Margaret Roleke Figurative Prints

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Catalogue Ra...

Pop Art style portrait of a woman with a likeness to Kate Moss by Marc Foster Grant (American, 20th Century). Unsigned, from a collection of his work...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Kunsthalle Bern (Hopeless)" Year: 1968 Medium: Original Screenprint, Exhibition Poster o...

Andy Warhol (After) Warhol Unlimited, 2015 Silkscreen on thin linen canvas backing 63 × 47 inches Unframed This large, stunning silkscreen poster was published on the occasion of the...

A silkscreen print by Allan D'Arcangelo from 1978. A pop art style montage of iconic American imagery. Unframed. Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Icarus Yea...

Alex Katz Dancer 1 2019 Silkscreen in colors on Saunders Waterford HP High White 425 gsm paper 60 x 36 inches (153 x 92 cm) Edition of 60

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

Shepard Fairey Screen-prints: collection of 60 works: 2009-2022: A rare assemblage of 60 hand-signed Shepard Fairey screen-prints; collected over a near 15 year period (2009-2022). Notable imagery includes: Bob Marley, Keith Haring, Ruth Bader Ginsburg, Kurt Cobain, as well as a series of vivid anti-war pieces defining the artist's practice (title list found further below). Each very well-preserved. Medium: Screen-prints on heavy paper. 2009-2022 (see below for a list of titles & years). Dimensions ranging from: 19.5 x 16 inches to 24x36 inches. Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered. Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples. Provenance: Private collection New York via Shepard Fairey. Listing images beginning with image 2 represent the actual works. These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions. Titles & Years: OCEAN TODAY...

$100 U.S. Flag by Steven Gagnon, American (1973) Date: 2004 Screenprint on Coventry, Signed and numbered in pencil Edition of 100 Image Size: 36 x 60 inches Size: 40 in. x 63 in. (10...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 297/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-colored by the artist. Printed by master printer Bud Shark. Printed on White Rives BFK. A unique impression, signed by the artist in pencil lower right. 3 sheets. Each sheet is 30 x 44 ½ ”. Overall: 30 x 133 ½ ” This has all the wonderful components of a Red Grooms piece, Keystone Kops policemen, Circus, Cactus, Cowboys, Hollywood sign etc. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès...