyards, fig trees, olive trees and other fruit-bearing trees." 
  References: Van der Krogt 4, 3369, state 1; Taschen, Braun and Hogenberg...

This is a rare example of Shaler's early work. This piece was exhibited in Associated American Artists' exhibition on the Prints of New York City...