Marta Łebek Drawings and Watercolor Paintings
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Artist: Marta Łebek
Nude - XXI Century, Contemporary Charcoal Figurative Drawing, Sitting Female
By Marta Łebek
Located in Warsaw, PL
Marta Lebek is a Polish artist born in 1978. She currently lives and works in Spain.
She studied at the School of Fine Arts and specialized in the departm...
Category
21st Century and Contemporary Expressionist Marta Łebek Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Nude - XXI Century, Contemporary Gouache and Charcoal Figurative Drawing, Female
By Marta Łebek
Located in Warsaw, PL
Marta Lebek is a Polish artist born in 1978. She currently lives and works in Spain.
She studied at the School of Fine Arts and specialized in the departm...
Category
21st Century and Contemporary Expressionist Marta Łebek Drawings and Watercolor Paintings
Materials
Paper, Charcoal, Gouache
Nude - XXI Century, Gouache and Charcoal Figurative Drawing, Black and White
By Marta Łebek
Located in Warsaw, PL
Marta Lebek is a Polish artist born in 1978. She currently lives and works in Spain.
She studied at the School of Fine Arts and specialized in the departm...
Category
21st Century and Contemporary Contemporary Marta Łebek Drawings and Watercolor Paintings
Materials
Charcoal, Paper, Gouache
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H 22.45 in W 13.39 in D 0.04 in
Woman at Rest, Nude Female, Pastel and Charcoal Drawing on Green Paper
By Christopher Ganz
Located in Chicago, IL
The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing.
Christopher Ganz
Woman at Rest, 2013
pastel and charcoal on green paper
23h x 18w in
58.42h x 45.72w cm
CG0062
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...
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H 23 in W 18 in D 0.1 in
Strength - Tattooed Shirtless Man Holding a Purple Plastic Squirt Gun, Framed
By Bruno Surdo
Located in Chicago, IL
A muscular male torso with tattooed arms, holds a gun while gazing up towards the sky. The face is obscured but the viewer is drawn toward the taut, defined muscles. This piece is floated and framed in a simple black frame measuring 18.25h x 15.25w inches.
Bruno Surdo
Strength
charcoal on paper
11h x 14w in
27.94h x 35.56w cm
BRS113
Bruno A. Surdo
b. Chicago, 1963
EXHIBITIONS
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
Nix & Virginia Lauridsen
Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
Lawrence Pucci
Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
Michael & Nancy Colt
Khalid Altijir
Dr. Joe Grodman
Beryl & Jack Gore
Larry Wolf & Eric Naegle
Chuck Wolandi
Jack Schwab & David Sandelin
Thomas Kaczmarek
Marti Dinerstein
Craig & Michael Golden
Mike & Jill Rose
SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
“Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002
Review by Dennis Raverty, Art Papers Magazine, July 2001
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Aquatint Etching with Hand Watercolor Painting Jules Pascin Signed
By Jules Pascin
Located in Surfside, FL
Genre: German Expressionist
Subject: Three Noble figures, Noblesse
Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it)
Surface: Paper
Circa 1920's
This is hand signed lower right. the edition is 7/100
Mat measures 15 X 11. window opening about 7 x 7
Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed.
Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45.
Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929.
In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York.
Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him.
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This is hand signed lower right.. there does not seem to be an edition size although there is a handwritten number lower left
sheet measures 12.5 x 19.88. plate size about 9 x 13.5
Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules...
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Provenance:
Private Collection, New York
This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...
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Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...
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Marta Łebek drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Marta Łebek drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by Marta Łebek in charcoal, paper, gouache and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Expressionist style. Not every interior allows for large Marta Łebek drawings and watercolor paintings, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of David Jones, CH, CBE, Gaurango Beshai , and Benjamin Kopman. Marta Łebek drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $279 and tops out at $391, while the average work can sell for $391.