Louis Poulsen Furniture

Brass construction fitted with five E27 sockets and matte opaline glass shades. Designed in Denmark in 1953 by Mogens Hammer & Henning Moldenhawer for Louis Poulsen. Ø 90cm.     

Wall lamp designed in 1955 by Vilhelm Lauritzen for by Louis Poulsen in 1950s. Brass construction with hand blow opaline glass shades. Perfect original condition.

Exquisite Artichoke Pendant Lamp: Ø60, a stunning creation by renowned designer Poul Henningsen, masterfully crafted by Louis Poulsen in the late 2000s. This iconic lamp, known as t...

The three bright spots are designed on the principle of a reflective three-shade system, which directs the majority of the light downwards. The screens are made of three-layer blown ...

1950s Jo Hammerborg Pendant for Louis Poulsen. Executed in black painted cylindrical metal with custom patinated brass canopy and thick black cloth cord, Denmark, circa 1950s. Price...

Pair of White (Model 61-193) Hanging Pendants by Shogo Suzuki for Orno Stockmann. 1960's. Featuring white coated folded metal cubes with rounded cut outs, with original coated white ...

The two-toned extra large size flower pot pendant is rather rare due to the fact that they were produced in very low numbers by Louis Poulsen in the...

A nicely patinated sconce in copper designed for outdoor/indoor use.

Suspension opal "Wohlert" of Vilhelm Wohlert for Louis Poulsen. Designed in 1949, it is sections for several size and is still produced. This model is old, the system électriqueest ...

This rare pendant is the largest size that was manufactured and has undulating waves in yellow and orange executed in porcelain-enameled steel.

This pair of Louis Poulsen produced “Kubuarmatur” or cube lamps, more specifically known as “model 38117” wall lamps are quintessential representations of Danish modern design, chara...

Very very nice old AJ wall lamp Design from 1957 by Arne Jacobsen & produced by Louis Poulsen in the 1965-1969, Made in Denmark. The lamp is in original condition. No parts missing w...

Nice orange enamel flowerpot pendant lamp design Verner Panton in 1968 produced by Louis Poulsen, Made in Denmark. In enameled metal no more in production. The lamp is in good condit...

This iconic 1960s “Kontrast” pendant lamp was designed by Poul Henningsen for Louis Poulsen. Henningsen began his collaboration with Copenhagen-based lighting company Louis Poulsen i...

Arne Jacobsen & Louis Poulsen - Scandinavian Modern An iconic pair of the original 'Royal' floor lamps by Danish architect Arne Jacobsen. Designed for the SAS Royal Hotel Copenhagen, 1958. Produced by Louis Poulsen. These lamps are considered a collector's item from the SAS Royal Hotel in Copenhagen. The design itself is very elegant and like may of Arne Jacobsens other design pieces, the simple shape has made the lamps an iconic piece of Danish design history. The SAS Royal Hotel is a historic hotel in central Copenhagen, Denmark. The entire hotel from the exterior façade through to the stainless-steel cutlery used...

A PH 4.5/3 outdoor sconce with a gently curved arm. The sconce is made from copper and has been restored so it is bright and shiny. The underside is painted white to reflect the ligh...

Rare and important Poul Henningsen kuglekrone chandelier made by Louis Poulsen in Denmark in the 1930’s. The frame is made of darkend brass with original acid stained glass and black Bakelite. Poul Henningsen (September 9, 1894 in Ordrup – January 31, 1967 in Hillerød) was a Danish lamp designer, architect, revue writer, film director and social activist known by the initials PH. He was the son of the writer Agnes Henningsen and the stepson of MA, vice consul Mads Henningsen. His biological father was the writer Carl Ewald. PH had his own design studio from 1919, where i.a. the architects Hans Hansen and Mogens Voltelen worked on the clean drawing of the PH lamps. PH thought that electric bulbs cast an impossible light - either it was far too bright, or screens swallowed most of the light. He wanted a lampshade that sent the light out into the room at its full strength without dazzling. The PH lamp's three screens ensure that. He experimented in his terraced house until the lamp up in the ceiling, where the walls were painted black. A pram could be driven back and forth on rails. On the wagon, a candle stood on a cardboard plate and shone on a piece of paper with a grease stain through which the light shone. PH called it a photometer and used it for thousands of measurements of light strength and curves. The breakthrough came when a mutual friend, architect Thorkild Henningsen, introduced him to Sophus Kaastrup Olsen, director of Louis Poulsen & Co. This was the start of a lifelong collaboration. Kaastrup Olsen had some lighting fixtures manufactured and sent them to the international exhibition Arts décoratifs et industriels modernes in Paris in 1925. PH won top prizes in all six classes of lighting fixtures. Forum was inaugurated in 1926 with a car exhibition where the PH lamp with glass shades made its debut. About PH's lamps that illuminated the room, B.T. wrote: "- the white birds that flew through the giant hall". Success was assured and PH's dream fulfilled: he had created a product that could be mass produced and he became a wealthy man. His greatest success was the PH5 – the one we know as the PH lamp (with metal shades), but it was only launched in 1958. He also designed the Koglen, the Kuglen and the Charlottenborg Pendlen, which all hang in Designmuseum Denmark. He lived off the income from his famous PH lamps and used the freedom it gave him to write revues such as Ølhunden, which was sung by Osvald Helmuth, and Grabe imter blanke ting (Man bind us by mouth and hand...) , which was about the German censorship, and which was sung by Liva Weel. He began collaborations with Bernhard Christensen and Kai Normann Andersen. Poul Henningsen, in addition to seeing cubism as his style ideal ("the genuine classless art of democracy"), was a functionalist, an atheist, a hater of the church, an advocate of sexual freedom and an opponent of unnecessary ornaments on buildings. Everything had to reflect their function. This is reflected in a number of buildings in Denmark, for which Poul Henningsen was the architect; like his own villa by Gentofte Sø. From 1941 he was architect for the amusement park Tivoli in Copenhagen. At the same time, he took a unique moderate position, because already in his writings in Kritisk Revy he was critical of Bauhaus' "laboratory architecture" and Le Corbusier. He instead recommended a golden mean and thus paved the way for moderate Scandinavian functionalism. Louis Poulsen, eg. Louis Poulsen Lighting A/S, formerly Louis Poulsen & Co. A/S, is a Danish company that manufactures lamps and lighting designed by well-known designers. Previously, the company also had a wholesale company under the name Louis Poulsen El-teknik, which was acquired by Lemvigh-Müller in 2005. The company was founded in 1874 in Copenhagen by Ludvig R. Poulsen (1846-1906) as a wine import company under the name Copenhagen Direct Vin-Import-Kompagni. The company closed in 1878, but continued in the wholesale business. In 1892 - the same year that Copenhagen got its first and the country's second electricity plant - Ludvig R. Poulsen established a business selling tools and electrical articles in Istedgade 1 on Vesterbro in Copenhagen. In 1896, Ludvig R. Poulsen employed his nephew, Louis Poulsen (1871-1934), in the company. In 1906, Ludvig R. Poulsen died, who was succeeded by his nephew as director. In 1908 he moved the headquarters to Nyhavn 11, and in 1911 he admitted Sophus Kaastrup-Olsen (1884-1938) as a partner in the firm, which was then named Louis Poulsen & Co. In 1914 the company's first catalog was published, and in 1917 Sophus Kaastrup-Olsen Louis Poulsen bought out the company for DKK 10,000 and thus became sole owner of Louis Poulsen & Co. In 1918, the turnover reached 5 million. DKK In 1933, Louis Poulsen & Co. opened. a department in Aarhus. From 1938, the company, which was transformed into a limited company on 1 November 1939, was led by civil engineer Emun Rager (1884-1959) as managing director, as Kaastrup-Olsen died that year. When buying Laur. Henriksen's Metalware factory in 1941 went to Louis Poulsen & Co. A/S itself into the production of lighting fixtures. The magazine LP-NYT was launched the same year with Poul Henningsen as editor. A newly constructed building on Sluseholmen in Copenhagen was inaugurated in 1959 and was partly used for the assembly of fluorescent light fixtures and partly for electrical wholesale storage. In the same year, Jens Kaastrup-Olsen became managing director after Emun Rager. In 1964, the wholesale section was expanded by the acquisition of A/S Classen-Smidth, whereby the company gained branches in Odense and Vejle, and in 1965 Laur changed. Henriksens Metalvarefabrik name for Elpefa A/S, which moved to a newly built production hall on Sluseholmen, where all production and assembly of fittings were brought together. In 1967, I/S El-Salg was established. In 1976, Jens Kaastrup-Olsen died and was succeeded as managing director by Hans Cordes. The following year, the metalware production, which was previously an independent company called Elpefa A/S, was merged with Louis Poulsen & Co. A/S. Louis Poulsen's B shares were listed on the Copenhagen Stock Exchange, and a shareholder agreement was concluded between the heirs in 1977 to ensure that the company remained in Danish hands. 1981 Louis Poulsen & Co. bought A/S electrical wholesale section in S.C. Sørensen and thereby got eight electricity wholesale departments included in the purchase. In 1984, Elpefa Handels- og ingeniersfirma was established, in 1985 JO-EL A/S, and in 1987 the group's turnover reached DKK 1 billion. DKK In 1989, Louis Poulsen & Co. acquired A/S Skandia Havemann's El A/S, in 1990 the Danish subsidiary Lightmakers A/S was established, and in 1995 the electrical wholesale section established a special department for telecommunications and data under the name Louis Poulsen Kommunikation. At the same time, the e-commerce system eLPc was introduced. In 1997, Erik Holm became managing director, and in the same year the Lighting Section bought the English company Outdoor Lighting Ltd. The measuring instrument section of Elpefa A/S was separated in 1998 as an independent limited company under the name ELMA A/S. The electrical engineering section simultaneously bought Norsk Elektro Teknikk ASA and Nordisk Elektro Teknik AB. The shareholders' agreement of 1977 led in the 1990s to several family feuds and lawsuits, but in 1999 an agreement was reached. The family allowed themselves to be bought out, while the company remained in Danish ownership. The new owners were the investment consortium Polaris and HD Invest. After the change of ownership, the Louis Poulsen shares were delisted on the Copenhagen Stock Exchange. In the wake of the company's 125th anniversary in 1999, the former A-shareholders and the new owners of the Louis Poulsen Group established a new Danish lighting...

Pendant light by Verner Panton for Louis Poulsen, Danemark 1968.

A pendant light that was originally designed in the late 1950s by Poul Henningson for Louis Poulsen in Denmark. This piece is from the relaunch in 1982. The light is composed of tier...

Ceiling pendant designed by Louis Poulsen in 1960s. Up to 3 items available Black enameled metal. Max height: 130cm. Very good conditon. Rewired: 1x100W, E25-E27 bulb US wiring...

Very rare original Poul Henningsen "Plate" or "Langelinie" pendant from 1958 in solid copper. The lamp has never been polished and retains a w...

Model 4/3 table lamp by Louis Poulsen Circa 1960s. - Chromed steel base and stem - On/Off switch on the base - Stepped steel shade - Takes E27 fitting bulbs - Designed by Poul...

Set of 3 1950s Vilhelm Lauritzen 'Christiansborg' Pendants for Louis Poulsen. Executed in opaline matte glass and brass. A lyrical and elegant Danish modern design with a sculptural form characteristic of Lauritzen's finest work of the era. Vilhelm Lauritzen was one of the most innovative Danish modern lighting...

Early and important PH-table lamp model "4/3" by Poul Henningsen manufactured at Louis Poulsen, Copenhagen between 1926-28. The lamp base is made from patinated solid brass and the s...

Dit is een prachtige mega grote Snowball of Louvre zoals deze lamp ook wel wordt genoemd. Deze lamp is gemaakt in de jaren60. De designer van deze lamp is Poul Henningsen. D...

AJ Eklipta flush mount by Arne Jacobsen for Louis Poulsen. Designed and manufactured in the Netherlands, circa 1960's. Enameled metal, opaline glass diffuse...

An iconic PH5 limited edition 10 year jubilee model from 1968. The PH5 was presented in 1958 at Illums Bolighus in Copenhagen by its designer Poul Henning...

Often referred to as 'The Ghost of PH' and based on the Ideas of Poul Henningsen this fully adjustable white 'Anglepoise' desk light was designed in-house at Louis Poulsen in the ear...

A pair of Poul Henningsen’s PH5 ceiling lamps produced by Louis Poulsen, Denmark. The lamps are in very good condition, no scratches or noticeable signs of wear, they are tested and...

This timeless model PH5 pendant is a design by Poul Henningsen for Louis Poulsen, designed in 1956. The lamp has a white, blue and red lacquered metal with blue connecting elements.

Original polished brass and opaline glass Radiohaus wall lights designed by Scandinavian Modern designer Vilhelm Lauritzen for Poulsen. The fixtures have a set screw which allow the ...

A pair of three-arm "PH Stammkrone" chandeliers by Poul Henningsen. Both featuring 2/1 opal glass shade sets and browned brass hardware. Designed in the 1950s, later limed edition pr...