John Baldessari Interior Prints
American, 1931-2020
Although Conceptual artist John Baldessari is best known for the richly provocative juxtapositions of photographic images and text that characterize his prints and paintings, he actually had something of a traditional art world upbringing — if such a thing exists.
Born in Southern California, Baldessari earned several art degrees, from art education to art history to painting. He also taught art at various institutions such as the California Institute of the Arts throughout his life. Among his many students were David Salle, Tony Oursler, Jim Shaw and Mike Kelley. While helping to shape the art world in Los Angeles, he simultaneously developed his own name as an artist.
In the 1950s, Baldessari’s works were primarily semiabstract paintings, but during the late 1960s, he began to distance himself from painting, as he bristled at the idea of limiting art to a single medium. Baldessari decided to take his career in a dramatically different direction. He burned all his paintings at a funeral home in San Diego, then incorporated the ashes into cookie dough, producing (nonedible) baked goods for an exhibition at the Museum of Modern Art in New York City.
“It was a very public and symbolic act,” he said, “like announcing you’re going on a diet in order to stick to it.”
From that point on, Baldessari took on an MO of experimentation, dabbling in mediums from video to printmaking to sculpture. “I just stare at something and say: Why isn’t that art? Why couldn’t that be art?” he said in an interview in 2008.
The works for which Baldessari is most highly regarded, however, are striking collages of images and text — many of which are seemingly nonsensical — such as Tom’s Hand Grips the Steering, Wheel… (2015), in which the title’s text is displayed beneath a hippopotamus. As such is his body of work: bringing a sense of joviality to the sometimes too-serious world of Conceptual art.
Before he died in 2020, Baldessari was honored with the 2014 National Medal of Arts Award, the Americans for the Arts Lifetime Achievement Award, the Venice Biennale’s Golden Lion for Lifetime Achievement and more.
Find original John Baldessari art on 1stDibs.
to
2
1
Overall Width
to
Overall Height
to
2
1
63
107
76
31
29
3
3
2
1
1
1
3
Artist: John Baldessari
John Baldessari: Two Assemblages (with R, O, Y, G, B, V Transparent), Signed
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Two Assemblages (with R, O, Y, G, B, V Transparent), 2003
Medium: Lithograph and screen print on vellum
Dimensions: 61.6 x 91.5 cm
Edition of 50...
Category
21st Century and Contemporary Abstract John Baldessari Interior Prints
Materials
Lithograph
John Baldessari, Two Assemblages (with R, O, Y, G, B, V Opaque) - Signed Print
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Two Assemblages (with R, O, Y, G, B, V Opaque), 2003
Medium: Lithograph and screen print on vellum
Dimensions: 61.6 x 91.5 cm
Edition of 50: Han...
Category
21st Century and Contemporary Abstract John Baldessari Interior Prints
Materials
Lithograph, Screen
John Baldessari, Give me a B, give me an A… - Signed Print, 10-Part Leporello
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Give me a B, give me an A …, 2009
Medium: 10-part leporello, digital pigment print, on photo rag paper
Dimensions: 32 × 250 cm (12½ x 98½ in)
Ed...
Category
21st Century and Contemporary Pop Art John Baldessari Interior Prints
Materials
Digital Pigment
Related Items
Doughlah G.E.P., 1968-71 - Contemporary Art, Abstract Art
By Frank Bowling
Located in London, GB
Title: Doughlah G.E.P., 1968-71
Year made: 2023
Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp
Edition of 250
It comes with COA f...
Category
2010s Abstract John Baldessari Interior Prints
Materials
Giclée
Alice Tully Hall, by Guillermo Kuitca (red abstract)
By Guillermo Kuitca
Located in New York, NY
One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York.
This impression has a rich, bold red color on bright white paper.
Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...
Category
Early 2000s Abstract John Baldessari Interior Prints
Materials
Screen
Hothead - Contemporary Art, Abstract Art
By Frank Bowling
Located in London, GB
Hothead, 2016
Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp
82 x 78 cm - Framed
80 x 75 cm - Sheet
Edition of 250
It comes with COA from t...
Category
2010s Abstract John Baldessari Interior Prints
Materials
Giclée
Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
By Maria Stelmaszczyk
Located in Warsaw, PL
Maria Stelmaszczyk is a Polish artist born in 1983.
PROVENANCE
Exhibited at Katarzyna Napiorkowska Gallery.
The Gallery is a primary representative for this artist.
The Gallery o...
Category
Early 2000s Contemporary John Baldessari Interior Prints
Materials
Paper, Woodcut, Linocut
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract John Baldessari Interior Prints
Materials
Etching
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract John Baldessari Interior Prints
Materials
Watercolor, Gouache, Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract John Baldessari Interior Prints
Materials
Etching
Damier, from Derriere Le Miroir #156
By Alexander Calder
Located in Washington, DC
Artist: Alexander Calder
Medium: Original lithograph
Title: Damier
Portfolio: Derriere le Miroir #156
Year: 1966
Edition: Unnumbered
Framed Size: 21 1/4" x 17 1/4"
Sheet Size: 15" x...
Category
1960s Abstract Geometric John Baldessari Interior Prints
Materials
Lithograph
Harriet Hoult, At-Ha, Signed Limited Edition Print Abstract Print
By Harriet Hoult
Located in Deddington, GB
Harriet Hoult
At-ha
Limited Edition Giclee Print
Edition of 50
Sheet Size: H 91cm x W 63cm x D 0.1cm
Signed by the Artist
This is a signed, Limited Edition Giclée print of the origi...
Category
2010s Abstract John Baldessari Interior Prints
Materials
Giclée
H 35.83 in W 24.81 in
EARTH FLOWERS Signed Lithograph, Abstract Floral, Pop Art, Brown Purple Magenta
By Peter Max
Located in Union City, NJ
EARTH FLOWERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1979 in an edition of 165, using traditional hand lithography techniques...
Category
1970s Pop Art John Baldessari Interior Prints
Materials
Lithograph
Bicentennial Dawn Lithograph and gold foil, Louise Nevelson sculpture signed/N
By Louise Nevelson
Located in New York, NY
Louise Nevelson
Bicentennial Dawn, 1976
Photolithograph, silkscreen and gold foil on white wove paper
hand signed, dated and numbered 15/100 with incised signature on the front
35 × ...
Category
1970s Abstract John Baldessari Interior Prints
Materials
Foil
Pablo Picasso, "L'Atelier" (The Studio), 1948, lithograph, hand signed
By Pablo Picasso
Located in Chatsworth, CA
Pablo Picasso
L'Atelier (The Studio), 1948
Lithograph
Hand signed by artist and numbered 45/50 from an edition of 50.
Measures: 25.5 x 19.5 inches
In the artist's catalogue "Picasso Lithographe II...
Category
1940s Abstract John Baldessari Interior Prints
Materials
Lithograph
Previously Available Items
Studio
By John Baldessari
Located in London, GB
JOHN BALDESSARI
Studio, 1988
Offset lithograph and screenprint in colours, on Somerset paper
Signed and numbered from the edition of 150
Co-published by ART/LA and Cirrus Editions, L...
Category
1980s Conceptual John Baldessari Interior Prints
Materials
Lithograph, Screen
Studio
By John Baldessari
Located in London, GB
Lithograph with colour screenprinting.
Signed in pencil, an artist's proof aside from the edition of 150.
Published by Cirrus Editions, California.
Category
1980s Contemporary John Baldessari Interior Prints
John Baldessari interior prints for sale on 1stDibs.
Find a wide variety of authentic John Baldessari interior prints available for sale on 1stDibs. You can also browse by medium to find art by John Baldessari in lithograph, aquatint, digital pigment print and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large John Baldessari interior prints, so small editions measuring 32 inches across are available. Customers who are interested in this artist might also find the work of Alexander Calder, Jonathan Moss, and Sumit Mehndiratta. John Baldessari interior prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,090 and tops out at $35,000, while the average work can sell for $4,453.