Kim Frohsin Art

Archival digital print on wove paper. Edition 31/250. Printed by Coriander Press. Published by Chiswick House and Gardens. Signed and numbered by the artist.

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...

High-quality printing on limited edition aluminum Dibond. A portrait of a cat against a background of floral motifs reminiscent of the typical ornaments found in Eastern European car...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

Based on Rosenquist’s 1961 grisaille oil painting Flower Garden, this work arranges a still life using an advertisement for gloves with part of an athlete’s torso. A number 1 can be ...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

"She fled along the avenue" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems....

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...

The painterly, multicolored effect of this pastel ice cream still life is achieved by printing “à la poupée”, in which multiple colors can be applied to the plate for printing at one time. Oldenburg first printed in brown, and for the second plate, freely applied yellow, green, purple, blue, and light purple, producing an array of loosely sketched pastel confections. Image 13.5 x 21.15 in. / 34.3 x 53.7 cm Paper 22.5 x 31.25 in. / 57 x 79.4 cm Soft-ground etching and aquatint in six colors “à la poupée” on cream, thick, slightly textured Arches paper. Signed by the artist with initials lower center in pencil, dated 1976 lower right in pencil, and annotated AP VIII/XII lower left in pencil. Ice cream is a subject Claes Oldenburg has returned to again and again: from monumental sculptures of ice cream cones, to plaster parfaits, to countless drawings and designs. On his soft sculptures, Oldenburg wrote: "Reversing the expectations of hard sculpture, these huge collapsing objects rely on gravity and chance for their final form." The drooping edges of his soft sculptures connect to the unpredictably melting surface of ice cream, which he has explored viscerally through his dripped plaster ice cream sculptures...