Fritz Wotruba Abstract Prints

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Original lithographic poster printed by L.R.B Permild and Rosengreen.

Alexander Calder Spiral, 1970 Hand-signed Lithograph 25.5 x 19.5 22/75

Untitled (Geometric Composition), 1957 - After the painting "Orphée" by Auguste Herbin 70 x 50 cm Color serigraph on strong wove paper. Signed, dated and numbered, edition of 100 ...

’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...

Lithograph printed in black and grey in an edition of 43

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this abstract painted composition, Ricard combines expressive poetry with vibrant color. A bright yellow forms the background for two rounded rectangles printed...

untitled lithograph drawn in 2019 and published in 2020 in an edition of 44. Measuring 25 by 36 inches, the work is designated number 29 of 44 lower left and signed in pencil "R Hunt...

Artist: Howard Hodgkin Title: Red Palm Year: 1986-87 Medium: Lithograph in colors with hand-coloring on Buff Arches paper Edition: 85; hand signed, dated and numbered in pencil Shee...

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Lithograph printed in three blacks in an edition of 46.

Lithograph printed in two blacks published in an edition of 43.