John Ross Abstract Prints

June Mary Ann Hildebrand - Salute to 1965, Year: 1965, Medium: Lithograph, Woodblock and Intaglio on Japon, signed, titled and numbered in pencil, Edition: 5/8, Image Size: 22 x ...

Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

"Woman In a Cage" - Original Woodcut Print on Paper Original abstract expressionist woodcut print "Woman In a Cage" by Louis Nadalini (American, 1927-1995). Multicolor hues of deep ...

Bull is a vintage woodcut print realized by Jean Lucrat in 1948. Good condition on a cream colored paper. No signature, on the back the title in fren...

Werner Drewes. Circle and Square, 1980. Rose 386. Number 1 in an edition of 20. Signed and dated in pencil lower right margin: "Drewes -80-"; numbered in pencil lower left margin: "N...

"The Inside Words" - Textured Lithograph on Paper #3/12 Abstract lithograph by Janet Wheeler (American, 1922-2001). This piece is highly textured, with bold colors and a black background. Several objects have been placed together to resemble a vintage "candlestick" telephone. The bubble next to it could represent the words flowing through the phone lines, or possibly a cross-section of the lines themselves. Titled "The Inside Words" in lower left corner. Numbered "3/12" in the lower center. Signed "Janet P Wheeler...

Signed lower right, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1979 with limitation and number, '100-10', lower center and titled lower left, 'Section of Landscape'. Paper dimensions: 19.75 x 12.5 inches An elegant abstract comprising juxtaposed vertical, rectangular forms in variegated shades of turquoise blue and copper. Engraver and printmaker, Hiroyuki Tajima was born in Tokyo in 1911 and graduated from Nihon University in 1932. In 1934, he graduated from the Tokyo School of Arts with a specialization in western-style painting. Tajima later studied fabric dyeing under Hirokawa Matsugoro (1889-1952) and woodblock printing with the Sosaku-Hanga artist, Nagase Yoshiro (1891-1978), a founder of the Japan Print Association (Hanga Kyokai). In 1946, inspired by Dada and Surrealism, Tajima joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. Tajima exhibited widely and with success, including with Tokyo's Modern Art Association (Prix du Nouveau Venu, 1962), the Japanese Engraving Association, the Contemporary Japanese Art Exhibition in Tokyo (1962), the Northwest International Print Exhibition (1962-1964) and the Tokyo International Print Biennale (1964). His work is held in the permanent collections of museums worldwide including the Portland Art Museum (Oregon), the Cleveland Museum of Art, the Los Angeles County Museum of Art (LACMA), the Fine Arts Museums of San Francisco, the Art Gallery of Greater Victoria (British Columbia), the Art Gallery of New South Wales (Australia), the Carnegie Museum of Art, the National Museum of Art, Osaka (NMAO) and the British Museum in London. In describing Tajima's work, Frances Blakemore...

Delicate woodcut print on handmade paper of a stylized figure and hieroglyphic-like symbols by Monterey Bay artist Paula Walzer (British,/American 1926-20...

Butterfly is a vintage woodcut print realized by Jean Lucrat in 1948. Good condition on a cream colored paper. No signature, on the back the title in...

Sean Scully Standing 2, 1986 Color Woodcut on handmade Okawara paper Signed, inscribed with title and numbered from the limited edition of only 35 in graphite on the front. Matted an...