James Abbott McNeill Whistler Art
American, 1834-1903
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. Whistler was born on July 11, 1834, in Lowell. During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his French Set brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially, under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the etching revival, he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. In his Thames Set etchings, Whistler often introduced the figures of workmen, boatmen or loungers in the foregrounds. Whistler died on July 17, 1903, in London.
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Artist: James Abbott McNeill Whistler
Billingsgate
By James Abbott McNeill Whistler
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Laid Paper, Drypoint, Etching
Venus
By James Abbott McNeill Whistler
Located in Storrs, CT
Venus. 1859. Etching and drypoint. Kennedy catalog 59 state ii; Glasgow catalog 60 state ii. 6 x 9 (sheet 8 x 11 3/16). Glasgow records 27 known impressions. A very rich impression p...
Category
Mid-19th Century American Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
THE BEGGERS - Unique, only known example of the 10th state in a fine impresssion
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT McNEILL WHISTLER (1834 – 1903)
THE BEGGARS 1879-80 (Glasgow 190 x/xvii: K.194 ii/ix?: M.191: W.159)
Etching and drypoint, from “Venice, a Series of Twelve...
Category
1880s American Impressionist James Abbott McNeill Whistler Art
Materials
Etching
"Beach Scene at Dieppe" James Abbott McNeill Whistler, Tonalist Watercolor
By James Abbott McNeill Whistler
Located in New York, NY
James Abbott McNeill Whistler
Beach Scene at Dieppe, 1885-86
Watercolor on paper, mounted on board
8 1/2 x 5 inches
Signed on the reverse
Provenance:
Miss Annie Burr Jennings
Mrs. ...
Category
1880s Impressionist James Abbott McNeill Whistler Art
Materials
Paper, Watercolor
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
1850s Realist James Abbott McNeill Whistler Art
Materials
Etching
The Venetian Mast
By James Abbott McNeill Whistler
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
1870s American Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Annie - Etching by James Whistler
By James Abbott McNeill Whistler
Located in Roma, IT
Signed 'Whistler' lower left, titled 'Annie', center, and annotated 'Imp. Delâtre Rue St. Jacques. 171' in the plate lower right.
From the portfolio: "Douze Eaux-Fortes d'après Natur...
Category
1850s Post-Impressionist James Abbott McNeill Whistler Art
Materials
Etching
James Abbott McNeill Whistler (1834 - 1903, British) "Fulham (Chelsea Church)"
By James Abbott McNeill Whistler
Located in San Francisco, CA
James Abbott McNeill Whistler (1834 - 1903, British)
"Fulham (Chelsea Church)"
Etching
Year 1865
8" x 5 1/8 unframed
13.75 x 17.25" framed
Category
1870s James Abbott McNeill Whistler Art
Materials
Etching
Bibi Valentin
By James Abbott McNeill Whistler
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Reading
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Reading
Lithograph, 1879 and 1887
Signed in the stone with the Butterfly (see photo)
A proof laid paper printed before the edition of 100 impressions printed for Art Notes
Watermark:...
Category
1870s American Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Landscape with Horses.
By James Abbott McNeill Whistler
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
19th century engraving landscape bridge industrial river scene ink signed
By James Abbott McNeill Whistler
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Etching
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Little Putney
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Late 19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
The Whitesmiths, Impresse des Carmelites
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903)
THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03) Way 53, LEVY 84
Transfer lithograph signed with butterfly in stone 8 ½ x 6 1//8". ...
Category
1890s Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Bridge, Amsterdam
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
1880s Impressionist James Abbott McNeill Whistler Art
Materials
Etching
Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Etching
"The Smith's Yard" original lithograph
By James Abbott McNeill Whistler
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cre...
Category
1890s James Abbott McNeill Whistler Art
Materials
Lithograph
The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
1890s American Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Venus
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60
A very fine impression.
A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope.
Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...
Category
1850s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Penny Passengers, Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Penny Passengers, Limehouse, 1860. Etching and drypoint, signed in pencil with a butterfly and inscribed imp, printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded, 31/4 x 81/8 inches (8.2 x 20.7 cm)
A fine impression of this great rarity.
Provenance: Otto Gerstenberg, stamp verso [Lugt 2785]
Reference: Kennedy 67; Glasgow 71
The buildings on the far bank of the Thames and the ship and their masts moored there show the distinctive draughtsmanship of the period 1859–1860 when Whistler worked in Limehouse and made an etching there which was published in the Thames Set. Penny Passengers, Limehouse is very rare, with only five impressions known, all but our impression in public collections. It shows in outline a group of passengers waiting for the ferry...
Category
1860s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Forge
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
1860s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint
Tête-à-Tête in the Garden
By James Abbott McNeill Whistler
Located in Storrs, CT
Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...
Category
Late 19th Century American Modern James Abbott McNeill Whistler Art
Materials
Lithograph
THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint
THE SMITH’S YARD
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124)
lithograph, 1895, on wove paper, from the edition of 3000, published by
The Inter...
Category
1890s Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Bibi Lalouette - Etching by James Whistler - 1859
By James Abbott McNeill Whistler
Located in Roma, IT
Etching and drypoint in black ink on fine ivory laid Japan paper.
Second state of two.
Signed and dated in plate lower right "Whistler. 1859".
Very good condition.
Ref. Kennedy 51 i...
Category
1850s Modern James Abbott McNeill Whistler Art
Materials
Etching
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
JAMES MCNEILL WHISTLER (1834-1903)
Limehouse, from Notes
lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Alderney Street - Etching by J.A. Whistler - 1881
By James Abbott McNeill Whistler
Located in Roma, IT
Not signed. Edition of the "Gazette des Beaux-Arts" .The American artist James Abbott McNeill Whistler can be considered a forerunner of the Post-Impressionist movement.
Very good co...
Category
1880s James Abbott McNeill Whistler Art
Materials
Etching
James Abbott McNeill Whistler: Firelight: Joseph Pennell, No.1
By James Abbott McNeill Whistler
Located in Soquel, CA
Portrait of the Artist Joseph Pennell a lithograph by James Abbott McNeill Whistler (American, 1834 - 1903). This portrait, one of 3 Whistler did of Joseph Pennell, was done in 1896 ...
Category
Late 19th Century Realist James Abbott McNeill Whistler Art
Materials
Vellum, Lithograph
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist James Abbott McNeill Whistler Art
Materials
Etching
Venus
By James Abbott McNeill Whistler
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
1850s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Old Putney Bridge
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
AFTERNOON TEA
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published b...
Category
1890s James Abbott McNeill Whistler Art
Materials
Lithograph
Chelsea Rags
By James Abbott McNeill Whistler
Located in Storrs, CT
Chelsea Rags.
Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations.
"And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
Category
Late 19th Century American Modern James Abbott McNeill Whistler Art
Materials
Lithograph
Victoria Club
By James Abbott McNeill Whistler
Located in Storrs, CT
Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...
Category
Late 19th Century American Modern James Abbott McNeill Whistler Art
Materials
Lithograph
Little Court, from A Set of Twenty-Six Etchings by James A. McN. Whistler”, 1880
By James Abbott McNeill Whistler
Located in Philadelphia, PA
James Abbott McNeill Whistler
(American, 1834-1903)
Little Court, 1880-1
Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow), 4 3/4 x 6 3/4 ...
Category
Late 19th Century Realist James Abbott McNeill Whistler Art
Materials
Paper, Etching
The Rag Gatherers - Original Etching by J.A. Whistler - 1858
By James Abbott McNeill Whistler
Located in Roma, IT
Signed and dated on plate.
An early state on the 5 issued, with very fresh impression and marked contrasts,
Includes passepartout (cm. 53x37).
The American artist James Abbott McNei...
Category
1850s Post-Impressionist James Abbott McNeill Whistler Art
Materials
Etching
The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Rialto
By James Abbott McNeill Whistler
Located in New York, NY
A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...
Category
Late 19th Century American Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Lagoon: Noon
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
J. Becquet, Sculptor
By James Abbott McNeill Whistler
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
19th Century Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
Gants de Suede
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Gants de Suede (Suede Gloves)
Lithograph, 1890
Signed in the stone with the butterfly signature (see photo)
Published in: The Studio 3, No. 13 (16 April 1894)
Printed by Way in an ed...
Category
1890s Aesthetic Movement James Abbott McNeill Whistler Art
Materials
Lithograph
J.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Drury Lane
By James Abbott McNeill Whistler
Located in New York, NY
James Abbott McNeill Whistler (1834-1903), DRURY LANE, etching, 1880-81, signed with the butterfly and inscribed imp in pencil [also with the butterfly upp...
Category
Late 19th Century Realist James Abbott McNeill Whistler Art
Materials
Etching
W. Jones, Lime-Burner, Thames Street-Etching (Reproduction)
By James Abbott McNeill Whistler
Located in Clinton Township, MI
20 in x 16 in - image size
Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.
Category
20th Century James Abbott McNeill Whistler Art
Materials
Etching
19th century black and white etching indoors figures child doorway table
By James Abbott McNeill Whistler
Located in Milwaukee, WI
"The Rag Gatherers" is an original etching on zinc plate by J. A. M. Whistler. The artist signed and dated the piece in the plate. It features a scene...
Category
1850s Art Nouveau James Abbott McNeill Whistler Art
Materials
Fabric, Etching
The Beggars
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Beggars, etching and drypoint, 1879-80, signed with the butterfly and inscribed “imp”. Reference: Glasgow 190, seventh sta...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint, Etching
The Lithographs of JAMES MCNEILL WHISTLER. A Catalogue Raisonné.
By James Abbott McNeill Whistler
Located in New York, NY
Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER. Volume I: A Catalogue Raisonné. Volume II: Correspondence and Technical Studies. Contrib...
Category
1990s James Abbott McNeill Whistler Art
Materials
Paper
THE MEDICI COLLAR
By James Abbott McNeill Whistler
Located in Portland, ME
Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186.
Transfer lithograph, 1897. Number of impressions unknown.
Printed in Paris by Le...
Category
1890s James Abbott McNeill Whistler Art
Materials
Lithograph
The Little Mast
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Little Mast, etching, drypoint and burnishing, 1879-80, signed in pencil with the early shaded butterfly lower left and annotated “imp”. References: G...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Etching
Florence Leyland
By James Abbott McNeill Whistler
Located in New York, NY
A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint
Gabled Roofs
By James Abbott McNeill Whistler
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...
Category
1890s Impressionist James Abbott McNeill Whistler Art
Materials
Lithograph
Battersea Morn (also Battersea Dawn)
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1830-1903), Battersea Morn (also Battersea Dawn), drypoint, 1875, Kennedy 155, signed in pencil with the butterfly and inscribed “imp”. Kennedy 155, first state (of ...
Category
1870s Impressionist James Abbott McNeill Whistler Art
Materials
Drypoint
James Abbott Mcneill Whistler art for sale on 1stDibs.
Find a wide variety of authentic James Abbott McNeill Whistler art available for sale on 1stDibs. You can also browse by medium to find art by James Abbott McNeill Whistler in lithograph and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large James Abbott McNeill Whistler art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Michel Delacroix, Norman Rockwell, and Leroy Neiman. James Abbott McNeill Whistler art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,900 and tops out at $4,900, while the average work can sell for $4,400.
Artists Similar to James Abbott McNeill Whistler
Questions About James Abbott McNeill Whistler Art
- 1stDibs ExpertSeptember 16, 2024How much Whistler paintings are worth varies based on their historical significance, size, condition and other characteristics. In 2000, his piece Harmony in Grey, Chelsea in Ice set a new auction sales record for the painter when it sold for more than $2.8 million. James Abbott McNeill Whistler was an American artist active during the Gilded Age and based primarily in the United Kingdom. He was influenced by the injunctions of the poet Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. To find out how much a particular Whistler painting may be worth, have a certified appraiser or knowledgeable art dealer assess it for you. Explore a variety of James Abbott McNeill Whistler art on 1stDibs.
- 1stDibs ExpertFebruary 27, 2024Yes, Whistler's Mother is a real painting. American painter James McNeill Whistler painted the oil-on-canvas work in 1871, and it depicts his mother, Anna McNeill Whistler. Although more well known by the name Whistler's Mother, the painting is actually titled Arrangement in Grey and Black No. 1. Shop a range of James Abbott McNeill Whistler art on 1stDibs.
- 1stDibs ExpertMarch 22, 2022James Abbott McNeill Whistler is known for his work as a painter. His nighttime scenes of London and his full-length portraits are particularly acclaimed. He also produced etchings and lithographs. You'll find a variety of James McNeill Whistler art on 1stDibs.
- 1stDibs ExpertNovember 13, 2024One of Whistler's famous paintings is commonly called Whistler's Mother. The actual title of the painting is Arrangement in Grey and Black No. 1, and the oil-on-canvas piece does depict James McNeill Whistler's mother. Whistler painted it in 1871. Today, it is part of the collections of the Musée d'Orsay in Paris, France. On 1stDibs, find a variety of James McNeill Whistler art.
- 1stDibs ExpertJanuary 27, 2025One of the most famous artists of the Aesthetics movement named Whistler was James McNeill Whistler. Like other proponents of the Aesthetics movement, he believed in producing art for art's sake. Some of his best-known works include Symphony in White, No. 1: The White Girl; Nocturne in Black and Gold; The Falling Rocket and Arrangement in Grey and Black No. 1., more commonly referred to as Whistler's Mother. On 1stDibs, explore an assortment of James McNeill Whistler art.