Magnus Zeller Art

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

Bernard Kretzschmar (1889-1972), Auction, etching, drypoint, and burnished aquatint, 1921, signed and dated (’20) in pencil lower right [also initialed in the plate lower left] Refe...

Drypoint printed in dark brown on heavy cream wove paper with wide margins. This is the third state (of four) from a small edition of only several. Signed and inscribed "II Zustand" ...

Artist: Dali, Salvador Title: Nude with Guitar Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25"...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

Walt Kuhn (1877-1949), Advice, etching and drypoint, 1915, signed in pencil lower right and titled lower left. In generally good condition but obviously a proof impression, with marg...

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plate (printed signature) l...

Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...

Elyse Ashe Lord (1900-1971), Celestial Nymph I, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 8 1/4 x 10, the sheet 17 x 13 1/2 inches. A fine impression, with strong color and plate tone on the nymph and surrounding decorations, and with pencil additions in various places on the nymph by the artist (using the same pencil as with signing). Printed on a light laid ivory Japan paper. Provenance: Kennedy Galleries, New York (with their stock number A 32064) Elyse Ashe Lord developed her unique artistic style exclusively around oriental subject matter. Her art was inspired by both Chinese art and various aspects of oriental culture. Although E.A.Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion. In particular, Elyse Lord is unusual in combining the technique of drypoint with woodcut colour printing. She uses the drypoint design almost as the Japanese would have used a key block in multiple block colour printing. The colours would then be added by over-printing the drypoint design using colour-inked wood blocks, precisely as displayed by this unique series of progressive proofs. Elyse Lord would always supervise the difficult process of printing her plates and blocks, in person. [I am indebted to Michael Campbell...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...

William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...

Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches. A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...