Huntington Witherill Art

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

An atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...

Mrs Hans Estin watches her children digging for clams at low tide on Black Beach, Massachusetts Bay, circa 1960 Slim Aarons Digging for Clams on Black Beach 1960 Fiber Print Estate...

Vintage hand signed and stamp signed with the photographer's stamp and numbered photo of starflower. Samuel Herman Gottscho (February 8, 1875 - January 2...

Signed in pencil on the front of the mount. Stamped on the back of the mount. From the Friends of Photography Print program, likely printed in the 1980s.

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

NYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA Architectural Underwood and Underwood 1939 World’s Fair Photographs 8 x 10 inches each All five prints are stamped...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

A superb VINTAGE print by consummate visual artist Wolfgang Suschitzky, whose photographs capture London's sites, people, moods, and lights in a masterful and perceptive manner. Arch...

This vintage or early silver gelatin print is signed, titled, dated, and numbered in pencil on the back of the print. This unmounted print was likely made in the 1930s.

Silver gelatin print, printed 1980s; image dimension 15 x 11 5/8 in. (380 x 293 mm), sheet dimension, 15 3/8 x 12 1/8 in. (390 x 309 mm). The verso signed "W. Suschitzky" in black crayon, titled and dated Dundee. 1946". [Michael Omasta, et al. Wolf Suschitzky: Seven Decades of Photography (Vienna: Synema, 2014), ill. p. 188]. A photograph that attests to Suschitzky's keen interest in the social environments of the working class. His worked as a cinematographer brought him to Britain’s coal mining communities, to the steel mills and the workers' housing. "In Dundee I came across the worst slums I had ever seen. When I took this picture I was next to a ten story high tenement building. There was only one toilet on each floor and one cold water tap...