Georges Kerfyser More Furniture and Collectibles

Best known for his action packed James Bond posters, American artist Frank McCarthy's dynamic design for John Sturges' spectacular 1963 wartime adventure 'The Great Escape' features king of cool Steve McQueen front and centre, leading co-stars James Garner, Richard Attenborough and their fellow prisoners of war in their legendary escape from a German cap during World War II. McQueen cemented his superstardom as the daredevil Captain Hilts, whose irreverence towards Nazi authority repeatedly lands him in solitary confinement, earning him the nickname 'The Cooler King,' before gunning his motorcycle over a barbed wire fence...

A bewitching full-bleed black and white photograph of a supine Mimsy Farmer confronts us on this scarce english-language poster for the first Japanese release of Barbet Schroeder's 1...

A large and striking silkscreen concert poster for The Stone Roses' seminal gig at the Empress Ballroom in Blackpool, England, on Saturday 12th August 1989. Following the release of their eponymous debut album in May 1989, Manchester musicians Ian Brown...

Set amidst the moral decay of New York City following the Vietnam War and Watergate scandal, Martin Scorsese's 1976 psychological thriller 'Taxi Driver' starred Robert De Niro as a l...

Based on a novel by Nelson Algren, Otto Preminger's controversial and groundbreaking 1955 drama "The Man with the Golden Arm" starred Frank Sinatra in an...

An international style US lobby card for Woody Allen's 1979 romantic comedy "Manhattan," starring co-writer and director Allen as a twice-divorced middle-aged comedy writer dating a ...

An exceedingly rare vertical format British Quad for Alfred Hitchcock's 1964 psychological sex thriller "Marnie," starring Tippi Hendren and Sean Connery. Not present on the conventi...

Presented is a vintage U.S. Army recruitment poster, dating to World War I. The poster depicts an Army officer conferring with a soldier. They stand next to an artillery battery, manned by two soldiers. Their fort looks over a cliff, with water and clouds completing the background. The text "Men Wanted for the Army" is printed in bold red letters at the top of the poster. The bottom margin of the poster includes a cartouche where the name of the recruiting station can be filled in. The color lithograph was illustrated by Michael P...

Lobby Cards were designed for display in a cinema lobby to lure the movie-going public. Typically released in sets of 8, each card depicted a different scene from the film. This charming US lobby card for 'Breakfast At Tiffany's,' number 7 of the set, depicts Audrey Hepburn as Holly Golightly and George Peppard as Paul Varjak sipping coffee against a backdrop of Manhattan. Featuring a miniature version of Robert McGinnis' iconic artwork used for the US insert, the lobby cards offer a bit of Tiffany's magic at a more affordable price point than the larger and highly sought after US Campaign posters. Holly Golightly would be Audrey Hepburn’s defining role, establishing her status as one of the greatest screen legends and style icons of all time. It seems unbelievable now that Truman Capote, author of the novella on which the movie was based, had his heart set on Marilyn Monroe for the part. Monroe pulled out of the running when her acting coach advised her not to play a lady of the night...

Printed in stunning stone lithography, this scarce Australian Daybill poster joyfully declared the original Australian release of MGM's 'An American in Paris' as "the gayest, the most gorgeous, the greatest musical ever." Inspired by a 1928 orchestral composition by George Gershwin, the classic 1951 musical starred Gene Kelly as an American ex-GI who remains in Paris after the war to become an artist and falls for a gamine Parisienne played by a nineteen year old Leslie Caron, who Kelly had spotted performing with the Ballets des Champs-Élysées two years previously. Following the devastation and trauma of the Second World War, producer Arthur Freed...

An incredibly rare and charming B2 poster for a 1957 Japanese re-release of the beloved Walt Disney classic 'Bambi.' The touching tale of a young fawn destined to be Prince of the Forest was the fifth feature-length animated picture to be released by Disney and was critically acclaimed for its graceful animation and lush hand painted forest scenes. Generations of viewers might cite the shocking death of Bambi’s mother at the hands of an anonymous hunter, symbolizing Man's cruel destruction of nature, as their lasting association with the film, yet the story endures as a celebration of life and the cycle of nature. In 2008, the American film Institute named Bambi the third best film in the animation genre. Featuring a lush full-bleed forest scene from the animation, this delightful poster was issued for a dubbed 1957 re-release, following the first Japanese release of the film in 1951, when Hollywood films were screened widely throughout the country during the US occupation. Along with 'Snow White and the Seven Dwarfs,' the feature length Disney animation had a marked influence on a generation of Japanese animators, most notably the "Father of Manga" Osamu Tezuka...

An action-packed Japanese B2 poster for the 1969 British crime caper "The Italian Job," starring Michael Caine as cockney criminal Charlie Croker, fresh out of prison and planning a heist in Italy. Consistently voted one of the greatest ever British movies, the quintessential sixties film has become a cult favourite and a Classic of the heist genre, while Caine's famous one-liner "You're only supposed to blow the bloody doors off!" has taken on a life of its own. Despite receiving a Golden Globe nomination for Best English-Language Foreign Film, "The Italian Job" was not a success in America at the time of its release. Caine blamed its failure on a misleading marketing Campaign, explaining to Empire magazine that the US poster "was a naked woman and me. And I said, 'This is for kids. There aren't any naked women in it! We're going to get a load of old guys coming in to see naked women and they're going to be pissed off, and mums aren't going to bring their children.' They said, 'We're not going to change the poster,' so I got on a plane and came home." While utilizing the same elements as the US poster in a more diminutive form, this superb Japanese poster places its focus on the real stars of the movie - the red, white and blue mini coopers...