G. None Paintings

Oil on board seascape titled "Romance of the Sea". The artist was born in Odessa, Ukraine, in 1883. After immigrating to Cairo in 1912, his travels took him to Holland, Indonesia, an...

A colorful abstract oil painting by celebrated Pennsylvania-based artist R. Monti, framed and signed by artist. Please confirm item location with seller (NY/NJ).

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

Robert William Wood (1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and rose to prominence in the 1950s wi...

Portrait of a girl in oriental-style clothing with a headdress and veil in a scenic setting. In original, gilded wood frame with acanthus leaf and oak leaf garland carving. Manuf...

This is a miniature watercolor painting featuring the ceremony to secure the Tower of London by the British Beefeaters (They are in charge to protect the Crown Jewels). The guards ar...

Berkes, Antal (1874-1938) Antal Berkes was a Hungarian painter, born in Budapest, Hungary. He lived in Paris for some time and produced cityscapes there as well as similar stree...

"Deco Train" Original painting by Lynn Curlee This painting was used as an illustration in Trains, a picturebook for older kids published by Simon & Schus...

Fritz Thomsen (1819-1891), Danish painter. Painting of forest scene near the shoreline of Hesnæs, on the Danish island of Falster, 1878. Oil on canva...

Edouard Léon Cortès (1882–1969) was a French painter of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting" because of h...

Great Collectors of Our Time: Art Collecting Since 1945 by James Stourton. Publisher; Scala Books, London, 2008. 1st Ed hardcover with dust jacket. "Great Collectors of Our Time" is the first major survey of contemporary collecting and collectors since Douglas Cooper's "Great Private Collections," published in 1963. It examines many of the greatest collectors of our time in Europe, North America and the Far East, and follows their tastes - whether in the Old Masters or the avant garde - from the 20th century into the 21st. In 1945, Paris was still the cultural capital of the world, but its culture was being increasingly challenged by America. American collecting was soon to pull up its European anchor and move across the Atlantic, in growing acceptance of America's own art, the decline in the domination of three European schools of art - Italian Renaissance, English 18th century and French 19th...