Jim Amaral Figurative Sculptures

Bronze sculpture with brown patina. Head of a young girl.

This piece is entitled Lost in Reverie. It is a large scale outdoor sculpture. The running bear is a common theme in his work as he is remembers his childhood teddy bear. Patrick O’Reilly...

Ed. of 9 Sophie Ryder was born in London in 1963 and lives in the heart of the Gloucestershire countryside with her family. She studied visual arts at the Royal Academy Schools and ...

Ed. of 9 Sophie Ryder was born in London in 1963 and lives in the heart of the Gloucestershire countryside with her family. She studied visual arts at the Royal Academy Schools and ...

"Untitled Standing Figure No. 3" is a bronze sculpture made by Manuel Neri in 1992. The work is number 1 from an edition of 4. The piece is stamped on base, "Manuel Neri 1/4 1980 C"....

This piece is entitled Irish Wolfhound. It is a large scale outdoor sculpture. The Irish Wolfhound is a running theme in his work as he is celebrating Irish culture and memorialising the strong connection he had with his childhood dog. Patrick O’Reilly...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Danse Mystique Dance Mystic Bronze Sculpture Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling ...

This piece is entitled Heartfelt. It is a large scale outdoor sculpture. The bronze hand holds up a beautiful cracked heart. The crystalline art resin is purposely cracked using a ch...

Patrick O'Reilly Right side of the road Bronze 150 x 170 x 60 cm 59 x 66 7/8 x 23 5/8 in 1/1 This piece is entitled Right Side of the Road. It is a large scale outdoor sculpture. Th...

Purposely diverse, my work straddles the line between high and low culture, acting as a catalyst for critical thought and addressing the failed promise of a modernist future predicated on boundless scientific advancement. Whether through craftsmanship, the creation of spectacle, or humour, my goal is to provoke the viewer into questioning the dominate myth of progress ingrained in Western world views. A satellite resting lifeless in a crater, recalling a modern day Icarus whose faith in technology lead to hubris and imminent demise as he fell back to earth; a ghost clad in chrome, cloaked in the reflective guise of the machine it seems fit to haunt; machines sporting deer antlers and locked in never ending combat – these are just some of the motifs I utilize to articulate my concerns about technology and failure. Elements of this work appear as wonderfully crude relics of past visions of the future, as vehicles or potential doomsday weapons mirroring the excesses of the cold war and the space race, while also recalling proto-modernist sculpture of the same period. I attempt to highlight our nostalgia for a past, when science held the promise of a limitless future, and not the very strange and often frightening world of tomorrow we find ourselves living in today. My work is a lexicon of no-longer-relevant representation created with a critical eye towards modernism, but also empathy for a tarnished idealism. In the past several years my exhibited projects have been diverse in form and content, including site specific interventions, kinetic sculpture, public performances and object based sculpture. My public installations deliberately do not reveal themselves as sculpture, but seek to insert an anomaly into the viewer’s experience of the everyday. Projects such as Northern Satellite trigger a discourse centered on our conflicting ways of understanding landscape by creating a narrative where a Global Positioning Satellite has collided with the earth. In gallery exhibitions I engage the audience through employing the language of monumental figurative sculpture by subverting dominant cultural narratives by creating monuments to popular culture characters (Dead Astronaut...

LESLEY DILL WHITE HINGED POEM DRESS, 1994 patinated bronze 55 x 37 x 30 in. 139.7 x 94 x 76.2 cm. Edition of 4