Giovanni Martino Paintings

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

C.W. Mundy's "Above the Falls, Yellowstone River" is an original, handmade oil painting that depicts the tumultuous green and blue water swirling with grey rocks in the background. About the Artist: Charles Warren Mundy b. 1945, Indianapolis, IN. Master Signature Member, Oil Painters of America Master Status, American Impressionist Society Fellow, American Society of Marine Artists Signature Artist Member, California Art Club Inaugural Artist In Residence, Indianapolis Children’s Museum Professional Affiliations Fellow, American Society of Marine Artists, 2015 Signature Artist Member, California Art Club, 2012 Master Status, American Impressionist Society , 2007 Signature Member, American Society of Marine Artists, 2005 Master Signature Member, Oil Painters of America, 2002 Signature Member of the Oil Painters of America, 1993 Indiana Plein Air Painters Association Hoosier Salon Indiana Heritage Arts Indiana Artists...

Mark Daily's (US based) "Winter's Last Moments" is an oil painting that depicts the impressionistic rendering of a city street lined with colorful advertisements, signs and storefron...

C.W. Mundy's "Shoshone Canyon, West of Cody" is an original, handmade oil painting that depicts the rocky terrain and foliage in an impressionistic landscape. About the Artist: C.W. Mundy, an American impressionist, was born in 1945 and raised in Indianapolis, Indiana. He graduated with a B.F.A. from Ball State University, in Indiana, in 1969 and then shortly thereafter traveled to California, where he painted, played music, and worked on his M.F.A. at Long Beach State. In 1978, he returned home to Indiana, worked as a sports illustrator for a decade, then in the early 1990s took on the challenge of painting in a more impressionistic style, going out of doors and painting en plein air, from life. This painting style led Mundy to a series of European plein air painting trips, beginning with a trip to France in 1995 and continuing through the present. In 2007, Mundy achieved master status in The American Impressionist Society and in 2003 he was invited to master signature membership in the Oil Painters of America. He is also a signature member of the American Society of Marine Artists. His work is in select public collections including the Art Museum of Grater Lafayette in Lafayette, Indiana; the National Art Museum of Sport in Indianapolis, Indiana, and the Indiana Basketball Hall of Fame in New Castle Indiana...

Tempera on board painting titled 'The Carved Door' by Archie Musick, signed by the artist in the lower right corner. Depicts a semi-abstract landscape with flora and fauna. Presented...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Rabbit Hunters, egg tempera on Masonite, 12 x 9 inches, 1947, signed and dated lower left, signed, titled and dated verso “Rabbit Hunters Egg Tempera Roger Medearis 1947,” exhibited ...

This is a very stylized Southwest landscape that appears to document a small church that existed at one time, perhaps in the Palm Springs or Santa Fe area. It is very reminiscent of...

Signed lower left: Guy Wiggins / Guy Wiggins; on verso (photo available): CENTRAL PARK. WINTER. / GUY WIGGINS N.A. / 1936.

Central Park by Kamil Kubik, Czech/American (1930–2011) Oil on canvas, signed l.r. Size: 35.5 x 30 in Kamil Kubik, defecting from his home country of Czechoslovakia in 1948 when the Communists seized power, he would become known as "Master of Cityscapes", known internationally for his street scenes, cityscapes and magnificent florals, memorializing royal weddings and inaugurations on his canvas pieces. His cityscape paintings for sale are highly coveted pieces thanks to his popularization through magazines, books, and even White House Christmas cards. Private collectors of his work have included U.S. presidents and English royalty...

18.50" x 23.50" sight size Debra Yoo received a degree in Fine Art and the Humanities from the University of Chicago, strongest influences were painting professor Vera Klement and the proximity of the Art Institute of Chicago. Her undergraduate work was primarily abstract, deeply influenced by Matisse, Russian icon painting, Robert Motherwell, and Barnett Newman. After graduation she decided to pursue a growing interest in painterly realism. At that time Minimalism and Conceptualism were dominant, but there was (as there is still) a core of distinguished American artists who practiced the kind of contemporary realism based on modernism. Matisse continued to be a guiding light, but she also became interested in the work of Larry Rivers, Louisa Matthiasdottir...

Jack Stuck (1925-1993) "Abstract Landscape" 1960 Collage oil paint, charcoal, paper and canvas laid down on masonite 48"x46" natural wood frame 51" x 49" Si...