Marguerite Stuber Pearson Still-life Paintings

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white roses in a blue vase set on top of a glossy table. The artist was truly a mast...

Still Life Painting of a Vase of Pink, Red & White Roses by 20th Century American Artist, Robert Cox (1934-2001) Art measures 7.5 x 9.5 inches (unframed) Framing by arrangement Awa...

Still Life of a Vase of Red & White Flowers by 20th Century American Artist, Robert Cox (1934-2001) Art measures 24 x 20 inches Frame measures 29 x 25 inc...

Still Life Painting of a Vase of Pink, Red & White Roses by 20th Century American Artist, Robert Cox (1934-2001) Art measures 7.5 x 9.5 inches (unframed) F...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

Acrylic painting on illustration board of three pink cyclamen flowers and heart-shaped leaves on a blue background by Barbara Gibson (American, 20th Century). Artwork is presented in...

Yana Beylinson's (US based) "Lattice" is an oil painting that depicts impressionistic mauve, pink, and white flowers in situ with a gold leaf lattice pattern on the lavender colored ...

Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...

Mostly White by Lu Haskew Floral Still Life Oil painting 24x20" image size 28x24" framed size ABOUT THE ARTIST: Lu considered it a must to work with live models once or twice a w...

Antique American still life oil painting of hanging fruit and grapes. Oil on board. Framed

An impressionist still life painting. Two tables, one larger, painted in creams and ochers, in the background and one smaller, covered in a black and white patterned cloth, in the fo...

A charming floral still life scene oil on canvas painting by the French artist, Johanne Schiefer. With pink, white, and purple flower arrangement in a clear glass vase, with some few petals that fell lying on the surface. This painting is a wonderful example of his work from the prime of his career with simple florals with an abundance of color and life. The piece is signed by the artist lower left and it comes housed in a wonderful multicolor vintage wood frame and hanging wire on verso ready to be displayed. Art measures 16 x 12 inches Frame measures 19.5 x 15.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...