Jack Levine Figurative Prints

Comical illustration by Gaston Hoffmann (French, 1883-1977). A doctor is giving a shot to a female patient, while a nurse tries to prevent a man from barging in. Pencil signed "G Ho...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...

This embossed, numbered and signed lithograph, part of the “Four Seasons Suite,” is by Alvar Suñol Muñoz-Ramos (b. 1935), a renowned Spanish ar...

"Not True, Good Accounts Make Good Friends" Satirical French Illustration Comical illustration by Gaston Hoffmann (French, 1883-1977) titled "Ce n'est pas vrai, les bons comptes fon...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century Letterio Calapai (American 1902-1993) ''Labor in A Diesel Plant'' Wood engraving, 1940 17 x 10 1/2...

Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...

Satirical French Illustration of Man and Woman Comical illustration by Gaston Hoffmann (French, 1883-1967) titled "un bon tien vant amieux que deux tu l'auras" in French, "one real ...

Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork entirely made in France: from th...