John Bentham-Dinsdale Furniture
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Dealer: Bradbury Art & Antiques
“Strong Seas” Painting by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...
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1980s English Victorian Vintage John Bentham-Dinsdale Furniture
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Craigmillar Park Golf Club was constituted in 1895 and moved to its present location in 1907. It was extended to 18 holes (designed by James Braid) in 1927.
On 12th of January 1895 the Scotsman newspaper carried the following "birth" announcement :
"NEW GOLF COURSE IN THE SOUTH SIDE OF EDINBURGH. A nine-hole golf course is being formed at Craigmillar Park and is expected to be ready for play in February. A lease of the ground which extends from Crawfurd Road to Lady Road has been obtained from Captain Gordon Gilmour of Liberton and Craigmillar. The principal entrance will be from Crawfurd Road within three minutes' walk of the Craigmillar Park car terminus and Newington Suburban Station. The course is about a mile in length and has been laid out by Mr. Day of Musselburgh, who has given a very favourable report of the suitability of the ground for the purpose. Already about 150 ladies and gentlemen have been admitted as members of the club."
Many, perhaps most, of the new clubs created about the same time as Craigmillar Park were (and some continue) as male preserves. It is clear that from the outset equality of the sexes was the rule at Craigmillar Park, although it was not until 1914 that the subscriptions were equalised.
The course was situated in an area of land close to Newington Railway Station and the Newington Bus and Tram Terminus and was thus, easily accessible. In those days there was very little building development between the course and the iconic Craigmillar Castle from which the club derives its name. The castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception, ladies have had equal status with men and there was no gender barrier to any office. This was in an age when golf clubs were regarded as male preserves. In 1914, ladies started paying exactly the same subscription as their male counterparts and this has remained right up to the present day. When you consider that all women did not get the vote until 1928, Craigmillar Park Golf Club were indeed trendsetters!
Despite the club's early success, with 400 members and a waiting list, they were dealt a blow when their course at Newington was taken over for housing development. They decided, rather than to disband, to relocate the golf course to the eastern slopes of the Blackford Hill in 1907. Once again the close proximity of Blackford Railway Station and Bus Terminus were factors in their decision making. Another factor in choosing Blackford Hill was the potential for increasing the length of the 9 holes that had been played for in the course at Newington and possibly even converting the new course to 18 holes at some future date. This is in fact what happened and James Braid designed a splendid 18 hole course which officially opened in 1927. The new course was a real test of golf with no two holes being the same. The course boasts marvellous views over Edinburgh and Fife and down the coast to the Berwick Law, Bass Rock...
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"The Chase of the HMS Frigate Brilliant" a Naval Painting John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Oil on canvas, signed lower right and signed and inscribed on reverse. Measuring 31.5" x 43.25" including the frame.
(Born in Yorkshire, England in 1927; died in 2008). Dinsdale ...
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H 43.25 in W 31.5 in D 3 in
"the Cutty Sark at Full Sail" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left and signed and inscribed on reverse. Oil on canvas. With frame measures 38.5" x 48.5".
(Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the s...
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"Clipper at Full Sail" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left, oil on copper and inscribed "Nightingale" on back.
(Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships whose huge white sails took men across the seas of the world. Dinsdale loved both the sea and the ships and professed he really only felt at home on the blustery east coast of England near the sea that he loved and painted so well. Dinsdale’s early years gave no indication that he would eventually be an artist, nor that he would excel as a marine painter. His mother was one of the many daughters of J.H. Bentham, a liberal social reformer; his father was a wine merchant. After attending Ashville College, Dinsdale spent five years at the School of Architecture in Leeds, graduating with a Dip. Arch, A.R.I.B.A. During World War II, he was a Commissioned Officer and pilot in the Royal Air Force. When the war ended, Dinsdale found work in the theatre, which had always been a passion of his. He designed scenery for a number of repertory companies in London’s West End and, at one point, ran his own company. An opening in British television came along and in 1956, he was made Assistant Designer with Associated Television in London. Three years later, he was Head of Design and Construction for Tyne Tees Television on Newcastle. Dinsdale had been painting virtually since he could hold a brush, but it was not until 1965, having moved back to Yorkshire, that he made a full-time commitment to marine painting and historical research. A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th Century British Marine Painters by D. Brooke-Hart. His work has been widely exhibited in Europe, Australia, Canada, the United States and the Far East. Dinsdale had his first one-man show in London in 1974. Sir Charles Cayzer bought one of his paintings and presented it to the H.M.S. Camperdown, a 19th-century Royal Navy battleship. In 1982, a painting by Dinsdale was accepted and hung in the Vancouver Municipal Galleries, and his work was listed and illustrated in the Dictionary of 20th Century Marine Art...
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"Naval Engagement off Bermuda" by John Bentham-Dinsdale
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Located in Wiscasset, ME
Oil on canvas, signed lower left. The painting measures 24" x 36" canvas and 32" x 44" including the frame.
Born in Yorkshire, England in 1927; died in 2008. Dinsdale painted the ...
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"The Pursuit, Man-O-War Ship at High Seas" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships whose huge white sails took men across the seas of the world. Dinsdale loved both the sea and the ships and professed he really only felt at home on the blustery east coast of England near the sea that he loved and painted so well. Dinsdale’s early years gave no indication that he would eventually be an artist, nor that he would excel as a marine painter. His mother was one of the many daughters of J.H. Bentham, a liberal social reformer; his father was a wine merchant. After attending Ashville College, Dinsdale spent five years at the School of Architecture in Leeds, graduating with a Dip. Arch, A.R.I.B.A. During World War II, he was a Commissioned Officer and pilot in the Royal Air Force. When the war ended, Dinsdale found work in the theatre, which had always been a passion of his. He designed scenery for a number of repertory companies in London’s West End and, at one point, ran his own company. An opening in British television came along and in 1956, he was made Assistant Designer with Associated Television in London. Three years later, he was Head of Design and Construction for Tyne Tees Television on Newcastle. Dinsdale had been painting virtually since he could hold a brush, but it was not until 1965, having moved back to Yorkshire, that he made a full-time commitment to marine painting and historical research. A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th Century...
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“The Oriental and Pagoda at Anchor” by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Oil on canvas, signed lower left and signed and inscribed on reverse. Excellent attention to detail. Painting. Measures 16" x 20" and 21" x 24.75" including frame.
John Bentham Dinsdale British 1927-2008
A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th century British Marine Painters by D. Brooke-Hart. His work has been widely exhibited in Europe, Australia, Canada, the United States and the Far East.
Dinsdale had his first one-man show in London in 1974. Sir Charles Cayzer bought one of his paintings and presented it to the H.M.S. Camperdown, a 19th-century Royal Navy battleship. In 1982, a painting by Dinsdale was accepted and hung in the Vancouver Municipal Galleries, and his work was listed and illustrated in the Dictionary of 20th century Marine Art.
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"Clipper at Full Sail" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left, oil on panel and inscribed on back.
(Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships whose huge white sails took men across the seas of the world. Dinsdale loved both the sea and the ships and professed he really only felt at home on the blustery east coast of England near the sea that he loved and painted so well. Dinsdale’s early years gave no indication that he would eventually be an artist, nor that he would excel as a marine painter. His mother was one of the many daughters of J.H. Bentham, a liberal social reformer; his father was a wine merchant. After attending Ashville College, Dinsdale spent five years at the School of Architecture in Leeds, graduating with a Dip. Arch, A.R.I.B.A. During World War II, he was a Commissioned Officer and pilot in the Royal Air Force. When the war ended, Dinsdale found work in the theatre, which had always been a passion of his. He designed scenery for a number of repertory companies in London’s West End and, at one point, ran his own company. An opening in British television came along and in 1956, he was made Assistant Designer with Associated Television in London. Three years later, he was Head of Design and Construction for Tyne Tees Television on Newcastle. Dinsdale had been painting virtually since he could hold a brush, but it was not until 1965, having moved back to Yorkshire, that he made a full-time commitment to marine painting and historical research. A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th Century British Marine Painters by D. Brooke-Hart. His work has been widely exhibited in Europe, Australia, Canada, the United States and the Far East. Dinsdale had his first one-man show in London in 1974. Sir Charles Cayzer bought one of his paintings and presented it to the H.M.S. Camperdown, a 19th-century Royal Navy battleship. In 1982, a painting by Dinsdale was accepted and hung in the Vancouver Municipal Galleries, and his work was listed and illustrated in the Dictionary of 20th Century Marine Art...
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"Midnight Run" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Oil on canvas, signed lower left. Provenance: Wally Findlay Galleries, Appleton Museum of Art. Measures 20" x 26" canvas and 26" x 32" with frame.
(Born in Yorkshire, England in 192...
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"Battle At Sea" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left, oil on canvas.
(Born in Yorkshire, England in 1927; died in 2008).
Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships whose huge white sails took men across the seas of the world. Dinsdale loved both the sea and the ships and professed he really only felt at home on the blustery east coast of England near the sea that he loved and painted so well.
Dinsdale’s early years gave no indication that he would eventually be an artist, nor that he would excel as a marine painter. His mother was one of the many daughters of J.H. Bentham, a liberal social reformer; his father was a wine merchant. After attending Ashville College, Dinsdale spent five years at the School of Architecture in Leeds, graduating with a Dip. Arch, A.R.I.B.A. During World War II, he was a Commissioned Officer and pilot in the Royal Air Force.
When the war ended, Dinsdale found work in the theatre, which had always been a passion of his. He designed scenery for a number of repertory companies in London’s West End and, at one point, ran his own company. An opening in British television came along and in 1956, he was made Assistant Designer with Associated Television in London. Three years later, he was Head of Design and Construction for Tyne Tees Television on Newcastle.
Dinsdale had been painting virtually since he could hold a brush, but it was not until 1965, having moved back to Yorkshire, that he made a full-time commitment to marine painting and historical research.
A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th Century British Marine Painters by D. Brooke-Hart. His work has been widely exhibited in Europe, Australia, Canada, the United States and the Far East.
Dinsdale had his first one-man show in London in 1974. Sir Charles Cayzer bought one of his paintings and presented it to the H.M.S. Camperdown, a 19th century Royal Navy battleship. In 1982, a painting by Dinsdale was accepted and hung in the Vancouver Municipal Galleries, and his work was listed and illustrated in the Dictionary of 20th Century Marine Art...
Category
1970s English Victorian Vintage John Bentham-Dinsdale Furniture
"Calm Waters" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left, oil on canvas and inscribed on back.
(Born in Yorkshire, England in 1927; died in 2008).
Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships whose huge white sails took men across the seas of the world. Dinsdale loved both the sea and the ships and professed he really only felt at home on the blustery east coast of England near the sea that he loved and painted so well.
Dinsdale’s early years gave no indication that he would eventually be an artist, nor that he would excel as a marine painter. His mother was one of the many daughters of J.H. Bentham, a liberal social reformer; his father was a wine merchant. After attending Ashville College, Dinsdale spent five years at the School of Architecture in Leeds, graduating with a Dip. Arch, A.R.I.B.A. During World War II, he was a Commissioned Officer and pilot in the Royal Air Force.
When the war ended, Dinsdale found work in the theatre, which had always been a passion of his. He designed scenery for a number of repertory companies in London’s West End and, at one point, ran his own company. An opening in British television came along and in 1956, he was made Assistant Designer with Associated Television in London. Three years later, he was Head of Design and Construction for Tyne Tees Television on Newcastle.
Dinsdale had been painting virtually since he could hold a brush, but it was not until 1965, having moved back to Yorkshire, that he made a full-time commitment to marine painting and historical research.
A founding member of the British Sea Painters Group in 1970, Dinsdale is included in Marine Painting by Omell and 20th Century British Marine Painters by D. Brooke-Hart. His work has been widely exhibited in Europe, Australia, Canada, the United States and the Far East.
Dinsdale had his first one-man show in London in 1974. Sir Charles Cayzer bought one of his paintings and presented it to the H.M.S. Camperdown, a 19th-century Royal Navy battleship. In 1982, a painting by Dinsdale was accepted and hung in the Vancouver Municipal Galleries, and his work was listed and illustrated in the Dictionary of 20th Century Marine Art...
Category
1980s English Victorian Vintage John Bentham-Dinsdale Furniture
"Clipper at Full Sail" Painting by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left. Oil on canvas.
(Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her f...
Category
1980s English Victorian Vintage John Bentham-Dinsdale Furniture
"At Full Sail" by John Bentham-Dinsdale
By John Bentham-Dinsdale 2
Located in Wiscasset, ME
Signed lower left
Carrying on the storied tradition of more than 300 years of British sea painters, John Bentham-Dinsdale is an exacting scholar of the famous ships of the past. H...
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1970s English Vintage John Bentham-Dinsdale Furniture
John Bentham-dinsdale furniture for sale on 1stDibs.
John Bentham-Dinsdale furniture are available for sale on 1stDibs. These distinctive items are frequently made of paint and are designed with extraordinary care. There are many options to choose from in our collection of John Bentham-Dinsdale furniture, although gray editions of this piece are particularly popular. Many of the original furniture by John Bentham-Dinsdale were created in the Victorian style in united kingdom during the 20th century. If you’re looking for additional options, many customers also consider furniture by John Taylor, John Gould and Henry Constantine Richter, and John Frederick Herring Sr.. Prices for John Bentham-Dinsdale furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $3,900 and can go as high as $5,900, while a piece like these, on average, fetch $4,900.