Hugo Rivas Paintings

Abstracted landscape by an unknown artist (20th Century). The landscape is made up of patches of color, reminiscent of viewing agricultural land f...

Pastel Landscape by Irina Hale (British 1932-2022) pastel on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condition: ve...

"The Model #5" is a pastel on paper showing a nude female figure emerging from what appears to be an evening darkening mist where a distant landscape is suggested or perhaps she is e...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotsw...

Ramanando Bandopadhayay - 8 x 10 inches ( Unframed ) Mixed media on paper We shall include shipping in frame form all across the world. Just hang and relish the work. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named "nude with lace". The signature, Santini, can be found in the bottom left corner of the artwo...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...