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Marcel Duchamp Figurative Prints

French, 1887-1968

Marcel Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. His output influenced the development of post-World War I Western art. Duchamp advised modern art collectors such as Peggy Guggenheim and other prominent figures, thereby helping to shape the tastes of Western art during this period.

A playful man, Duchamp challenged conventional thought about artistic processes and art marketing, not so much by writing but through subversive actions such as dubbing a urinal "art" and naming it Fountain. He produced relatively few artworks, while moving quickly through the avant-garde circles of his time.

“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act,” said Duchamp.

Born on July 28, 1887, in Blainville, brother of the artist Raymond Duchamp-Villon and the painter Jacques Villon, Duchamp began to paint in 1908. After producing several canvases in the current mode of Fauvism, he turned toward experimentation and the avant-garde, producing his most famous work, Nude Descending a Staircase (No. 2) in 1912. Portraying continuous movement through a chain of overlapping Cubistic figures, the painting caused a furor at New York City's famous “Armory Show” in 1913.

Duchamp painted very little after 1915, although he continued until 1923 to work on his masterpiece, The Bride Stripped Bare by Her Bachelors, Even, an abstract work, also known as The Large Glasscomposed in oil and wire on glass — that was enthusiastically received by the Surrealists.

In sculpture, Duchamp pioneered two of the main innovations of the 20th-century kinetic art and ready-made art. His "ready-mades" consisted simply of everyday objects, such as a urinal and a bottle rack. His Bicycle Wheel, an early example of kinetic art, was mounted on a kitchen stool.

After his short creative period, Duchamp was content to let others develop the themes he had originated; his pervasive influence was crucial to the development of Surrealism, Dada and Pop art.

Duchamp became an American citizen in 1955. He died in Paris on October 1, 1968.

Find a collection of authentic Marcel Duchamp prints, photography and other art on 1stDibs.

(Biography provided by David Barnett Gallery)

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Artist: Marcel Duchamp
Coeurs Volants (Fluttering Hearts) Schwartz 446C, historic hand signed edition
By Marcel Duchamp
Located in New York, NY
Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...
Category

1960s Dada Marcel Duchamp Figurative Prints

Materials

Screen, Pencil

Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation)
By Marcel Duchamp
Located in New York, NY
Marcel Duchamp Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation), 1966 Silkscreen Poster with Gold Matting Frame included Very scarce 1960s collectors item - rarely seen! Measurements: Framed: 26.25 x 21.25 x 0.5 inch Print: 26 x 21 inches Unsigned Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This extremely rare and historic invitation/exhibition poster was designed by Duchamp on the occasion of a group exhibition at New York's Cordier & Ekstrom Gallery for the Marcel Duchamp Fund of the Americas Chess Foundation in 1966. Duchamp used the RSVP cards he sent to various artists as a design for this invitation. Many of these RSVP cards had the artist's autographs, and a few, like the one from Alexander Calder, included personal notes to Duchamp. Some of the more famous of the 36 artists featured in print who participated by donating works to this fundraiser include: Jasper Johns, Karl Gerstner, David Hare, Salvador Dali, Enrico Donati, Roberto Matta, Isamu Noguchi, Alexander Calder, Dorothea Tanning, Jean Tinguely, Niki De St. Phalle, George Segal, Robert Rauschenberg, James Rosenquist, Meret Oppenheim, Alfonso Ossorio, Robert Motherwell, Claes Oldenburg, Man Ray, Joan Miro, Rene Magritte, Richard Lindner, Roy Lichtenstein, Arman, Enrico Baj, Hans Bellmer, Victor Brauner, Alexander Liberman, William Copley, Cleve Gray and several others. However -- did you notice one name was noticeably absent? Andy Warhol! How could that be? Well, it turns out Andy Warhol has actually expected to be invited to exhibit but for some reason was overlooked. He did, however, attend the opening and filmed Duchamp in one of his famous "Screen Tests...
Category

1960s Dada Marcel Duchamp Figurative Prints

Materials

Screen

Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz 344) Signed 8/60
By Marcel Duchamp
Located in New York, NY
Marcel Duchamp Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date, title and number on label verso. 12 7/10 × 10 1/10 inches Edition 8/60 Hand-signed by artist, Hand signed by Marcel Duchamp in blue ink recto. Sticker label verso bears printed title, edition number, year and description. Printed by Shuzo Takiguchi, published in Tokyo. Catalogue Raisonne Reference: "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344 Provenance: This was part of the Deluxe Artist portfolio, "To and From Rrose Sélavy"; this will be the first time the work has been separated from the portfolio Please refer to the attached video to see this 3-D piece in person Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy (aka Marcel Duchamp)." The present work - Takiguchi's own piece, a lenticular double portrait - combines Rrose Sélavy's signature with Man Ray's 1930 profile of Duchamp. Its subject, Marcel Duchamp, then signed this work in pencil. Its title, "Rrose Sélavy in the Wilson-Lincoln System", refers to Duchamp's Green Box note describing a two-way, changeable portrait of presidents Abraham Lincoln and Woodrow Wilson. Rrose Selavy is, famously, Marcel Duchamp's pseudonym and alter ego. Duchamp died before Takiguchi's book was completed, so this print is one of the very last graphic works that has been hand signed by Marcel Duchamp. It was published in Japan, and is a very elusive work stateside. Another edition of this work is in the permanent collection of the Museum of Modern Art. The National Portrait Gallery and other major institutional collections. This work is fully referenced in the catalogue raisonne "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344, describing the work as follows: "Rrose Selavy in the Wilson Lincoln System (a double image plastic plate with, on the background, Man Ray's portrait of Duchamp, and superimposed,, Rrose Selavy's autograph signature repeated four times, signed lower right in blue ink: Marcel Duchamp, an original embossed print...." More about Marcel Duchamp: Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France. In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Académie Julian until 1905. Duchamp’s early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Indépendants and the Salon d’Automne in Paris. His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. Duchamp’s radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916. By 1913, he had abandoned...
Category

1960s Surrealist Marcel Duchamp Figurative Prints

Materials

Plastic, Mixed Media, Board, Pencil, Lenticular

Morceaux choisis d'après Ingres, I
By Marcel Duchamp
Located in New York, NY
A very good impression of this etching and aquatint on Japon nacré. Schwarz's state a (of c). The deluxe edition of 30 on Japon nacré, aside from the edition of 150. Signed and numbe...
Category

1960s Dada Marcel Duchamp Figurative Prints

Materials

Etching, Aquatint

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Marcel Duchamp figurative prints for sale on 1stDibs.

Find a wide variety of authentic Marcel Duchamp figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Marcel Duchamp in aquatint, board, engraving and more. Much of the original work by this artist or collective was created during the 1960s and is mostly associated with the Surrealist style. Not every interior allows for large Marcel Duchamp figurative prints, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of André Thomkins, Roland Topor, and Alejandro Colunga. Marcel Duchamp figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $6,000 and tops out at $69,597, while the average work can sell for $29,000.
Questions About Marcel Duchamp Figurative Prints
  • 1stDibs ExpertOctober 15, 2024
    The answer to whether Marcel Duchamp was a Surrealist artist is complicated. During his lifetime, the French artist resisted being labeled as a member of any art movement. Despite this, he is often associated with both the Dadaist and Surrealist movements. A provocative artist, Duchamp challenged conventional thought about artistic creation through subversive actions such as dubbing a urinal "art" and naming it Fountain. His influence was crucial to the development of Surrealism, Dada and Pop art. On 1stDibs, explore a range of Marcel Duchamp art.
  • 1stDibs ExpertJanuary 19, 2025
    Marcel Duchamp's famous sculpture of Dadaism is widely considered to be Fountain. Its name was a playful subversion that shocked viewers when it was exhibited in 1917. The reason for the surprise? Duchamp's so-called “fountain” was actually a urinal. Although the original piece was either lost or destroyed, several museums have authorized reproductions of the work in their collections. Among them are the Philadelphia Museum of Art in Philadelphia, Pennsylvania; the San Francisco Museum of Modern Art in San Francisco, California; the Tate Modern in London, UK, and the Moderna Museet in Stockholm, Sweden. Explore an assortment of Marcel Duchamp art on 1stDibs.

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