Joseph Consavela Figurative Photography

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Ed. 33/50, hand-signed and numbered by Terry O'Neill. Includes black frame with white mat. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in ...

Silver gelatin print, 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

Ed. of 21, estate-stamped. Includes black frame with white mat. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990...

Vintage black and white photograph, photography by Josef Ehm. "Resting Model II", circa 1960s, gelatin silver print. Framed size 10.5" x 13.5" . Image measures 8.5" x 6.5" Josef Ehm: Czech, 1909-1989. Born in Habartov. Apprenticed in professional photography studios until 1928. Taught at the State...

Silver gelatin print, with numeric notation and stamp of collection of Jon Anderson (verso), 12cm x 18cm (41cm x 44cm framed). Jon Anderson was Paul Cadmus' partner of 35 years. The picture depicts the artists Paul Cadmus and George Tooker, the photographer, George Platt Lynes, and publisher, Monroe Wheeler. The painter Paul Cadmus (1904 - 1999) and married artists Jared (1902 - 1989) and Margaret French (1906 - 1998) comprise the photographic collaborative known by their acronym, PaJaMa. Beginning in 1937, and over the course of nearly two decades, the trio collectively staged photographs set against the backdrops of Fire Island, Provincetown, and Nantucket, among other locations. Their psychologically and sexually charged images often served as studies for the artists' subsequent paintings and works on paper. The statuesque quality of the figures and the stillness of each scenario are key characteristics of PaJaMa’s photographs...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand carved wooden hand finished frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

Mikael Siirilä Helsinki, Finland, 2015 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

Mikael Siirilä Helsinki, Finland, 2017 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...