Skip to main content

James Stroudley Art

British, 1906-1985

James Stroudley was born and lived in London. He studied at Clapham School of Art, from 1923–27, then the Royal College of Art, from 1927–30. His teachers included William Rothenstein and Allan Gwynne-Jones. Stroudley was a Major Abbey Scholar from 1930–33, which gave him three years of traveling time in Italy. From here, he was inspired by classic Italian painters, notably, Giotto and Piero Della Francesca. He became a fine figurative draughtsman, but his work was also influenced by the Cubists. He was a visiting lecturer at the Royal Academy Schools. He has shown at RA, RBA (became a member in 1934), RE and elsewhere. Arthur Tooth and Son and Apollinaire Gallery gave him one-man shows. Public collections in Bradford, Brighton, Herbert Art Gallery in Coventry and Rochdale hold examples of his work.

to
3
18
18
5
4
Portrait of a Young Man, 20th Century Graphite on Paper

Portrait of a Young Man, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of a Young Man Graphite on paper Image size: 18 x 16 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Florentine Lady, 20th Century Graphite on Paper

Florentine Lady, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Florentine Lady Graphite on paper, signed and inscriber '1932 Florence' Image size: 24 x 19 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of a Young Woman - 1930's Art Deco portrait drawing British artist
Portrait of a Young Woman - 1930's Art Deco portrait drawing British artist

Portrait of a Young Woman - 1930's Art Deco portrait drawing British artist

By James Stroudley

Located in Hagley, England

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Category

1930s Realist James Stroudley Art

Materials

Carbon Pencil

Portrait of Juliana - British Art Deco pencil charcoal drawing of a woman
Portrait of Juliana - British Art Deco pencil charcoal drawing of a woman

Portrait of Juliana - British Art Deco pencil charcoal drawing of a woman

By James Stroudley

Located in Hagley, England

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...

Category

1930s Art Deco James Stroudley Art

Materials

Charcoal, Color Pencil

Portrait of a Young Woman - Art Deco charcoal pencil drawing
Portrait of a Young Woman - Art Deco charcoal pencil drawing

Portrait of a Young Woman - Art Deco charcoal pencil drawing

By James Stroudley

Located in Hagley, England

A fine large charcoal and pencil drawing on paper by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and b...

Category

1930s Art Deco James Stroudley Art

Materials

Charcoal, Carbon Pencil

Reclining Nude, 20th Century Oil
Reclining Nude, 20th Century Oil

Reclining Nude, 20th Century Oil

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Reclining Nude Oil on canvas, signed lower left Image size: 17 x 25 inches Original frame James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Oil, Canvas

Portrait of a Lady, 20th Century Graphite on Paper

Portrait of a Lady, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of a Lady Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of a Lady, 20th Century Graphite on Paper

Portrait of a Lady, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of a Lady Graphite on paper Image size: 15 x 12 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of a Boy, 20th Century Graphite on Paper

Portrait of a Boy, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of a Boy Graphite on paper Image size: 18 x 14 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Woman at Rest, Signed Charcoal Sketch, 20th Century British
Woman at Rest, Signed Charcoal Sketch, 20th Century British

Woman at Rest, Signed Charcoal Sketch, 20th Century British

By James Stroudley

Located in London, GB

Charcoal on paper, signed lower left Image size: 15 3/4 x 21 inches (40 x 53.5 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Category

Mid-20th Century Modern James Stroudley Art

Materials

Paper, Charcoal

A Triptych: The Olympic Games, Modern British Drawing, Ancient Greek, Nude
A Triptych: The Olympic Games, Modern British Drawing, Ancient Greek, Nude

A Triptych: The Olympic Games, Modern British Drawing, Ancient Greek, Nude

By James Stroudley

Located in London, GB

Graphite on paper Image size of rectangular works: 33 x 43 inches (84 x 109 cm) Image size of arched central work: 38 1/4 x 29 inches (97 x 73.5 cm) Provenance Private Collection of Seymour Stein, Vice President of Warner Bros Records Sotheby's 'Modern British and Irish Art,' London, 19 May 2004, lot 92 The three impressive drawings are studies for Stroudley’s ‘Olympic Games in a Demi-Lune’. From left to right the studies depict groups of athletes practicing diving, a conversing crowd of oarsmen, hurdlers mid jump and a collection of javelin throwers. This study was created in 1930 when Stroudley practiced in the British School in Rome. There are few surviving works from Stroudley’s short stay in Rome, with the compositions from his Rome period being among the last wholly successful decorative cycles produced by a Rome Scholar prior to World War II. Indeed, as can be seen here, his drawings from this period are technically brilliant and even bear comparison with those of Eric Kennington. James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Category

1930s Modern James Stroudley Art

Materials

Graphite, Paper

Studies of a Woman Sitting, Red Chalk Drawing, Modern British Artist, Framed
Studies of a Woman Sitting, Red Chalk Drawing, Modern British Artist, Framed

Studies of a Woman Sitting, Red Chalk Drawing, Modern British Artist, Framed

By James Stroudley

Located in London, GB

Red chalk on paper Image size: 21 x 14 1/2 inches (54 x 37 cm) Gilt frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Category

20th Century Modern James Stroudley Art

Materials

Chalk, Paper

Portrait of Julieta, 20th Century Graphite on Paper

Portrait of Julieta, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of Julieta Graphite on paper, signed and inscribed '1931' Image size: 15 x 12 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of a Hunter, 20th Century Graphite on Paper

Portrait of a Hunter, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of a Hunter Graphite on paper Image size: 24 x 15 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of Adriane Madami, 20th Century Graphite on Paper

Portrait of Adriane Madami, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Portrait of Adriane Madami Graphite on paper, signed and inscribed '1930, Adriane Madami, Assisi' Image size: 19 x 16 inches James Stroudley was born in...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Florentine Gent, 20th Century Graphite on Paper

Florentine Gent, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906 -1985 Florentine Gent Graphite on paper, signed and inscriber '1931 Florence' Image size: 24 x 18 inches Framed James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Portrait of the Artist's Wife, 20th Century Graphite on Paper

Portrait of the Artist's Wife, 20th Century Graphite on Paper

By James Stroudley

Located in London, GB

James Stroudley 1906-1985 Portrait of the Artist's Wife Graphite on paper Image size: 13 x 10 inches Unframed James Stroudley was born in London on 17 June 1906, the son of James St...

Category

20th Century James Stroudley Art

Materials

Graphite, Paper

Mending, Graphite Portrait, 20th Century Modern British, Signed Artwork
Mending, Graphite Portrait, 20th Century Modern British, Signed Artwork

Mending, Graphite Portrait, 20th Century Modern British, Signed Artwork

By James Stroudley

Located in London, GB

Graphite on paper, signed lower right Image size: 17 x 21 inches (43.25 x 53.25 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Category

20th Century English School James Stroudley Art

Materials

Paper, Graphite

Related Items
Paul Gavarni (1804-1866) Portrait of a young man, signed drawing
Paul Gavarni (1804-1866) Portrait of a young man, signed drawing

Paul Gavarni (1804-1866) Portrait of a young man, signed drawing

By Paul Gavarni

Located in Paris, FR

Paul Gavarni (1804-1866) Portrait of a young man leaning on a Chair Signed lower right Black pencil on paper 23.7 x 17.6 cm In good condition Framed : 40 x 34 cm This fine portr...

Category

1840s Romantic James Stroudley Art

Materials

Carbon Pencil

Portrait Of A Young Girl  In A Lilac Dress With A Black Bow. Circa 1860. SIgned.
Portrait Of A Young Girl  In A Lilac Dress With A Black Bow. Circa 1860. SIgned.

Portrait Of A Young Girl In A Lilac Dress With A Black Bow. Circa 1860. SIgned.

$322Sale Price|40% Off

H 23.23 in W 15.36 in D 1.19 in

Portrait Of A Young Girl In A Lilac Dress With A Black Bow. Circa 1860. SIgned.

Located in Firenze, IT

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

Category

Mid-19th Century Realist James Stroudley Art

Materials

Paper, Chalk, Crayon, Carbon Pencil

Fragment 10 (dreamy woman back skin female figurative painting soft Earth tones)
Fragment 10 (dreamy woman back skin female figurative painting soft Earth tones)

Fragment 10 (dreamy woman back skin female figurative painting soft Earth tones)

By Rudolf Kosow

Located in Quebec, Quebec

"Fragment" by Rudolf Kosow is a deeply introspective miniature painting on wood that subtly plays with shadow and light to evoke a sense of hidden depths within the human form. This ...

Category

2010s Post-Impressionist James Stroudley Art

Materials

Canvas, Oil, Acrylic, Wood Panel

Fragment 9 (dreamy woman back skin female figurative painting soft Earth tones)
Fragment 9 (dreamy woman back skin female figurative painting soft Earth tones)

Fragment 9 (dreamy woman back skin female figurative painting soft Earth tones)

By Rudolf Kosow

Located in Quebec, Quebec

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

Category

2010s Post-Impressionist James Stroudley Art

Materials

Canvas, Oil, Acrylic, Wood Panel

Untitled (Man Reclining on Tile Floor)
Untitled (Man Reclining on Tile Floor)

Untitled (Man Reclining on Tile Floor)

By Mark Beard

Located in New York, NY

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Category

1970s Realist James Stroudley Art

Materials

Paper, Graphite, Conté

Late 18th Century Italian Baroque Allegorical Mythical Nudes VIRTUE OF VICE o/c
Late 18th Century Italian Baroque Allegorical Mythical Nudes VIRTUE OF VICE o/c

Late 18th Century Italian Baroque Allegorical Mythical Nudes VIRTUE OF VICE o/c

Located in Rancho Santa Fe, CA

This painting is likely to be from the late 18th or early 19th century, and is likely inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

Category

19th Century Baroque James Stroudley Art

Materials

Canvas, Oil

Untitled (Man Undressing)

Untitled (Man Undressing)

By Mark Beard

Located in New York, NY

Graphite on paper Signed, c.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now live...

Category

1970s Realist James Stroudley Art

Materials

Paper, Graphite

Blue Chroma,  Figurative nude. Oil on canvas. Painting
Blue Chroma,  Figurative nude. Oil on canvas. Painting

Blue Chroma, Figurative nude. Oil on canvas. Painting

Located in Miami Beach, FL

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Category

2010s Contemporary James Stroudley Art

Materials

Canvas, Oil

“Aristocratic Beauty”
“Aristocratic Beauty”

J. R. Vincent“Aristocratic Beauty”, Circa 1860

$440Sale Price|20% Off

H 8 in W 6.25 in D 1 in

“Aristocratic Beauty”

Located in Southampton, NY

Here for your consideration is a very well executed pencil (graphite) drawing on archival paper of a young aristocratic lady. Attributed to the hand of the British artist, J.R. Vince...

Category

1860s Academic James Stroudley Art

Materials

Graphite, Archival Paper

Copper - Bath nude portraiture artwork realism oil painting modern human form
Copper - Bath nude portraiture artwork realism oil painting modern human form

Copper - Bath nude portraiture artwork realism oil painting modern human form

By Calvin Lai

Located in London, Chelsea

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Category

21st Century and Contemporary Realist James Stroudley Art

Materials

Canvas, Oil, Board

Follower of Roderic O'Connor, Female nude in an interior, large oil painting
Follower of Roderic O'Connor, Female nude in an interior, large oil painting

Follower of Roderic O'Connor, Female nude in an interior, large oil painting

By Roderic O'Conor

Located in Harkstead, GB

A very striking and stylishly painted oil of a shapely nude reclining on a draped sofa, dating from the early to mid 20th century . This large scale oil is presented in an attractive...

Category

Mid-20th Century Modern James Stroudley Art

Materials

Canvas, Oil

Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996.
Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996.

Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996.

Located in Firenze, IT

Juventus 1995-96 - Stretching Before the Match. Drawing by Silombria, 1996 Large pencil drawing on paper, signed and dated lower right: Silombria '96. Dimensions: H 101 cm × W 72 cm...

Category

Late 20th Century Pop Art James Stroudley Art

Materials

Paper, Carbon Pencil

Previously Available Items
Portrait of a Woman Sitting in Profile

Portrait of a Woman Sitting in Profile

By James Stroudley

Located in London, GB

Graphite on paper Image size: 10 1/2 x 14 1/4 inches (26.5 x 36 cm) Mounted A fine pencil drawing and a stunning example of a 1930s Art Deco portrait.

Category

1930s Modern James Stroudley Art

Materials

Graphite

James Stroudley art for sale on 1stDibs.

Find a wide variety of authentic James Stroudley art available for sale on 1stDibs. You can also browse by medium to find art by James Stroudley in pencil, paper, graphite and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large James Stroudley art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Gordon Scott, John Emanuel, and Albert Richardson. James Stroudley art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $460 and tops out at $6,902, while the average work can sell for $767.

Artists Similar to James Stroudley