Katsushika Hokusai Landscape Prints

Katsushika Hokusai - Kakegawa, from the series "Fifty-three Stations of the Tokaido, Year: circa 1806, Medium: Woodblock, Size: 8.5 x 6.5 in. (21.59 x 16.51 cm)

This print is from the series One Hundred Views of Mt. Fuji, published between 1835 and 1880. Hokusai evidently had a deep connection to the mountain, which had become a place of wor...

Paddy fields is an original modern artwork realized after Katsushika Hokusai. Black and white woodcut print. From the series "Fugaku hyakkei" (100 views of Mount Fuji), second posth...

View of Muont Fuji is an original modern artwork realized by Katsushika Hokusai in the early 19th Century. Black and white woodcut print on paper. Fair conditions: some foxings. I...

Landscape from "Fugaku hyakkei" is an original modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Original Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). From the second posthumous edition 1878. Passepartout is included. Publisher Eiraku Toshiro. Sheet dimensions: 24 x 26 cm. Good conditions except for some signs of age and wear. Hokusai created the monumental Thirty-Six Views of Mount Fuji both as a response to a domestic travel boom in Japan and as part of a personal obsession with Mount Fuji. Katsushika Hokusai (31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the internationally iconic print The Great Wave off Kanagawa...

The Mishima Pass in Kai Province is an original modern artwork realized by Katsushika Hokusai in 1814. Province woodcut print double page of book. B/W print with grey. B/W print wit...

Samurai and Boar is a woodcut print on ivory-colored paper, a b/w illustration from "One Hundred Views of Mount Fuij", Volume 2 (1835), by the great Japanese graphic master, Hokusai (1760-1849). Composed of two paper sheet glued on cardboard,(with tapes), this original print is in very good condiion, except for minor aging signs and visible discoloration. Although the condition and the state of preservation, each one, collectionist or not, could appreciate the extremely fine cutting, the exquisite gradation of the blacks of this original print; and could understand why, the whole volume have been called a "masterpiece of monochrome printing". Katsushika Hokusai (葛飾 北斎, c. 1760 – 1849), known simply as Hokusai, was a great master of Japanese art, ukiyo-e painter and printmaker of the Edo period. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji: a monumental series, which includes the internationally iconic print, The Great Wave off Kanagawa, as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. Thanks to this series, specifically The Great Wave print...

Original Title: Uneri Fuji (Fuji on the Swell) The Fuji on the Swell is a original b/w japanese woodcut print on paper, an illustration from the print series “Fugaku Hyakkei” (One Hundred Views of Mount Fuji) Vol.2, designed by the master of ukiyo-e, Katsushika Hokusai and published for the first time in 1835. This illustration is composed of two sheet jointed, in very good condition, except for usual aging signs (foxing, some little stains). One Hundred Views of Mount Fuji is the best-known series of three illustrated books by the Japanese ukiyo-e artist, Hokusai, considered as one of Japan's most exceptional illustrated books and the most influential in the Western culture. The first two volumes were published in 1834 and 1835, shortly after completion of his seminal Thirty-six Views of Mount Fuji, with a third released in the late 1840s. As the title reports, the books contain over a hundred views of Mount Fuji in various styles and settings; Hokusai shows the peak in pure landscapes, with flora and fauna, in religious and mythological scenes and with different atmospheric effects, but above all, he focuses on ordinary people at work. But The first two volumes are celebrated for their very high standards of technique : the woodblock printing, with "extremely fine cutting" and "exquisite gradation" of the grey blocks; they have been called a "masterpiece of monochrome printing". Katsushika Hokusai (葛飾 北斎, c. 1760 – 1849), known simply as Hokusai, was a great master of Japanese art, ukiyo-e painter and printmaker of the Edo period. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji: a monumental series, which includes the internationally iconic print, The Great Wave off Kanagawa, as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. Thanks to this series, specifically The Great Wave print...

Ejiri in the Suruga Province is a color xylograph on paper by Katsushika Hokusai (1760 -1849). A wonderful plate representing a pilgrimage under the holy Fuji mountain and under a rushing wind. With inscriptions on plate on higher left and lower right margin. From Thirty-six Views of Mount Fuji, the popular series of landscape prints by the Japanese ukiyo-e artist Hokusai, depicting Mount Fuji from different locations and in various seasons and weather conditions. Despite its name, it actually consists of 46 prints, with 10 of them being added after the initial publication. The series was produced from c.1830 to 1832, when Hokusai was in his seventies and at the topof his career, and published by Nishimura Yohachi. The series has been described as the artist's "indisputable colour-print masterpiece" In good conditions, with a clear engraved sign though a loss of color, some paper wrinkles and a usual burnished paper. Katsushika Sori in art "Hokusai" (Edo 1760 - Edo 1849) Associated with the image of the powerful wave, Hokusai is one of the greatest Japanese artists of all time. Degas said of him "Hokusai is not just an artist among others in the floating world, he is an island, a continent, alone a world." The artist chose the name "Hokusai" from 1794, with the meaning of "study of polar star”, symbol of good luck and best wishes for a brilliant career. His training began in the studio of Katsukawa Shunsho...

Farmers at Work is an original print realized by Katsushika Hokusai in the 1820s. Original xilograph. Passepartout is included. Mint conditions. Very beautiful and delicate work representing Japanese farmers at work in the nature. The bodies and the botanical shapes are realized with a black line contour. Katsushika Sori in art "Hokusai" (Edo 1760 - Edo 1849) Associated with the image of the powerful wave, Hokusai is one of the greatest Japanese artists of all time. Degas said of him "Hokusai is not just an artist among others in the floating world, he is an island, a continent, alone a world." The artist chose the name "Hokusai" from 1794, with the meaning of "study of polar star”, symbol of good luck and best wishes for a brilliant career. His training began in the studio of Katsukawa...

View of Asakusa is a beautiful colored woodblock original print realized around 1802 by the Japanese master, Katsushika Hokusai (1760-1849) With an inscription on plate on higher margin at the center. Representing a famous view of the Easter capital animated by a lively human flux, this modern and original print is in good condition, except for some light discoloration, some minor stain on higher margin and for the medial cut of the sheet. Including a silver painted wooden frame, this is the perfect artwork for your sophisticated home decor. Katsushika Sori in art "Hokusai" (Edo 1760 - Edo 1849) Associated with the image of the powerful wave, Hokusai is one of the greatest Japanese artists of all time. Degas said of him "Hokusai is not just an artist among others in the floating world, he is an island, a continent, alone a world." The artist chose the name "Hokusai" from 1794, with the meaning of "study of polar star”, symbol of good luck and best wishes for a brilliant career. His training began in the studio of Katsukawa Shunsho...

Turban Shell Hall of the Five Hundred Arhat Temple (Gohyaku Rakan-ji Sazai-do) from the series "Thirty-Six Views of Mount Fuji". Visitors on the viewing platform of the third story of the Sazaidô are transfixed at the sight of Mt. Fuji rising across the marshes. This image was chosen for the cover image of 1998’s "Hokusai: Bridging East and West", edited by Matthi Forrer, but this is an earlier impression than the shown Pulverer example. As explained by Matthi Forrer (1991), earlier impressions have black rather than grey as the colors of the pilgrim’s backpacks, and the lower area next to the man dressed in dark blue is black rather than grey. Also, the red publisher’s mark and censor’s seal are present. There is also woodgrain visible in the grey block used for the marsh. The curator Timothy Clark...