Mark Fox Abstract Drawings and Watercolors

This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Usin...

Baldur Helgason drawing 2018: Baldur Helgason Jorgen the Dog Day: A robust, lively Helgason hand-drawing defined by the artist’s signature style. Med...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

An acrylic and caran d'ache abstract drawing of the moment in the season when it is so crips and quiet that your shoes make clear tracks frozen in the snow. This drawing was produce...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Landscape mixed media on vintage paper 97x37 cm 2019 the artwork have a frame 50x110 cm The major creative focus of Marilina Marchica has always been with urban architecture and ...

Watercolor, oil pastel, charcoal, ink, salt and Black 3.0 on watercolor paper, 22.25" high x 29.75" wide Pink, red, peach, orange, purple, black Framing available COA available upon...

This wall-hanging artwork titled "Familiar Marks, Unfamiliar Places Number 11" is an original artwork by Kelly Knaga made of photography, digital print, an...

Artist: Cynthia Carlson, American (1942 - ) Title: Hornet Rocks Year: 1980 Medium: Roplex, acrylic, & wax crayon, signed, titled and dated verso Size: ...

To see our other Mid Century and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Charles Pulsford...

Untitled #7, 2016 Wax crayon on paper 78 7/10 × 59 1/10 in 200 × 150 cm Signed on reverse Berszán tries to bring forward the moment of the brutal unbinding between “I” and the “oth...

A drawing by Henry Moore. "Sculpture Motives" is a semi-abstract, figurative drawing, ink, watercolor, and wax crayon on paper in beige, white, and black platte by British modern art...