James Bearden Furniture

Lidded cylindrical vessel of patinated steel, glass enamel, and clear coat. A Brutalist work, and the first of its series, by Des Moines, Iowa artist James Bearden.

Group of three small abstract sculptures, titled Module Trio, of blackened steel, fused and dyed bronze, and glass enamel. Made in 2019 by Am...

'Illuminated Dwelling' lamp by American artist James Bearden, from his Cathedral series. Hand-forged of blackened and polished steel in 2015.. A one-of-a-kind design that is essentia...

Sculptural "Containment" box, a vessel in blackened steel, dyed bronze, and red glass enamel by American artist James Bearden. Number 2 in a series. Top lifts off revealing an abstra...

Sonic sculpture of torch-cut and polychromed steel, fused bronze, solvent dyes, and glass enamel. An elongated version of "Meteor Storm" that can serve as a screen or divider. A 2019...

Sonic sculpture of torch-cut steel fused with glass enamel titled “Meteor Storm” by American artist James Bearden. The array of iridescent, molten-looking celestial shapes surmountin...

"Neuron Box," an ovoid container with a hinged hatch surmounted on a pair of sinuous, slender legs. A tour-de-force in torch-cut steel, fused bronze, and dye by American artist James...

"Segment Cabinet (square)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The square cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has an asymmetrically set hinged front door. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

"Dwelling Box" in steel with an ash metallic gel coat. A 2015 work from his Cathedral series by Des Moines, Iowa artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design Center titled "James Bearden: Life in Steel;" in an article in the January Interior Design...

Candelabra of blackened and 24-karat gold gilded steel, with the aspect of an extra-terrestrial or futuristic cityscape. By American artist James Bearden. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

"Segment jewelry box on pedestal," a new work in patinated steel with 24-karat gold leaf and fused bronze, copper, and glass enamel. By Des Moines, Iowa, ar...

"Pod" sculpture in patinated steel with fused bronze. A new work by Des Moines, Iowa, artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design...

“Mystical Galaxy Chimes,” a kinetic sounding sculpture in patinated and gold gilded steel, and glass enamel, with a reference to Gustav Klimt. From the Cathedral series by American artist James Bearden, 2017. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

Abstract sculpture of torch-cut steel and bronze by American artist James Bearden. From his “Woven” series, 2019. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Segment Cabinet (horizontal)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The rectangular cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs; it has double doors that swing outward. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The horizontal cabinet is part of a group of three cabinets being offered individually--see the photo below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

"Pod Box on Stand," a sculptural work in patinated steel and fused bronze by Des Moines, Iowa artist James Bearden. The hinged and abstractly naturalistic "pod" opens onto a spherica...

"Segment Cabinet #2,” a sculptural work in torch-cut, dyed steel with fused bronze and glass enamel, by American artist James Bearden. The vertical rectangular cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has a hinged front door and three shelves inside. Signed and with a Certificate of Authenticity from the artist. The interior shelves measure W 12" x D 13". Bearden's work was featured in a 2017 solo exhibition at the NY Design Centre titled "James Bearden: Life in Steel;" in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Anthropomorphic side table of torch-cut, welded, textured and enameled steel. By American artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design Center titled "James Bearden: Life in Steel;" in an article in the January Interior Design Magazine...

Sculptural box of blackened and polished steel, raised atop a slender column. From the Dwelling series, 2015, by Des Moines artist James Anthony Bearden.

"Spore Table" by American artist James Bearden. A chic, Brutalist design of blackened and polychromed steel with fused bronze. Can be used as a side table or stool, indoors or outdoo...

Sculptural, Brutalist jewelry box in patinated steel, 24-karat gold leaf, bronze, copper, and glass enamel. A new work by Des Moines, Iowa artist J...

"Multi-Level Dwelling," a sculpture of blackened, textured steel, by Des Moines artist James Anthony Bearden (1964). Part of his cathedral series. With a certificate of authenticity ...