Joao Ruas Art

Nude with Veils ( Nu aux Voilettes ) portrays a female nude with long hanging breasts, a crutch instead of a head and a veil streaming off the top of the crutch with the left ar...

Hans Bellmer, 'The Modest Rose', engraving and drypoint, edition 99, 1971. Signed and numbered '99/99' in pencil. A fine, richly-inked impression, on Arches cream wove paper; the ful...

UNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...

Psyche D / EvH is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to us...

Millefiori / DMG / kandy black is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to ha...

Vegetation an original Lithograph artwork realized by Daniele Dimitri. Hand-signed at the bottom. Numbered, edition 91/100. In excellent conditions. Passepartout included 70 x 50...

Artist: Henry Moore (British, 1898-1986) Title: Les Poetes, La Poesie, Front Page Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Paper...

Untitled Plate 5 from the Paroles Peintes Suite is an etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of...

Digital Print on 310g Photo Rag paper 31 1/2 × 23 3/5 in 80 × 60 cm Edition of 100 hand-signed by the artist Camilla Engström is a contemporary Swedish artist and illustrator celeb...

Untitled Plate 9 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Artist: Henry Moore (British, 1898-1986) Title: Dame Creole Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Image size: 18.5 x 15 inches paper size: 18.5 x 15 i...

Torsion / primer is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 24 prints, plus 2 APs Image size ⋅ 88cm H x 72.2cm W Sheet size ⋅ 100cm H x 82.2cm W . Torsion / primer is a variant of an original base drawing that was used to create the ‘torqued’ forms of the more complex Torsion / REZ works on Plexiglass. The idea comes from a number of places but in particular the modernist sculptural work of Walter Leblanc, and his idea that if you heat up a thin bar of steel, and torque one end through a number of rotations, whilst clamping the other end firmly, the resulting form will be a hugely satisfying candy twist of metal, spiralling up or down, depending on your choice of rotational direction. For Torsion / primer I drew tall...